Simon Templar, é um ladrão contratado, cujo último trabalho para roubar o processo secreto de fusão a frio o coloca em desacordo com um traidor, que se inclina a derrubar o governo russo, as... Ler tudoSimon Templar, é um ladrão contratado, cujo último trabalho para roubar o processo secreto de fusão a frio o coloca em desacordo com um traidor, que se inclina a derrubar o governo russo, assim como a mulher que guarda seu segredo.Simon Templar, é um ladrão contratado, cujo último trabalho para roubar o processo secreto de fusão a frio o coloca em desacordo com um traidor, que se inclina a derrubar o governo russo, assim como a mulher que guarda seu segredo.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 2 indicações no total
Valeriy Nikolaev
- Ilya Tretiak
- (as Valery Nikolaev)
Evgeniy Lazarev
- President Karpov
- (as Evgeny Lazarev)
Irina Apeksimova
- Frankie
- (as Irina Apeximova)
Lev Prygunov
- General Sklarov
- (as Lev Prigunov)
Egor Pazenko
- Scratchface
- (as Yegor Pazenko)
Adam C. Smith
- Young Simon Templar
- (as Adam Smith)
Avaliações em destaque
I loved this film as a child. Val Kilmer is hamming it up as this odd character that uses the weirdest accents and wigs throughout the film. Re-watching this film, I've discovered that the South African can character he creates to seduce the female lead is... cringeworthy yet hilarious.
Also cracking me up is the son of the villain Tretiak. The pony tailed, cane wielding minion has this amazing sixth sense to make the most outlandish "leaps of observation" to find Kilmer. This greasy bloodhound blankly looks around and can in any situation immediately find where Kilmer has gone.
Oddly enough some scenes seem to also have been shot with a green screen during reshoots. Simple shots like two people speaking in a doorway are superimposed on a Moscow background. This only adds to the love I have for this weird and sloppy film that I continue to return to.
Also cracking me up is the son of the villain Tretiak. The pony tailed, cane wielding minion has this amazing sixth sense to make the most outlandish "leaps of observation" to find Kilmer. This greasy bloodhound blankly looks around and can in any situation immediately find where Kilmer has gone.
Oddly enough some scenes seem to also have been shot with a green screen during reshoots. Simple shots like two people speaking in a doorway are superimposed on a Moscow background. This only adds to the love I have for this weird and sloppy film that I continue to return to.
I love this movie. As a movie buff, I must admit, objectively, this is a bad movie. The writing is ridiculous, the plot is convoluted, and Val Kilmer's accents are bizarre. But I love this movie. It is that wonderful combination of danger and romance that makes for great fantasy. The chemistry between Kilmer and Shue holds this movie together. It is a delight to watch them realize that their skin deep attraction goes much deeper. If you can suspend your disbelief and just enjoy the ride, the Saint is a fun movie. Despite its flaws, the Saint is a guilty pleasure to indulge in when your own life is lacking in explosions, gun fights, and sudden, passionate romances.
I liked this movie. Not as "The Saint" but as an elaborate action movie with a twist. Val Kilmer bears nothing in him that even gets close to Roger Moore's character - but if you look away from that and try to see it as an ordinary film, it's really good.
First of all, Val Kilmer performs fairly well, despite his weird accents. I really liked his artist type guy who seduces Emma Russell, he was great fun.
As for the story, well...I didn't bother to check for anomalies, I knew I'd find plenty. I only have two more things to say:
1. Elisabeth Shue is absolutely stunningly beautiful in this film.
2. The cool car that we only get to see a few seconds is a Volvo C70, a worthy replacement for the Volvo P1800 that Moore's Saint drove around in.
First of all, Val Kilmer performs fairly well, despite his weird accents. I really liked his artist type guy who seduces Emma Russell, he was great fun.
As for the story, well...I didn't bother to check for anomalies, I knew I'd find plenty. I only have two more things to say:
1. Elisabeth Shue is absolutely stunningly beautiful in this film.
2. The cool car that we only get to see a few seconds is a Volvo C70, a worthy replacement for the Volvo P1800 that Moore's Saint drove around in.
I just finished watching the Saint again, it's the sort of movie you remember seeing a few years back and when you get home after a long day at work your glad it's being re-run on TV. The plot is nothing stunning but neither is it entirely unbelievable. Simon Templar (Val Kilmer) is a big time con-artist/thief who operates to further his own financial position, charm some very attractive ladies and buy himself a Volvo that actually looks good. An ambitious Russian oil magnate hires him to steal a formula off a gorgeous nuclear physicist. They fall in love and Templar turns from thief into hero. I don't think this movie claims to be anything life-changing but it's good fun if taken lightly. Kilmer has a good turn as Templar and his various disguises and pranks along with some bungling by a few hapless Scotland Yard detectives provide a few laughs. The action is great fun and backed by the Chemical Brothers and Underworld. The romance between Elisabeth Shue's character and Kilmer's isn't bad either, they're both convincing in their own way and there are some nice moments for sentimental folk like me. The Saint is perfect for a quiet night with the boys, beers and some gawking at Elisabeth Shue, it's bad not to watch with that someone special either.
Cheers
Tim
Cheers
Tim
The Saint has been criticised vociferously since its release in 1997. In some reviews, it has even been likened to The Avengers as one of the most misguided movies of all-time. However, I genuinely cannot see why this film has aroused so much dismay among the cinema going public. As far as I'm concerned, this is an accomplished, rousing and satisfyingly complex espionage thriller.
The plot finds a master of disguise/super-thief, Simon Templar (Kilmer), being hired to track down and steal a brilliant energy-saving formula. The formula was invented by a female science student at Oxford University (Shue), and when Templar eventually closes in on her, he finds himself falling in love with her. Oh yes, then there's the small problem of the swarm of Russian agents who also want the formula....
Kilmer is OK as Templar, but the character was better portrayed in previous incarnations by Ian Ogilvy and Roger Moore. Shue, as the science whiz, actually manages to just about get away with the fact that she is essentially miscast. The action scenes in the film are well done, but this is no surprise since the director Phillip Noyce is a dab hand at this kind of thing thanks to his work on a couple of the Jack Ryan movies, not to mention the unbearably taut Dead Calm.
If you've never seen The Saint, I would encourage you to do so. If you've intentionally avoided the film because of the negative reviews you may have read, ignore them! This is huge fun!
The plot finds a master of disguise/super-thief, Simon Templar (Kilmer), being hired to track down and steal a brilliant energy-saving formula. The formula was invented by a female science student at Oxford University (Shue), and when Templar eventually closes in on her, he finds himself falling in love with her. Oh yes, then there's the small problem of the swarm of Russian agents who also want the formula....
Kilmer is OK as Templar, but the character was better portrayed in previous incarnations by Ian Ogilvy and Roger Moore. Shue, as the science whiz, actually manages to just about get away with the fact that she is essentially miscast. The action scenes in the film are well done, but this is no surprise since the director Phillip Noyce is a dab hand at this kind of thing thanks to his work on a couple of the Jack Ryan movies, not to mention the unbearably taut Dead Calm.
If you've never seen The Saint, I would encourage you to do so. If you've intentionally avoided the film because of the negative reviews you may have read, ignore them! This is huge fun!
Você sabia?
- CuriosidadesThe poetry written by Simon Templar's long-haired artist character, Thomas Moore, was actually written by Val Kilmer.
- Erros de gravaçãoWhen Dr. Russell is shown the sketches of Simon's saint alter-egos, the nerdy reporter is in the pack. At the end she is surprised to find out he was the nerd, and the detective from Scotland Yard sitting next to Simon does not recognize him in his nerd persona.
- Citações
Emma Russell: Who are you?
Simon Templar: Nobody has a clue. Least of all me.
- Versões alternativasUK versions are cut by the BBFC with a minor edit to a shot in a nightclub where Tretiak is seen to visibly snort a line of cocaine on a mirror.
- ConexõesEdited into Cold Fusion: Fire from Water (1998)
- Trilhas sonorasDead Man Walking
by David Bowie and Reeves Gabrels
Performed by David Bowie
Courtesy of Jones Music/Virgin Records America Inc./BMG Music
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- El Santo
- Locações de filme
- Leningrad Station, Moscou, Rússia(on location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 68.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 61.363.304
- Fim de semana de estreia nos EUA e Canadá
- US$ 16.278.873
- 6 de abr. de 1997
- Faturamento bruto mundial
- US$ 118.063.304
- Tempo de duração1 hora 56 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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