O Maníaco das Estradas

This low--budget flick concerns a young actress who stops at a desolate auto shop one day when her vehicle breaks down and is nearly murdered by the psycho of the title. She narrowly escapes and a year later is stalked by him again on the set of her new movie. This film is alternately hilarious and dull. I can't even begin to describe everything that is wrong with this movie, from the acting down to the gore effects, but I can mention a few of the more ridiculous moments. For instance, it's astonishing to discover that the film crew and director of the victim/actress's new film actually think they're making an intelligent sci-fi film! We see several sexy women walking through a desert in one scene. There is no dialogue other than when one of the women woodenly lifts up her arm and says "Look". Then one of the women is devoured by a gigantic mouth with sharp teeth protruding from the ground. I laughed hysterically at this scene! The film tries to make a statement by portraying the maniac/hero as a complete savage in every way, thus the hilarious scene where he picks up a live snake and takes a bite from it (you can plainly see that he's eating a chunk of food sitting on the snake's skin). And then there's the "climax" on top of a giant wooden spaceship, which will leave most people screaming "What the f***!?" This is a must-see for fans of truly terrible cinema . . .others beware.

This is a good slasher film with decent kills and acting. Definitely worth watching.

My review was written in January 1989 after watching the film on Media Home Entertainment video cassette.

Previously known as "Breakdown", this threadbare horror pickup from Cannon boasts a couple of unusual names in the credits but flunks out in execution, accounting for its direct-to-video release.

Co-producer Loren Wines toplines as a model who gets a job starring in a low-budget sci-fi flick, "Astronette". She also has a run-in with an escaped looney (James Courtney), who slashed folks in the pic's prolog and keeps getting loose to wreak havoc on or near the freeway.

Filmmaker Paul Winters includes some heavy-handed spoofing of low-budget genre lensing, while his own work is a substandard example of same. Renowned horror cartoonist Gahan Wilson contributed to the ho-hum script and also fashioned a large clam monster for the film-within-a-film that resembles his magazine drawings. Lead guitarist for The Doors, Robby Krieger, delivers some forgettable songs, and such heavyweights as Robert Bloch and Stan Lee figure in the thank-you credits.

It's all a lost cause with amateurish acting, cheapo technical work and little imagination.

As a boy, Arthur killed his mum and her boyfriend. As an adult, Arthur (James Courtney) escapes from a mental institution after killing everyone in his path.

Meanwhile, after catching her cheating boyfriend in the act, Linda (Loren Winters) walks out, having no idea what's about to occur. A fight for survival begins when she encounters sinister hillbillies. Said hicks are the least of Linda's problems! Arthur soon arrives to "save" her for himself. Managing to escape his grasp, Linda goes back to her life as an actor.

Arthur will now do anything to relocate her.

THE FREEWAY MANIAC is a high-octane, 1980's hyper-schlock masterwork! Every possible misfire: Visible microphone, heinous "acting", doofus dialogue, clunky set pieces, etc., are here! What should be drawbacks are assets in this criminally inept classic!

The truly sublime idiocy starts when Arthur tracks Linda down on the set of her new sci-fi epic! Pure platinum! Watch this immediately!...

Homicidal maniac Arthur (James Jude Courtney) escapes from the psychiatric hospital where he has been a patient since a child (when he murdered his mother and her lover for recreating the table-top shag scene from The Postman Always Rings Twice) and makes his way to the desert where aspiring model/actress Linda (sexy blonde Loren Winters) is filming her debut movie, the woman having escaped the killer's clutches the last time he broke free (security is not the institution's strong point, but the patients do get a daily smoke break with free cigarettes).

Low budget slasher The Freeway Maniac is knowingly dumb, as evidenced by the schlocky z-grade sci-fi movie that Linda is starring in and the fact that Arthur knows how to drive a rig despite being locked up for almost all of his life; as such, it is quite a lot of brainless fun, Arthur more than living up to his title of maniac, the man killing virtually everyone he meets, howling at the moon, and snacking on the rattlers and ants that he catches in the desert. In addition to the movie's many murders, writer/director Paul Winters features lots of crazy stunt-work, with impressive vehicular action, a full body burn gag, and an explosion, all of which keeps the film trundling along at a decent lick.

Unfortunately, the kills in the film are largely free of gore despite Arthur's weapons including claw-hammer and chainsaw - more blood and guts would definitely have helped to make this one a more memorable bona fide trash classic - and the ending, in which Arthur poses as an actor to get near to Linda, is a total mess, the film closing in an unsatisfactory manner with the maniac still at large. Also, it would be remiss of me if I failed to mention that the very lovely Winters doesn't have a shower scene, although there is a strip routine by one of the supporting actresses.

5.5, rounded up to 6/10 for IMDb.