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6,5/10
9,6 mil
SUA AVALIAÇÃO
Na esperança de um grande resultado, dois casais de drogados se unem para cometer vários roubos de drogas que dão desastrosamente errado, levando à dissidência, violência e ao assassinato.Na esperança de um grande resultado, dois casais de drogados se unem para cometer vários roubos de drogas que dão desastrosamente errado, levando à dissidência, violência e ao assassinato.Na esperança de um grande resultado, dois casais de drogados se unem para cometer vários roubos de drogas que dão desastrosamente errado, levando à dissidência, violência e ao assassinato.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 1 indicação no total
Karen Sheperd
- Big Man's Wife
- (as Karen Lee Sheperd)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Larry Clark's (KIDS) second film, ANOTHER DAY IN PARADISE features an explosive performance by James Woods as a "professional" thief/junkie, who along with his girlfriend (a well cast Melanie Griffith) adopt two young lovers (Vincent Kartheiser and Natasha Gregson Wagner) and hit the road in search of drugs and money. Mel (Woods) and Sid (Griffith), who see Rosie (Wagner) and Bobbie (Kartheiser) as younger versions of themselves, teach them the ropes of criminal life.
It is a familiar story, and there is no doubt the characters' vision of paradise shown in the beginning of the film, with its endless supply of drugs and feeling of family, is quickly going to deteriorate into violence and death. I am reminded of the superior DRUGSTORE COWBOY, which also follows a "family" of junkies who rob to pay for their habits, but fine performances by the four leads, especially Woods, make PARADISE worth a look.
Clark's cinema vérité style of direction (a la KIDS) supplies the feeling of uneasiness throughout the film and heightens the impact of the jarring violence. The soundtrack of great soul tunes effectively mirrors the contradictory feelings of despair and hope that plague the characters. The film is not without flaws but recommended to fans of the road/lovers on the lam movies like BADLANDS, TRUE ROMANCE etc.
It is a familiar story, and there is no doubt the characters' vision of paradise shown in the beginning of the film, with its endless supply of drugs and feeling of family, is quickly going to deteriorate into violence and death. I am reminded of the superior DRUGSTORE COWBOY, which also follows a "family" of junkies who rob to pay for their habits, but fine performances by the four leads, especially Woods, make PARADISE worth a look.
Clark's cinema vérité style of direction (a la KIDS) supplies the feeling of uneasiness throughout the film and heightens the impact of the jarring violence. The soundtrack of great soul tunes effectively mirrors the contradictory feelings of despair and hope that plague the characters. The film is not without flaws but recommended to fans of the road/lovers on the lam movies like BADLANDS, TRUE ROMANCE etc.
I started watching this film rather late at night thinking I would unwind for a few minutes and then retire for the day. As I sat watching this film it's intensity began to build and draw me in. The story itself is nothing new. It was the performers that kept me involved. It was no surprise to me that James Woods would be his excellent self. The pleasant surprise was Melanie Griffith. She displayed some range I had'nt witnessed from her before. As the young street couple Vincent Kartheiser and Natasha Gregson Wagner show great promise as young actors.Kartheiser in particular. Execution is raw and at times it's hard to witness whats going on. Recommended. Give it a shot.
Another film of the drug/gangster sub-genre, ANOTHER DAY IN PARADISE is upper echelon material as far as these pictures go. It is also a sibling to DRUGSTORE COWBOY unintentionally. There are so many similarities because it is impossible to make this type of movie nowadays without being repetitive. No matter. Director Larry Clarke (KIDS, ew!) and main booster James Woods himself dive into that disgusting and sometimes frantically hilarious world of sex, drugs, and driving around. The film works because there are some good characterizations here and people who actually show some concern for each other throughout the haze of it all.
Melanie Griffith plays "Sid", James Woods' girlfriend in the story and delivers some of the finest moments of her career. Not since WORKING GIRL have I seen such a likeable and ballsy portrayal from Griffith, who is a junkie with a knack for mothering the 2 teen runaways and a potent trigger finger when one is needed. The runaways are the children Woods and Griffith parent vicariously through in the most unusual of ways. The kids (Vincent Kartheiser, Natasha Wagner) are a version of Bonnie and Clyde, while the adults resemble a warped Ozzie and Harriett. It all adds up to a group of 4 remembering DRUGSTORE COWBOY. This crew needs drugs and they get them by stealing from pharmacists just as Matt Dillon's crew did.
The setting is the early 1970's I guess, and the music reflects the period well. Funk and blues reign over the film's violent and illegal activities while adding a sense of romance to it. You get that feeling in your heart that it won't last (a la BONNIE AND CLYDE, DRUGSTORE COWBOY). Woods character starts out cynical and wise to the "life", but turns ugly as you figure him to do. The young kids who looked up to him throughout grow tired naturally, but his reluctance to grow old possesses him to keep them around. This is where Melanie Griffith is able to shine. She is a sweet, attractive woman who happens to stick needles in her neck. Nobody's perfect.
James Woods was born to play the creep. He has some great lines in ANOTHER DAY IN PARADISE. His stories are funny, his trademarks are constant (booyah!), and his fits are worth the price of admission. He is so good at coming across initially confident, eventually desperate and evil. Woods must have had much faith in director Clarke's abilities and the casting of Natalie Wood's daughter, Natasha is a nice, offbeat touch. This is low-budget, nasty fare, a descendant of the countless druggie flicks of the 70's, 80's and PULP FICTION. It is sometimes amazing to see how low actors will go to capture this wild world of fun and drugs in the dark.
RATING: ***
Melanie Griffith plays "Sid", James Woods' girlfriend in the story and delivers some of the finest moments of her career. Not since WORKING GIRL have I seen such a likeable and ballsy portrayal from Griffith, who is a junkie with a knack for mothering the 2 teen runaways and a potent trigger finger when one is needed. The runaways are the children Woods and Griffith parent vicariously through in the most unusual of ways. The kids (Vincent Kartheiser, Natasha Wagner) are a version of Bonnie and Clyde, while the adults resemble a warped Ozzie and Harriett. It all adds up to a group of 4 remembering DRUGSTORE COWBOY. This crew needs drugs and they get them by stealing from pharmacists just as Matt Dillon's crew did.
The setting is the early 1970's I guess, and the music reflects the period well. Funk and blues reign over the film's violent and illegal activities while adding a sense of romance to it. You get that feeling in your heart that it won't last (a la BONNIE AND CLYDE, DRUGSTORE COWBOY). Woods character starts out cynical and wise to the "life", but turns ugly as you figure him to do. The young kids who looked up to him throughout grow tired naturally, but his reluctance to grow old possesses him to keep them around. This is where Melanie Griffith is able to shine. She is a sweet, attractive woman who happens to stick needles in her neck. Nobody's perfect.
James Woods was born to play the creep. He has some great lines in ANOTHER DAY IN PARADISE. His stories are funny, his trademarks are constant (booyah!), and his fits are worth the price of admission. He is so good at coming across initially confident, eventually desperate and evil. Woods must have had much faith in director Clarke's abilities and the casting of Natalie Wood's daughter, Natasha is a nice, offbeat touch. This is low-budget, nasty fare, a descendant of the countless druggie flicks of the 70's, 80's and PULP FICTION. It is sometimes amazing to see how low actors will go to capture this wild world of fun and drugs in the dark.
RATING: ***
1st watched 12/26/2009 – 8 out of 10(Dir-Larry Clark): Extremely well executed drama about a couple of older drug-using thieves who take a younger couple under their wings as they survive in this rough un-forgiving chaotic world. The movie begins as the younger couple is introduced and the male character(played by Vincent Kartheiser) robs a community college's snack room of it's vending machine change and gets ferociously beat up by a security guard but then kills him. Uncle Mel(played by James Woods) then invites the kids to tag along with him and his girl and they graduate to bigger thefts with bigger consequences. The older couple(who can't have kids) kind of take on a tutoring and parenting role to the younger couple and they start developing a good friendship as well. It's obvious there are needs being fulfilled both ways in a companionship perspective as they both have many losses in their personal lives. Mistakes start being made after it's determined the younger girl is pregnant and the younger couple start evaluating whether this life is for them. This causes friction in the characters in this no-holds barred insane lifestyle movie where the characters just want to make good for themselves and this vulnerability brings the audience to like the characters. Melanie Griffith is un-expectedly excellent as the older woman and the overall acting and direction is very well done. You believe this story and that keeps you interested and involved until the end. The movie itself is not for the faint-at-heart but it is a definite un-heralded gem in the independent film-making world and should be viewed.
While vastly superior to Larry Clark's other films, "Another Day in Paradise" shares with them a brazen directness which makes it uneasy viewing, particular the many scenes picturing graphic violence. However it's a powerful and moving film with some exceptional acting talent on display.
Clark's obsession with teenagers of the wilder variety is prevalent as always but is balanced by the older surrogate parent couple played by James Woods and Melanie Griffith. Woods once again brings his famed intensity in a well rounded portrayal in which he's not only called upon to play a hardened, ruthless criminal, but also to reveal the more human qualities albeit buried very deep within.
Melanie Griffith is surprisingly effective as Wood's partner in crime. Clark's interest in them as people first and then as criminals, places this movie in a category well above the usual criminals on the run fare.
The younger criminal counterparts are played excellently by Natasha Gregson Wagner and Vincent Kartheiser. There is an almost documentary sense of authenticity to their acting. Oddly enough neither seemed to have as yet progressed to roles of much importance. Kartheiser in particular is an actor to watch out for. (He was superb in the somewhat flawed "The Unsaid").
The complexity of the relationship between the older childless couple and the teenage couple, while not overtly examined, is explored with subtlety which allows the viewer to make his own evaluation.
With large doses of drugs and violence this is clearly not a movie for all tastes. It is however a work of distinction.
Clark's obsession with teenagers of the wilder variety is prevalent as always but is balanced by the older surrogate parent couple played by James Woods and Melanie Griffith. Woods once again brings his famed intensity in a well rounded portrayal in which he's not only called upon to play a hardened, ruthless criminal, but also to reveal the more human qualities albeit buried very deep within.
Melanie Griffith is surprisingly effective as Wood's partner in crime. Clark's interest in them as people first and then as criminals, places this movie in a category well above the usual criminals on the run fare.
The younger criminal counterparts are played excellently by Natasha Gregson Wagner and Vincent Kartheiser. There is an almost documentary sense of authenticity to their acting. Oddly enough neither seemed to have as yet progressed to roles of much importance. Kartheiser in particular is an actor to watch out for. (He was superb in the somewhat flawed "The Unsaid").
The complexity of the relationship between the older childless couple and the teenage couple, while not overtly examined, is explored with subtlety which allows the viewer to make his own evaluation.
With large doses of drugs and violence this is clearly not a movie for all tastes. It is however a work of distinction.
Você sabia?
- CuriosidadesThe scene in the woods with James Woods and Vincent Kartheiser was completely improvised and involved Woods hitting Kartheiser repeatedly with his fingers. The gestures are so rough and sudden that you can hear each hit and see Kartheiser's genuine surprise, respectively. Afterwards, Kartheiser went up to director Larry Clark and said, simply, "I didn't know that motherfucker was going to hit me."
- Erros de gravaçãoWhen Vincent Kartheiser, alone in a toilet cubicle, climbs into the roof cavity through the overhead access hole. The hand of a crew member can be seen coming up from bottom of frame, giving him a boost.
- Versões alternativasR1 DVD version includes both the R-rated theatrical version and an unrated director's cut.
- ConexõesFeatured in Late Night with Conan O'Brien: James Woods/Wayne Newton/Brian Kiley (1999)
- Trilhas sonorasBoogaloo Down Broadway
Written by Jesse James
Performed by The Fantastic Johnny C (as Fantastic Johnny C)
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- How long is Another Day in Paradise?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Another Day in Paradise
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 4.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.036.818
- Fim de semana de estreia nos EUA e Canadá
- US$ 14.900
- 3 de jan. de 1999
- Faturamento bruto mundial
- US$ 1.036.818
- Tempo de duração
- 1 h 41 min(101 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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