O Colosso de Roma

As far as the story goes, it's another one of those that had the potential to be good but falls flat on it's own script. Cinematography is ordinary, choppy at times. Directing is questionable, some of the shots are really bad. Acting seems okay, I can't hear their real voices it's originally in Italian and it's dubbed it into English but as far as I can tell the acting is fine. The voice actors did okay with the dubbing.

It's just flat, drab. It's not bad at all but really needed a bit more action to "dress it up". What action there is in the film is fine.

Once again we have out of this world costumes for the men, the Roman soldiers mainly (as usual). Standard stuff on the women. There are some cool prop weapons as with all peplum films.

4/10

The king Tarquinio is banished from Roma . Mucio Scevola (Gordon Scott) married to Clelia goes to Porsena's headquarter and demonstrates his courage by burning himself a hand , for that reason is named Scevola (the left-handed) . Tarquinio (Massimo Serato) unites to Lars Porsena (Roldano Lupi) , king of Etruscos . They ask to Romans as hostages a group of young women (Gabriella Pallota , Maria Pia Conte). But Aronte(Antonini) , Porsena's son , enamored to Valena (Pia Conte) frees her and she passes the river Tiber . Meantime , Scevola hides his hand into an iron glove and begins the fighting .

This is an enjoyable sword and sandals movie with historical backstage , action , a love story , battles and spectacular scenarios . Gordon Scott is top-notch , as the historic hero who finds many dangerous situations while attempting to save Rome and his true love , Clelia , of several risks . Strong and robust Gordon Scott was a magnificent muscle-man . He was one along with Ed Fury , Brad Harris , Kirk Morris , Reg Park , Mark Forest , among others , whom to seek fame and fortune acting absurdly as muscle mythological figures , but anybody topped Steve Reeves and Gordon Scott in popularity . He played another historical character : ¨Coroliano , hero without country¨ with battle stock shots taken from this one and directed again by Giorgo Ferroni , a Peplum expert (Conquest of Micenas , Trojan war) . The motion picture is based on true events but has not prospect historical . The real deeds are the following : Tarquino(534-509, B.C.) was the seventh and last king of Roma and he governs tyrannically . The rape of Lucrecia by his son caused a riot and he was overthrown , the Roman Republic was proclaimed and he actually disappeared . Rating : Better than average Peplum fodder and better than most Sword and Sandals movies , thanks to Gordon Scott and slick direction by Giorgo Ferroni .

In the U.S., very few films have been made about Rome that were not set in the time of Julius Caesar or shortly thereafter. Hollywood's sword and sandal epics mostly have a Christian theme, which makes it difficult to get into earlier Roman history (Spartacus was probably the first exception to this rule, and encountered some resistance in Hollywood because it did not have Jesus in it).

It's interesting to see at least one picture that not only takes place before the time of Caesar and Christ, but is set when Rome was only one city among many on the Italian peninsula, and had just ousted the hated King Tarquin and formed the Republic.

However, this is not a historical film; it's peplum, and while the production values aren't rock bottom, the acting and characterizations are cardboard. I can only imagine what the dialogue was like in Italian, but with wooden English dubbing it's very campy. I got a few good laughs out of it at first.

I haven't seen many films of this genre, having missed most of the Hercules movies of the 60s. It's amusing up to a point, but as the film goes on, it gets somewhat boring.

One thing's for sure: if I'd seen this movie when I was ten years old, I would have loved it. At that age, I went for anything with Romans and swordfights in it. So at least, this flick brought back some childhood memories.

This Italian sword and sandal film tells a story from the early history of Rome. It's about the transition to the Roman Republic. It was directed by Giorgio FERRONI, who also made WHO BREAKS...PAYS (1975) with Brad HARRIS and Giancarlo PRETE.

In 510 B. C. In the 4th century BC, the Etruscan king Lucius Tarquinius Superbus (Massimo SERATO) is expelled from Rome, which of course he cannot tolerate. He seeks support from his colleague King Porsenna (Roldano LUPI) in order to recapture Rome together. But the Romans are very motivated to defend their new freedom. The hardened fighter Gaius Mucius (Gordon SCOTT) sets out to eliminate the opposing kings. When that goes wrong, he holds his right fist into the fire and is henceforth nicknamed Scaevola (left-handed). Of course, that's not the end of the story, because Mucius, who is only left-handed, is still urgently needed...

After leaving Hollywood, Gordon SCOTT made one sword and sandal film after another at Rome's CINECITTA. This is quite successful in the numerous fight scenes, but offers too few surprises to be remembered for a long time. Gabriella PALLOTTA, Gabriele ANTONINI and Maria Pia CONTE can be seen in other roles.

What singles out this feature is the grandeur of the first 2 minutes. What follows is a presentation typical of so many other works of this genre. The musical overture towers over this work like a mountain over a rolling plain.

The musical overture, written by A. Francesco Lavagnino, the great prolific Italian composer of this era, is another inspiring work that convinces one that this composer could have been a giant among classical composers of an earlier time.

Another feature, Duel of the Champions, contains an overture of similar stature written by Lavagnino. So, enjoy the first 2 minutes, and if you like movies within this genre, you may find this entertaining as well. After all, Gordon Scott is a pretty good substitution for Steve Reeves.