AVALIAÇÃO DA IMDb
5,2/10
7,7 mil
SUA AVALIAÇÃO
Sarah Taylor, uma psicóloga criminal, embarca em um caso tórrido com um estranho sedutor. No entanto, ela começa a duvidar se pode confiar nele quando um misterioso perseguidor começa a asse... Ler tudoSarah Taylor, uma psicóloga criminal, embarca em um caso tórrido com um estranho sedutor. No entanto, ela começa a duvidar se pode confiar nele quando um misterioso perseguidor começa a assediá-la.Sarah Taylor, uma psicóloga criminal, embarca em um caso tórrido com um estranho sedutor. No entanto, ela começa a duvidar se pode confiar nele quando um misterioso perseguidor começa a assediá-la.
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Avaliações em destaque
This thriller is a bit rough-edged, but a lot of people like that sort of thing. Rebecca DeMornay was the at the top of her game around this time (early to mid '90s).
GOOD NEWS - Overall, an interesting and involving story, especially in the second half. The movie is capped by a surprise ending I defy anyone to guess correctly. There are a few steamy scenes, too.
BAD NEWS - No likable characters, too much profanity; a few minor holes in the story; an obvious feminist bias and DeMornay's foul mouth and morals are pretty rotten for a psychologist, the character she plays. The guys - Dennis Miller and Antonio Bandaras - play pretty sleazy characters, too.
OVERALL - Interesting movie but too sleazy a feel to it.
GOOD NEWS - Overall, an interesting and involving story, especially in the second half. The movie is capped by a surprise ending I defy anyone to guess correctly. There are a few steamy scenes, too.
BAD NEWS - No likable characters, too much profanity; a few minor holes in the story; an obvious feminist bias and DeMornay's foul mouth and morals are pretty rotten for a psychologist, the character she plays. The guys - Dennis Miller and Antonio Bandaras - play pretty sleazy characters, too.
OVERALL - Interesting movie but too sleazy a feel to it.
Though overlooked at the time of it's release, "Never Talk to Strangers" is a well-crafted thriller centering on the human dilemma of whether or not to trust others. Rebecca De Mornay stars as Dr Sarah Taylor, a psychologist in an unnamed city who has a difficult personal life. She meets the charming Tony Ramirez (Antonio Banderas) in a supermarket and- despite her many fears- is soon drawn into a passionate relationship with him. Soon after meeting Tony, Sarah acquires a stalker who sends her dead flowers and dismembers her pet cat. The audience is provided with a decent list of possible suspects including Tony, Sarah's missing ex-boyfriend Benny, or possibly her slightly sleazy upstairs neighbor (a surprisingly good Dennis Miller). Other possibilities include her alcoholic father, and associates of serial killer Max Cheski (the wonderful Harry Dean Stanton) on whom she is performing a court-ordered psychiatric evaluation.
As the plot unfolds, it appears as if De Mornay's character has nowhere to hide and nobody she can really trust. Various characters appear more or less likely to be guilty of terrorizing her. The film also very deftly portrays Sarah's need for a relationship with Tony even though she is terrified that he is hiding something from her. The acting is top notch and the plot is full of satisfying twists and turns. If you are in the mood for a strong, solid thriller then this ought to be a top choice.
As the plot unfolds, it appears as if De Mornay's character has nowhere to hide and nobody she can really trust. Various characters appear more or less likely to be guilty of terrorizing her. The film also very deftly portrays Sarah's need for a relationship with Tony even though she is terrified that he is hiding something from her. The acting is top notch and the plot is full of satisfying twists and turns. If you are in the mood for a strong, solid thriller then this ought to be a top choice.
I like this sort of picture, the kind of mystery in which you can't pick out the murderer until the end of the movie. It's not billed as a mystery, though, but that's what it is. Although primarily a mystery, it spends a lot of time as a romance between the two principals, and then switches gears before the onset of tedium. As a result, there is a considerable dead spot in the middle of the film, which may have influenced some reviewers ratings.
As I mentioned, the ending is quite clever and the picture keeps you guessing, since there are few suspects to choose from and the ending was unexpected. Rebecca De Mornay was good as the heroine and Antonio Banderas was even better as the romantic stranger. Len Cariou plays her father in a wasted role. Banderas is often better than the material and does not seem to take himself seriously, as witnessed by the number of crummy movies he has appeared in.
"Never Talk To Strangers" is an absorbing, if uneven, murder mystery which has been given short shrift by reviewers on the IMDb website. If you rent it, give it a chance. I'll bet you won't guess the secret to the ending.
As I mentioned, the ending is quite clever and the picture keeps you guessing, since there are few suspects to choose from and the ending was unexpected. Rebecca De Mornay was good as the heroine and Antonio Banderas was even better as the romantic stranger. Len Cariou plays her father in a wasted role. Banderas is often better than the material and does not seem to take himself seriously, as witnessed by the number of crummy movies he has appeared in.
"Never Talk To Strangers" is an absorbing, if uneven, murder mystery which has been given short shrift by reviewers on the IMDb website. If you rent it, give it a chance. I'll bet you won't guess the secret to the ending.
6dhlk
Yes, the plot devices were, at times, obvious. Yes, there were clear hints to the outcome in the early stages of the film. Yes, some of the acting wasn't great.
But, I didn't think it was that bad, and (forgive my ignorance in psychiatric matters if this is wrong) that implausible either.
I think, in acting terms, it was a general disappointment in the two main star actors who have done much better work than this. But don't be too harsh.
But, I didn't think it was that bad, and (forgive my ignorance in psychiatric matters if this is wrong) that implausible either.
I think, in acting terms, it was a general disappointment in the two main star actors who have done much better work than this. But don't be too harsh.
This Thriller was received poorly on it's release, this is unfortunate as I found much to like here.
Firstly I liked the main musical score running throughout the film and the Director was quite clearly going for a Hitchcockian feel, which only partially succeeds though.
The chemistry between the leads is excellent and the scenes containing both DeMornay and Banderas are the strongest and most watchable. I have to say I did not think Harry Dean Stanton put too much effort into his part as he was not all that convincing and Dennis Miller was just plain irritating. Len Cariou was okay as DeMornay's father, but really the two leads are the main focus and the main reason to watch this. The love scenes although a bit lengthy were stylishly made and did not detract from the film, the ending although a bit of a stretch was at least surprising and acted fairly convincingly (although I am no shrink).
So although being far from a classic I certainly thought it was far from being the worst thriller. I would rate it above the Meg Ryan effort "In The Cut" & Ashley Judd's "Twisted" along with Sandra Bullock's "Murder by Numbers" to name a few.
My rating 6.6 out of 10
Firstly I liked the main musical score running throughout the film and the Director was quite clearly going for a Hitchcockian feel, which only partially succeeds though.
The chemistry between the leads is excellent and the scenes containing both DeMornay and Banderas are the strongest and most watchable. I have to say I did not think Harry Dean Stanton put too much effort into his part as he was not all that convincing and Dennis Miller was just plain irritating. Len Cariou was okay as DeMornay's father, but really the two leads are the main focus and the main reason to watch this. The love scenes although a bit lengthy were stylishly made and did not detract from the film, the ending although a bit of a stretch was at least surprising and acted fairly convincingly (although I am no shrink).
So although being far from a classic I certainly thought it was far from being the worst thriller. I would rate it above the Meg Ryan effort "In The Cut" & Ashley Judd's "Twisted" along with Sandra Bullock's "Murder by Numbers" to name a few.
My rating 6.6 out of 10
Você sabia?
- CuriosidadesRaúl Ruiz was originally slated to direct this film.
- Erros de gravaçãoAfter Sarah plants the gun in Tony's right hand she goes into the bathroom to clean up. When she comes out and kneels by Tony, the gun is no longer there.
- Citações
Dr. Sarah Taylor: Mr. Ramirez, my mother taught me never to talk to strangers.
Tony Ramirez: If you never talk to strangers, you'll never meet anyone new.
- Versões alternativasAn unrated version is available on laserdisc.
- Trilhas sonorasHer Body Makes Vows
Performed by Exchange featuring Marc Jordan
Written by Gerald O'Brien, Steve Sexton and Marc Jordan
By Arrangement with Warner Special Products
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- How long is Never Talk to Strangers?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Nunca hables con extraños
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 6.400.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 6.858.261
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.903.457
- 22 de out. de 1995
- Faturamento bruto mundial
- US$ 6.858.261
- Tempo de duração1 hora 26 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Nunca Fale com Estranhos (1995) officially released in India in English?
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