Bad Company: Maus Companheiros

Possibly the only people who saw this movie are the ones who posted user comments, which is too bad. I wouldnt say it was one of the best movies ever made, and I wouldnt call it a piece of c**p either. This movie seemed to be made for people who appreciate second banana actors, and it was done pretty well in my opinion. Anyone who has stayed up late at night watching cable should be familiar with Eric and Lance. Lance is one of my favorite actors, and this was one of those movies that stand out in my mind when I think of his work. The ending was great. I dont want to give anything away, but...that pretty much made the movie for me. I think if this movie went mainstream with bigger named actors...like..I dont know, Brad Pitt and Edward Norton, this would have been a hit. Instead, its doomed to be one of those movies that you see when you want to see something else, and its too bad, because as it is, it should be one that you want to watch. After checking for DVD availability for over a year now, I've come to the conclusion that this movie will never get a fair chance. Thats too bad, because its a good movie, and most people wont even know it was ever made.

"Nature of the beast" is one of those "Never-ever-pick-up-a-hitchhiker"-thriller/horror-movies and it's probably a good example of this genre. The cast is terrific (you just can't go wrong with Henriksen and Roberts, even Brion James is in this for two minutes) and the movie is pretty exciting and fun to watch... until the last 5 minutes, when the writer/director manages to gloriously mess it up with an incredible stupid and forced twist-ending, that isn't just unlogical, but annoying as hell, too. Pretend it doesn't happen...

What I have to say is merely a repetition of what the other users said before:the two leads literally save the movie from absolute mediocrity.They are so good,their performances are so intense that they are to be commended for transcending the limitations they are working under .The script writers ,in order to make sure the audience understands they have been watching a "deep" "meaningful" work call Jeremiah (and the Bible) to the rescue,but it's too little too late.

This is the well known mix road movie/"there's a killer on the road" (as Jim Morrison used to sing),and even a child could guess who he is.But the film deserves a look ,weren't it only for the way two first-class actors can redeem abysmal scripts.

"Eric Roberts and Lance Henriksen star in this intense psychological thriller about a businessman drawn into a bloody game of cat and mouse by a mysterious drifter. With the police searching for a serial killer on a murderous rampage, and a million dollars missing from a Las Vegas casino, both men have something sinister to hide. But as the lies are peeled away and their true nature is revealed, it becomes clear that one of them is a madman. The question is which one…" asks the DVD sleeve description.

Writer/director Victor Salva makes it like a psycho on wheels, with plenty of gay subtext. Picture "The Hitcher" with both driver and passenger playing psychopaths. Devilishly charismatic Mr. Roberts (as Adrian) was born to play this role, and a psychologically bent Mr. Henriksen (as Jack) matches him at most every turn. The production is inexpensive but effective; it keeps you either interested or riveted, but fails, in the end, to tie its interesting threads together. And, Henriksen's girth was unnecessary.

******* The Nature of the Beast (10/24/95) Victor Salva ~ Lance Henriksen, Eric Roberts, Brion James, Sasha Jenson

We often forget the script is what it's all about. Throw in a couple of Hollwood-veterans and some good shooting and you get a real cracker. The script is so well though-out you never imagine the ending. It's amazing! It's one of these rare cases where you get an American film (a TV-production no less!!) with a totally unpredictable conclusion. The acting is top-notch and beats anything out there, very powerful. The scenes are often mystical and nocturnal, the only qualm I would have is that there was plenty of space for extra creative camera-work, just to heighten the suspense even further. If a remake of this was done by a more revolutionary director (e.g. Michael Mann), this could definitely account for a new Hollywood blockbuster (and no doubt keeping the two main actors as well).