Amor Louco

Like many other reviewers, I feel this is a poor movie (screenplay), but Drew really captures the feeling of mental illness. I've known some people who are manic depressive (and a few schizophrenics) and I have to say that Drew must have some personal knowledge of severe depression to be able to pull off a performance like this. She really elevates the movie from a 2-bit teen romance and makes it worth watching. I'm not generally a fan (*hated* Donnie Darko) and I usually find her childish "damaged goods" image rather irritating even though it may be her real personality, but in this one she just embodies the part. 6/10.

Shirtless in Seattle, handsome blue-eyed Chris O'Donnell (as Matt Leland) has his telescope trained on jiggling blonde Drew Barrymore (as Casey Roberts). Later, the sexy high school seniors go to a concert by themselves, which is strange, and do some head-banging. They skip school and have fun driving her yellow Volkswagen around town. These two are attractive, affluent and in love. However, something seems wrong. To be with Mr. O'Donnell during a test, Ms. Barrymore pulls the school fire alarm. "What are you, nuts?" asks O'Donnell. "Yeah," she replies. This turns out to be true...

Director Antonia Bird gets all her spark plugs in line for a fine sequence involving traveling salesman Liev Schreiber...

Barrymore seems emotionally disturbed, with a confidential diagnosis. After a suicide attempt, she is committed. O'Donnell helps her bust out of the mental hospital and they go on a joyride to Mexico. Barrymore's road "games" are so obviously over the top, it's a stretch to believe O'Donnell doesn't catch on faster. Possibly, it would have worked better if writer Paula Milne gave him some substance abuse; the character seems too level-headed. Barrymore and O'Donnell look great together, but are unconvincing as an amateur "Bonnie and Clyde". Besides, it looks like car theft is legal in the southwest.

***** Mad Love (5/26/95) Antonia Bird ~ Chris O'Donnell, Drew Barrymore, Kevin Dunn, Liev Schreiber

This is a love story, of sorts, which conflicts the viewer in that it tenderly presents this tragic heroine and then shocks the audience by eloquently demonstrating the ins and outs of the moderate-to-severe bi-polar disorder, with which the heroine attempts to live.

(The mother states her daughter suffers from depression, but Drew's depiction does NOT indicate depression alone. There are extreme highs and bottom-dipping lows, which would be more indicative of manic depression or bi-polar disorder than depression alone. Not to minimize the life-changing effects of clinical or chemical depression, because I'm not.)

Drew generates a stellar performance here, and fully sells the range of emotions her character experiences. Her portrayal is dead on perfect; in not just the disease itself, but her depth and range here is nothing short of phenomenal.

Chris O'Donnell is not as lacking as some would make one believe. He contributes an adequate performance as a young man without a clue; therefore, his character is vastly disliked because he comes off as clueless, and movie-goers associated him with the character. Go figure.

This work is seriously underrated, primarily due to the unsatisfactorily heart-wrenching ending, but also due to the audiences inability to conceive of Drew as anything but bubbly and intelligent. She customarily takes parts in which her character is put in a sweet (if rose-colored) light, whereas her role herein is quite edgy and tragic.

The screenplay itself is not solid. The flux is very fluid within this story. The only solid thing here are the performances by Drew and Chris, and the profound sadness and sense of loss experienced by its viewers via the execution of the story line.

I actually enjoyed this, though the ending IS unsettling and fails to satisfy.

It rates an 8.4/10 from...

the Fiend :.

It seems like the title of this movie was chosen at the last minute by the guy in the business suit. "So it's about a coupla teenagers, let's say they're 'in love', and one of them has mental problems, let's call her crazy..." The film itself though, I think, resists cliches, especially the fact that the four letter word (love) was avoided, which has a tendency to suck dry any useful plot content that might be found in a movie, opting for some different ways of illustrating their relationship. The two main characters are well portrayed, and believable. I think Barrymore and O'Donnell hold together something that may not have great elements like soundtrack, plot originality etc, because despite the fact that Drew's eyebrows really annoyed me, they both did a good job.

This wasn't necessarily a bad movie, but it wasn't that good either. It desperately tried to cash in on the teen audience, with a "hip" cast and soundtrack, but as a teenager I couldn't really relate. Chris O'Donnell's performance was pretty bland, but Drew spiced it up a bit. It started to get better towards the end when we finally got to see the extent of Drew's depression, but the first 3/4 of the movie was such a paint by numbers approach to a romance that I'm not sure that it was worth the wait. Leaves little to criticize, but even less to praise.