Adicionar um enredo no seu idiomaBecoming an orphan in 1935, Collin moves to his dad's cousins Verena and Dolly. Verena is a rich, bossy businesswoman. Dolly, Collin and the maid revolt, moving to a tree house.Becoming an orphan in 1935, Collin moves to his dad's cousins Verena and Dolly. Verena is a rich, bossy businesswoman. Dolly, Collin and the maid revolt, moving to a tree house.Becoming an orphan in 1935, Collin moves to his dad's cousins Verena and Dolly. Verena is a rich, bossy businesswoman. Dolly, Collin and the maid revolt, moving to a tree house.
- Direção
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- Prêmios
- 3 vitórias no total
- Direção
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Avaliações em destaque
I recommend this movie highly to all who enjoy character development and Southern-US Americana.
Having said that, the one criticism I have of the movie is that I didn't really CARE about the characters. I enjoyed very much watching the characters interact, and being reminded of life in a world that has almost completely disappeared. But I was more amused by them than passionate about them.
While this film may not be perfect, it's a wonderful movie; more intelligent than at least 90% of what comes out of Hollywood. As another reviewer suggested, if you have a couple of hours of quiet time, sit down with a glass of wine and enjoy.
Based on Southern writer Truman Capote's boyhood, the story reveals the nuances of small town life with humor and wit. The lush visuals and lyric pace create a leisure mood befitting the 1930's when life was simpler. The golden sepia tones of the scenes subtly transport us into the memories of Collin, through whose eyes the story is told. The Southern ambiance, social graces and simple pastimes of a bygone era are beautifully recreated in the world surrounding the characters.
I love the barbershop scenes, where locals gather to socialize and get the latest news. You just want to hang out in the shop and shoot the breeze with Walter Matthau and Roddy McDowell. Joe Don Baker is the perfect southern sheriff and his sidekick Ralph (a rooster) adds a hilarious touch of eccentricity to his tough good-old boy demeanor. Charles Durning is hilarious as a self-righteous preacher that can't wait to kick Mary Steenbergen and her brood of a dozen kids out of town.
Piper Laurie is the heart and soul of the movie as Dolly Talbo. The timid and ethereal Dolly has been living under the thumb of her overbearing sister (Sissy Spacek) but manages to create a unique life of meaning for herself. Edward Furlong plays their teen nephew Collin who comes to live with them.
Dolly and her housekeeper (Nell Carter) take Collin under their wing and try to help him adjust to life in this small southern town. As Dolly advises Collin about the girl he has a crush on, she too falls in love for the first time in her life.
Piper Laurie glows like a young girl around the young-at-heart Judge Cool (Walter Matthau). Their scenes together are sweet and heartbreaking.
The movie is beautiful, both visually and emotionally. It is funny, sad, and touching. Don't rush this viewing. Sit down with a glass of wine and savor.
The Grass Harp is a feast for the eyes and soul!
Capote loosely based his 1951 "The Grass Harp" novella on the eccentric maiden cousins of his childhood. For the film Piper Laurie plays good Aunt Dolly and Sissy Spacek bad Aunt Verena (who is even less likable than Pollyanna's Aunt Polly). Spacek gets to do something out of character and nicely underplays this one. Laurie gets to have even more fun and turns in a joyful performance. She is a little too good to be true but Laurie manages to sell the character with a remarkable performance. In the 1950's Laurie was an extremely pretty (and hot) young starlet but it is obvious from this and her performance in "Carrie" (playing Spacek's mother) that there was a lot of substance in that pretty package.
Edward Furlong (best know as John Conner in "Terminator 2") avoids the "Pollyanna" trap and is pretty easy to take. The coming-of-age side of the story works quite well.
"The Grass Harp" is a bit underrated, probably because the screenplay fails to capture the lyrical quality of Capote's storytelling, giving the viewer a surfeit of sentimentality compounded by a too sweet score. The title is a reference to the musical sound of blowing grass, a metaphor about intergenerational connections and the primary theme of the story.
The film would have benefited from a little more restraint. This is not a fatal flaw but the film would have been more powerful with Mockingbird's toned down production design and less colorful characters; maybe even going so far as to release it in black and white.
Those looking for action adventure and hot romance should look elsewhere. But there are a lot of "Mockingbird" fans out there who should really enjoy "The Grass Harp".
Then again, what do I know? I'm only a child.
Você sabia?
- CuriosidadesIn "Carrie" (1976), Piper Laurie and Sissy Spacek played mother and daughter, respectively. Here, they play sisters.
- Erros de gravaçãoWhen the men fall out the treehouse and land on the ground, the leaves slide in a large square revealing the crash pad.
- Citações
Mrs. Peters: Shame on you Dolly Talbo, sittin up in that tree like a drunken Indian, smoking on cigarettes like a common... Floozy
Mrs. Buster: Floozy
Catherine Creek: Preacher lady don't you be callin Ms. Dolly here no floozy now, why I come down there and slap you bow-legged.
- ConexõesReferenced in Walter Matthau: Diamante em Bruto (1997)
- Trilhas sonorasRock of Ages
Written by Augustus Montague Toplady, Thomas Hastings
Performed by Bonnie Bartlett, Charles Durning
Principais escolhas
- How long is The Grass Harp?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
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- Idioma
- Também conhecido como
- The Grass Harp
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 8.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 559.771
- Fim de semana de estreia nos EUA e Canadá
- US$ 117.161
- 13 de out. de 1996
- Faturamento bruto mundial
- US$ 559.771
- Tempo de duração1 hora 47 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1