Surpresas do Coração

Don't ever say all writers are hacks. The writer of French Kiss, sitting next to Kline on the plane, has done a job from a perspective most people will not catch, and you have to give him credit for doing it. I am fairly sure both Ryan, Kline, Reno and the rest were aware of what was going on, but I am equally sure this flew totally over the heads of 99% of the US audiences. For this movie, amongst other things, is a sometimes not so subtle and other times very subtle cut-up on US tourists in Europe.

There are so many scenes which have this double entendre - if you get them it's hilarious and heart-warming, if you don't get them, then explaining them will help nothing and serve only to enervate the narrator.

And the puns - I've witnessed people seeing this movie over and over and over and not getting them. After half a dozen viewings they suddenly go 'ah' and get it. This is good screen writing.

Kline's Parisian sounds spot on. Suspicion is he was coached - and excellently - in the unique 'gutter' accent found in the city of light.

This film has everything. It's not your classical 'meets cute' but - where does one begin? Can one ever end?

This mini-review has gone on for several hundred words already and the iteration has not started.

Get it!

This is a really cute little romantic comedy. The story revolves around a young history teacher, Kate, who's afraid of flying but forces herself to hop on a plane for Paris to try and win back her fiancé, Charlie, who has dumped her for a gorgeous French woman. However, her seat mate on the plane happens to be a charming French crook named Luc, who uses the unsuspecting Kate to smuggle his stolen diamond necklace for him. Then, casting himself as an expert in affairs of the heart, he resolves to help Kate win back her man, later complicated by the fact that he falls for her himself.

Their adventures across France, from Paris to Cannes, in pursuit of the fiancé and his new girlfriend, make for some pretty amusing scenes. The plot is livened up by the repercussions of Luc's larcenous tricks, little sub-plots with a fellow con artist and a cop who owes him a favour. My sole complaint with this movie is a couple of unnecessary f-words and a fair bit of profanity, especially on Kate's part (taking the Lord's name in vain), reflective of the screenwriters' laziness in avoiding clever dialogue in these scenes.

Meg Ryan is her usual cute, bubbly, rather ditsy self in the role of Kate and Timothy Hutton is suitably obnoxious and despicable as Charlie, the fiancé who dumped her. However, the real star of this film is Kevin Kline, who puts genuine charm into the role of this rakishly endearing thief, Luc, and demonstrates an extremely credible French accent, in my opinion. His entire persona here makes it difficult to believe that Kline isn't really French. He must have had a fantastic language coach! Also, there is great on screen chemistry between Meg Ryan and Kevin Kline.

It's a delightful, light hearted film, a good date movie, and not necessarily just a chick flick as my husband enjoyed it too.

This was one of the best comedies of the 1990s - with While You Were Sleeping, There's Something about Mary, Four Weddings and a Funeral, Flirting with Disaster, perhaps When Harry Met Sally or Sleepless in Seattle.

It's a charming movie. I'm not particularly a Meg Ryan fan - (funny that I just named two of her movies in a top comedy list!). She's at her best here.

The movie is funny but has more heart than most comedies - the scenes with Luc's family are lovely and memorable - not at all overdone, just right. The movie's at its best when the principals are all together at Cannes - it becomes less humorous but very warmly romantic. The characters are so well written - there is even sympathy for Timothy Hutton's character. The chemistry between Ryan and Kline (which I wouldn't have believed before I saw it) is very much there. By the time Kevin Kline is singing La Mer over the last of the closing credits (after Louis Armstrong has sung La Vie en Rose), you'll want to see it again.

Kevin Kline is just magnificent - a quite real,interesting, amusing person is created. The Meg Ryan character's primness is irritating - but then one must see why Timothy Hutton found her so (comically, the movie's idea of primness is that she was deflowered at 18 not 13!).

You'll like it.

A truly funny piece. It's the one we get out of our collection when we just want to sit down and watch something familiar, funny and just NICE.

Meg Ryan reveals herself as a true comedienne and Kevin Kline is the funniest Frenchman you ever loved to hate. So what if we know exactly what's going to happen? That's the way with romantic comedies, as it is with most 'genre' movies. Even after having seen it at least a dozen times, we still laugh when Ryan sneaks up on her absconded fiancee and his new girlfriend and in the process causes major havoc in a posh French cafe; or when Kevin Kline tells her how the uptight nature of the Americans makes his 'ass twitch'.

I love this film. The scene in which Meg Ryan and Kevin Kline first hop in the stolen car in Paris tickles me every time. While she is berating him for involving her in his (mis)adventures, she turns to look at him and misses what would be a wonderful tour of Paris as all the major landmarks of Paris go by on the passenger side of the car. Love the director's sense of humor. As for Kline's French accent, I have studied in France and have a good ear (if I do say so myself), and was very impressed with Kline's regional accent ("way", for example, rather than "we" for 'oui'). As for it being a pat romantic comedy, well, of course - suppose it had been Cary Grant and Audrey Hepburn, would anybody have complained?