Os empregados da pequena loja de discos Empire Records querem ajudar o proprietário a manter seu negócio, e precisam de mais do que dinheiro para evitar que ela seja comprada por uma grande ... Ler tudoOs empregados da pequena loja de discos Empire Records querem ajudar o proprietário a manter seu negócio, e precisam de mais do que dinheiro para evitar que ela seja comprada por uma grande cadeia de lojas.Os empregados da pequena loja de discos Empire Records querem ajudar o proprietário a manter seu negócio, e precisam de mais do que dinheiro para evitar que ela seja comprada por uma grande cadeia de lojas.
- Prêmios
- 1 vitória e 1 indicação no total
Renée Zellweger
- Gina
- (as Renee Zellweger)
Ethan Embry
- Marc
- (as Ethan Randall)
Brendan Sexton III
- Warren
- (as Brendan Sexton)
Kimber Sissons
- Woman at Craps Table
- (as Kimber Monroe)
Julia Deane
- Kathy
- (as Julia Howard)
Avaliações em destaque
I love this movie. This movie is the kind of movie I watch movies for (um....did you follow that?). I would make one suggestion, however....watch it twice before you decide if you like it or not. If you're like me you'll probably be lukewarm the first time you see it but like it more each time you see it after that.
The reason for seeing it twice is because the film's strong points become more evident the second (and beyond) time around. Each character is well-defined, with individual traits and idiosynchracies, but this can be lost the first time through because you're trying to follow the story. There is a very strong soundtrack for the movie, but you appreciate it more the second time through, because you better understand how the music applies to the scene. The actors have great chemistry and the character interactions are great. The movie never takes itself very seriously and it's just a lot of fun to watch. You'll find yourself rewinding it to see certain scenes again and again.
I grant you the movie will never win any Academy nominations. The plot is simplistic and the "neat" ending (all problems solved perfectly in just one day) is unrealistic (not that this bothered me....I personally loved the ending....if I want "reality" I'll watch the evening news). Also, trying to follow the storyline tends to take away from the character interaction the first time you see it; hence, the suggestion to see it at least twice. I actually didn't care for it the first time I saw it because I was looking at it strictly story-wise. The second time I saw it I concentrated on the characters and the dialogue(which I loved), and that's when I realized the appeal. If you're into serious movies that reflect real life and real suffering, you'll probably want to pass on this one. However, if you watch movies to have fun and laugh, watch this one. Also, if you like music- especially a moderately wide variety- you'll enjoy it. It's worth your time, but save the beer for the second viewing. "Sugarhigh" is awesome- Well done, Gina! Hot voice.... Oh, and Damn the Man! 9 out of 10.
The reason for seeing it twice is because the film's strong points become more evident the second (and beyond) time around. Each character is well-defined, with individual traits and idiosynchracies, but this can be lost the first time through because you're trying to follow the story. There is a very strong soundtrack for the movie, but you appreciate it more the second time through, because you better understand how the music applies to the scene. The actors have great chemistry and the character interactions are great. The movie never takes itself very seriously and it's just a lot of fun to watch. You'll find yourself rewinding it to see certain scenes again and again.
I grant you the movie will never win any Academy nominations. The plot is simplistic and the "neat" ending (all problems solved perfectly in just one day) is unrealistic (not that this bothered me....I personally loved the ending....if I want "reality" I'll watch the evening news). Also, trying to follow the storyline tends to take away from the character interaction the first time you see it; hence, the suggestion to see it at least twice. I actually didn't care for it the first time I saw it because I was looking at it strictly story-wise. The second time I saw it I concentrated on the characters and the dialogue(which I loved), and that's when I realized the appeal. If you're into serious movies that reflect real life and real suffering, you'll probably want to pass on this one. However, if you watch movies to have fun and laugh, watch this one. Also, if you like music- especially a moderately wide variety- you'll enjoy it. It's worth your time, but save the beer for the second viewing. "Sugarhigh" is awesome- Well done, Gina! Hot voice.... Oh, and Damn the Man! 9 out of 10.
i dunno. theres just something about this movie.
yeh, in actuality, its probably dreck. its probably worthless and people probably wont remember its years and years from now when they start making out the lists of '90s movies that changed the sphere of moviemaking.
so what?
for me, this movie really does capture the feel of the mid-'90s. i was like these people once. i wore an outfit scarily like the one liv tyler sports (although without the hideous unders combo, im sure), i knew people like every one of the 'archetypes' from the movie and i really, really wanted to work in a record store. hasnt everybody? and doesnt everybody want there to be a cool record store like this in their town?
i guess for me it is a nostalgia thing, but i watched it (again) the other night with my boyfriend, and we both still laughed during the funny parts and cuddled during the sweet parts and, well, danced during the dance parts.
its just fun to look back on such a 'time-period' movie like that ... the clothes, the attitudes, the music even ... how good is it to hear the gin blossoms again, eh?
im sure many would disagree, but for someone who was right there when it was all happening, so to say, its a gentle reminder of the days before mtv committed suicide, before liv tyler started making 'real' movies, and when phrases like 'whats with Today, today?' could travel through a junior high faster than mono.
yeh, in actuality, its probably dreck. its probably worthless and people probably wont remember its years and years from now when they start making out the lists of '90s movies that changed the sphere of moviemaking.
so what?
for me, this movie really does capture the feel of the mid-'90s. i was like these people once. i wore an outfit scarily like the one liv tyler sports (although without the hideous unders combo, im sure), i knew people like every one of the 'archetypes' from the movie and i really, really wanted to work in a record store. hasnt everybody? and doesnt everybody want there to be a cool record store like this in their town?
i guess for me it is a nostalgia thing, but i watched it (again) the other night with my boyfriend, and we both still laughed during the funny parts and cuddled during the sweet parts and, well, danced during the dance parts.
its just fun to look back on such a 'time-period' movie like that ... the clothes, the attitudes, the music even ... how good is it to hear the gin blossoms again, eh?
im sure many would disagree, but for someone who was right there when it was all happening, so to say, its a gentle reminder of the days before mtv committed suicide, before liv tyler started making 'real' movies, and when phrases like 'whats with Today, today?' could travel through a junior high faster than mono.
As one critic bluntly says, in one day everything that can possibly happen to the characters does, and everyone comes out better at the end. Truly this doesn't happen in real life, but in REEL life we call it entertainment. I enjoyed it as a quirky comedy. I probably would not have been so entertained if it didn't have some of my favorite stars, some before they hit it big -- Renee Zellweger, Liv Tyler, Debi Mazar, and Anthony LaPaglia. I was not familiar with Rory Cochrane, but his character Lucas was one of the best here.
So, what's the story? LaPaglia is the manager of this Eastern US record store, Empire Records which has been in business since 1959, the sign tells us. On this fateful day employee Lucas is asked to close the store at midnight, and count all the money, twice. He does, and also observes that plans are in place to sell the business and convert it into a rather dull record store. So, he does what any good employee would do. Instead of putting the $9Thousand in the safe, he gets on his motorcycle and heads to Atlantic City with it! That begins a rather hectic 24 hours, involving all the employees of Empire Records.
Nothing Earth-shaking, just a fun movie to watch.
May 2020 edit: I watched it again and came away with much the same opinions. I found it especially interesting to see Zellweger right before she started her climb with the role in Jerry Maguire a year later. And now she is a fresh Oscar winner, Best Actress as Judy Garland. You can see that she was always exceptional.
So, what's the story? LaPaglia is the manager of this Eastern US record store, Empire Records which has been in business since 1959, the sign tells us. On this fateful day employee Lucas is asked to close the store at midnight, and count all the money, twice. He does, and also observes that plans are in place to sell the business and convert it into a rather dull record store. So, he does what any good employee would do. Instead of putting the $9Thousand in the safe, he gets on his motorcycle and heads to Atlantic City with it! That begins a rather hectic 24 hours, involving all the employees of Empire Records.
Nothing Earth-shaking, just a fun movie to watch.
May 2020 edit: I watched it again and came away with much the same opinions. I found it especially interesting to see Zellweger right before she started her climb with the role in Jerry Maguire a year later. And now she is a fresh Oscar winner, Best Actress as Judy Garland. You can see that she was always exceptional.
Empire Records is funny and slightly offbeat teen movie. A well built one, which each quirky character having a well defined personality, a set of problems, and realistic interactions with each other. Their personas all ring solidly true, each with deep emotional affects. However, not everybody will see themselves represented here, it is but a thin slice of society.
The music is good, the dialogs are interesting just like the story, and it keeps an overall positive tone, although it does talk about some serious issues. It touches each subjects lightly, and keep the focus on the what is happening, on the development of the situation.
You will be entertained, if you're looking for a good adolescent flick.
The music is good, the dialogs are interesting just like the story, and it keeps an overall positive tone, although it does talk about some serious issues. It touches each subjects lightly, and keep the focus on the what is happening, on the development of the situation.
You will be entertained, if you're looking for a good adolescent flick.
It's hard to believe that this cult classic from 1995 is nearly three decades old. While elements of the film have stood the test of time (including one of the best film soundtracks to ever be made), there are bittersweet reminders here that the world that Empire Records depicts no longer exists. For those who were around in the 1990's, this often poignant movie will hit your nostalgic sweet spot, making you yearn for yesteryears. Yet, sentimentality aside, Empire Records presents a romanticized view of retail life as we once knew it. The fact the film takes place in a record store (which have sadly become extinct - for the most part) and only a few other locations are shown, the movie possesses a theatre-like charm. At times, you can't help but wonder if Empire Records should really be adapted for the stage (hey, there's a musical in there somewhere). The cast is attractive and clever, tossing witticisms left and right in a style reminiscent of Dorothy Parker. Everyone here has something smart or sassy to say. It's only when the film tries to go deep emotionally that things feel more maudlin than they need to. Fortunately, director Allan Moyle (there should be no surprise that he also directed two other cult favorites, Pump Up the Volume and Times Square among others) knows exactly when to lighten the mood with comedic bits that would fit in well on any sitcom of the era (hello, Friends). Some of the actors here went on to huge cinematic success, including Renee Zellweger in a fantastic early-in-her-career performance. On that note, we need her version of the song Sugar High to finally get the record release it deserves. Her performance of it (albeit it's less than two minutes on screen) is alone worth watching the film for. That and a look back at a time where young people had cool jobs in cool places and listened to really, really cool music - on vinyl, even.
Você sabia?
- CuriosidadesRex Manning's music video "Say No More, Mon Amour" was shot on Wrightsville Beach, North Carolina in one day. It was shot before principal photography, intended as a 17-second dance move piece for the main actors and actresses to make fun of. However, the music video director shot for the entire day, and gave the producers a four minute, thirty second music video.
- Erros de gravaçãoAJ removes his shirt during the close-up in-store dancing scene. The long shot shows it back on, and then another close shot shows it off.
- Cenas durante ou pós-créditosMark and Eddie sitting on the curb in front of the store talking about rock bands.
- Versões alternativasSpecial Edition DVD contains 16 minutes of deleted footage edited back into the film.
- ConexõesFeatured in WatchMojo: Top 10 Modern Movie Soundtracks Guys Love (2013)
- Trilhas sonorasTil I Hear It from You
Performed by Gin Blossoms
Written by Jesse Valenzuela, Robin Wilson and Marshall Crenshaw
Courtesy of A&M Records Inc.
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Império dos Discos - Uma Loja Muito Louca
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 273.188
- Fim de semana de estreia nos EUA e Canadá
- US$ 150.800
- 24 de set. de 1995
- Faturamento bruto mundial
- US$ 273.261
- Tempo de duração
- 1 h 30 min(90 min)
- Mixagem de som
- Proporção
- 2.39 : 1
- 2.35 : 1
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