Drácula, Morto mas Feliz

This comedy followed the Bram Stoker book very closely. It merely turned the whole tale into a hilarious romp, making fun of Dracula and his inept sidekick, Renfield, as well as the other characters. A lot of slapstick gags in this film, some I saw coming from a mile off, but I still got a kick out of them. I especially liked the scene where Van Helsing and Harker staked the vampire in the tomb - what a riot. Neilson was great as the troubled bloodsucker.

I remember being an 11 year old boy in stitches with laughter when I first viewed this film on new release VCR (yeah, video - old school)!

Having just watched this film again recently I have to say that it's still just as funny as it was as a child. The film of course is a parody on the 'Dracula" mythos and the jokes and gags are much better understood if you've watched films such as "Bram Stoker's: Dracula" which I can't watch seriously anymore cos' I constantly think of this film in certain scenes and start laughing!

The cast is brilliant in their roles especially Leslie Neilsen as "Dracula" and his brain-washed slave "Renfield" (Peter MacNicol) portraying an insane, insect eating madman extraordinarily well!

The humour is all in the typical Mel Brooks 'tongue-in-cheek' style and also quite reminiscent of Monty Python in parts, the over-the-top British accents may attribute to that part.

The final film directed by Mel Brooks, "Dracula Dead and Loving It" is very entertaining and the mindless humour make for a very enjoyable spoof movie!

Highly recommended : )

The film is not vintage Mel Brooks and it has some obvious flaws, but it is nonetheless a true joy to watch and is sure to make you smile. My main problem was that it did not meet my initial expectations. Young Frankenstein is CLASSIC Mel Brooks. It is a flawless film parody of the Frankenstein myth. I went into seeing Dracula: Dead and Loving It with extremely high expectations and was a bit disappointed. The film, however, is a good film and a good parody of the Bram Stoker classic It is not as good as Love at First Bite, but has many excellent moments. Some of the highlights are Leslie Nielson, with whom the torch of modern comedy rests safely for being absurd yet sublime in his characterization, his superb imitation of Bela Lugosi's mannerisms and speech enhance his comedy. The film also is surprisingly faithful; to the novel and has many inside jokes. Harvey Korman, Peter MacNicol, and Mel Brooks all lend a hand in the lunacy. The setting is surreal and gives the picture a Hammeresgue quality. A must see for horror fans who like a good belly laugh!

While this skewering of the Dracula mythology and the various cinematic interpretations of the story never achieves the kind of crazy heights of "Blazing Saddles" or "Young Frankenstein", it still shows that Brooks still had it in him to come up with some great, gut busting scenes. Being a genuine horror fan as well as a comedy legend, he and his team of collaborators do go to great lengths to give this film the proper look, and it's a colourful, stylish looking movie, going with the idea that the composer wasn't in on the joke and featuring a score by Hummie Mann that's full of foreboding. Leslie Nielsen is the pratfalling prince of darkness who is set up quite well early on when he comments on the "Children of the Night" and "the mess they make" - and then promptly slips in such a mess. He's a delight as always, with wonderful support by a bunch of actors who mug for all they're worth, especially Peter MacNicol as the loony, bug munching Renfield and veteran Brooks colleague Harvey Korman, who in his performance as Dr. Seward, does an amusing impression of the actor Nigel Bruce. Brooks himself, in fine hammy form, plays the part of the intrepid Van Helsing. Lysette Anthony and Amy Yasbeck are both quite ravishing as Lucy and Mina respectively, with Steven Weber as a prudish and uptight Jonathan Harker, and Mark Blankfield, Megan Cavanagh, and Clive Revill doing well in smaller roles. Cameos include Avery Schreiber, Chuck McCann, co-screenwriter Rudy De Luca, Charlie Callas, and the wonderful Anne Bancroft paying tribute to Maria Ouspenskaya in her brief bit. Standout scenes include the staking of Lucy (Van Helsing stays well out of the way for good reason), the breakfast sequence with MacNicol and Korman, which is particularly priceless, and the scene where Dracula is trying to manipulate both Mina and Essie and not having much success. A snappily paced movie leading to a fairly big finish, "Dracula: Dead and Loving It" is good entertainment as Brooks comedies go, and even gives its principal cast members the kind of "curtain call" at the end that we don't see in movies that often. Seven out of 10.

This Dracula spoof has many original laughs along the way. After all the recent Vampire movies it's even more funny.

Typical Mel Brooks humor is laugh out loud and crude. The cast is good including Amy Yasbeck as Mina and Leslie Nielsen as Dracula. Mel himself plays Van Helsing. Peter Macnicol is good too as Dracula's helper. Love the mock English accents and the way they pronounce "Lucy".

It's not as original as Young Frankenstein or as ribald as History of the World but it's got enough laughs. Surprised to find out it had bad reviews and wasn't a hit. Definitely worth a watch. I am a Mel Brooks fan and this one is about in the middle of the range.