John McClane perdeu o casamento, saiu da polícia e bebe muito, mas alguém não se esqueceu dele e vai vingar-se pondo várias bombas em lugares públicos de Nova Iorque e desafiando-o para reso... Ler tudoJohn McClane perdeu o casamento, saiu da polícia e bebe muito, mas alguém não se esqueceu dele e vai vingar-se pondo várias bombas em lugares públicos de Nova Iorque e desafiando-o para resolver enigmas mortais com vidas humanas em jogo.John McClane perdeu o casamento, saiu da polícia e bebe muito, mas alguém não se esqueceu dele e vai vingar-se pondo várias bombas em lugares públicos de Nova Iorque e desafiando-o para resolver enigmas mortais com vidas humanas em jogo.
- Direção
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- Artistas
- Prêmios
- 2 vitórias e 3 indicações no total
- Rolf
- (as Rob Sedgwick)
- Direção
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- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This is the third in the Die Hard series and it makes an immediate improvement on the second by bringing back the original director John McTiernan. Here the film doesn't try to repeat the formula of the first film (terrorists/wife/rescue) but instead takes on a whole new plot while still tying it into the first film. The second movie tried to repeat the first film's plot but set in an airport, here the different angle makes this feel a lot fresher and feel like a movie in itself. The tie-in to the first film is clever and not too much of a stretch of the imagination - happily this is not the reason for the action itself - instead the terrorist's main aim is the gold held in vaults in the Federal Reserve on Wall Street, but the game with McClane is a special treat.
McTiernan was great in the first film, making everything feel tense and claustrophobic. Here he has the whole of NYC to run across and the camera shows this new found freedom. In action scenes the camera swings wildly round and zooms into focus on the action. During scenes set in offices etc containing a lot of dialogue the camera slowly prowls round like it's dieing to rush off to the next action scene. It's the opposite to the style in the first film and again makes this feels different enough to be a film in it's own right.
Usually film series can get a lot of baggage (watch Lethal Weapon 4 for proof), but here all the repeat characters are dropped, even McClane's wife only features as a voice on the phone. And that works well here and the only characters that are brought back here are McClane (of course) and Hans Gruber (in a flashback). This frees the film up to basically go where it wants without having to squeeze in old characters the way the second film did. However it links the films by having Simon Gruber taking supposed revenge for the death of his brother. The fresh active feel to this movie really gives it life and lifts the series out of the hole that the second film had threatened to put it.
The chemistry between Willis and Jackson is great and lends a lot of comedy to the film, there's lot of racial humour between the two and Jackson is more than the "black sidekick" that exists in many films. Irons continues the fine tradition of English actors playing Hollywood villains and is good for the most. His ticks and stutters stop him being anywhere near as good as Rickman was in the original role but he's still good. Willis gets good support from the likes of Graham Greene, Larry Bryggman and Colleen Camp as fellow cops but really him and Jackson carry the show.
Some of the scenes are a little forced and the plot doesn't always join together easily (a scene where Willis is fired out of a water pipe just as Jackson happens to drive by is a little too convenient) but many iffy bits can be overlooked if you focus on the action. The most effective thing that returns from the first film is the musical score. In the first film the score used variations on Christmas music to dramatic effect, here the score uses music well to add tension and comedy in a different way. It's difficult to put into words but this effect was missing from the second film.
The film has a hatful of nice twists towards the end and the only problem is that the conclusion in Canada doesn't feel like it fits in (the original ending was changed following the Okalahoma bombing) but this is a minor problem in a film that is a great addition to the action packed Die Hard series.
Bruce Willis is back as police officer Lt. John McClane and in this movie he teams with Samuel L. Jackson as Zeus Carver to stop the wicked Jeremy Irons who is planning to cause mayhem and destruction around New York.
If you're a fan of non-stop action movies like Speed, then this is the movie with you. It doesn't let up for a second; it's one of those movies where your heart beats as fast as the characters and by the end of the movie, you'll be feeling like you ran round New York chasing a bomber. That is how all good action movies should be.
I don't think it is any exaggeration to say that Die Hard:With A Vengeance deserves to be rated one of the top action movies of the 1990's. All that has to be done now is to make Die Hard 4 which I hope would top this movie...although that would be quite a feat.
The first 2 films are superior to this one since this has a lot of changes from the mood that made the others so great. First off, it's not set on Christmas. No biggie though. Secondly, there are too many complications and twists to the plot. You almost have to take notes. And thirdly, the biggest change is that it's now turned into a buddy movie to the style of Lethal Weapon, since Samuel L. Jackson as Zeus unwillingly teams up with John Mclane. They're complete opposites, they argue, and they become friends. That sort of stuff.
Die Hard: With A Vengeance still stays true to it's amazing action scenes, though. There's plenty of explosions, there's floods, and overall general destruction. It's a different kind of movie, yes. But it's a good different kind of movie.
My rating: 9/10
This time his sidekick is the guru of the action film, Samuel L. Jackson, the owner of an electrical store, as he goes up against the ever excellent Jeremy irons, who can play a bad guy like few others.
Irons is executing the greatest heist ever, and the shots throughout the film are spectacular. The lack of any half decent script is completely masked by explosions, but what else would you expect?
Samuel L. Jackson Through the Years
Samuel L. Jackson Through the Years
Você sabia?
- CuriosidadesBruce Willis suggested Samuel L. Jackson for the movie. Jackson was thrilled. He says he's "seen the first Duro de Matar (1988) maybe thirty times."
- Erros de gravaçãoNew York City subways do not provide direct unlocked access to moving subway trains.
- Citações
Zeus: [13:02] Why you keep calling me Jesús? I look Puerto Rican to you?
John McClane: Guy back there called you Jesús.
Zeus: He didn't say Jesús. He said, "Hey, Zeus!" My name is Zeus.
John McClane: Zeus?
Zeus: Yeah, Zeus! As in, father of Apollo? Mt. Olympus? Don't fuck with me or I'll shove a lightning bolt up your ass? Zeus! You got a problem with that?
John McClane: No, I don't have a problem with that.
- Versões alternativasThe original release of the UK DVD version in 1999 was actually even more cut than the British video and cinema versions. Because the content did not exactly match the officially classified version, this much-sanitized release fell foul of British censorship laws, and was withdrawn. It was later reissued on DVD in an officially sanctioned BBFC version.
- ConexõesEdited from Duro de Matar (1988)
- Trilhas sonorasSummer in the City
Written by Steve Boone, Mark Sebastian, John Sebastian
Performed by The Lovin' Spoonful
Trio Music Co., Inc. and Alley Music, Inc. (BMI)
Courtesy of RCA Special Products
Principais escolhas
- How long is Die Hard with a Vengeance?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Duro de Matar 3: La Venganza
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 90.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 100.012.499
- Fim de semana de estreia nos EUA e Canadá
- US$ 22.162.245
- 21 de mai. de 1995
- Faturamento bruto mundial
- US$ 366.101.666
- Tempo de duração2 horas 8 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1