Um investigador do paranormal e sua filha entram em uma casa abandonada, povoada por três fantasmas desobedientes e um amigo amigável.Um investigador do paranormal e sua filha entram em uma casa abandonada, povoada por três fantasmas desobedientes e um amigo amigável.Um investigador do paranormal e sua filha entram em uma casa abandonada, povoada por três fantasmas desobedientes e um amigo amigável.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 5 vitórias e 5 indicações no total
Malachi Pearson
- Casper
- (narração)
Fred Rogers
- Mr. Rogers
- (cenas de arquivo)
- (as Mr. Rogers)
Doug Bruckner
- Reporter
- (narração)
- (as Douglas J.O. Bruckner)
Joe Nipote
- Stretch
- (narração)
Joe Alaskey
- Stinkie
- (narração)
Brad Garrett
- Fatso
- (narração)
John Kassir
- The Crypt Keeper
- (narração)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
There's something enormously touching about this film and the way it deals with losses -- Pullman's wife and Casper's mother, in particular. And what's so clever about it is how it uses them as a tool of audience manipulation AND has the evil ghosts use Pullman in exactly the same way that we're being used. This is a smartly written screenplay. The story itself is pretty conventional and predictable: the loner girl gets teased by a popular girl (that nobody really likes) who's out to destroy her; the popular girl has a cute boyfriend that the loner girl has the hots for, etc. etc., story will resolve itself with everyone falling in love with loner girl.
I can't quite understand why this movie has such a low rating. The only explanation I can think of is that people prefer emotionally "safe" movies like "Toy Story" (of the same year) that are equally brilliant technically (and have as many references), but don't sacrifice coolness by showing sentimental, sad emotion. It's possible that the movie got marketed incorrectly. The film isn't about spooks; like one of those early, wonderful Tim Burton fantasies (this film also shares with them an outstanding score), the film deals -- quite movingly, I think -- with regaining that lost sense of childhood: that moment where Casper tries to remember being alive is just wrenching. And the scene relates just as profoundly to us: just as he can't remember being alive, we can't, really, remember being kids. I was ten when I first saw this, and it had an effect on me then (Ricci's description of sunny side-up eggs making her gag subconsciously made me avoid anything less than hard boiled for ten years); this is something that I really cherish as being part of my young emotional and visual education, and it stands up today.
I haven't seen the director's other films, so I have no idea whether this whole thing was a fluke or whether everything just settled in to my particular sensibility, but even outside of the emotion I think the technical aspects, the giant basement set, are enough to keep interest. And even outside of that, the acting is terrific. Cathy Moriarty is an absolute riot. 7/10
I can't quite understand why this movie has such a low rating. The only explanation I can think of is that people prefer emotionally "safe" movies like "Toy Story" (of the same year) that are equally brilliant technically (and have as many references), but don't sacrifice coolness by showing sentimental, sad emotion. It's possible that the movie got marketed incorrectly. The film isn't about spooks; like one of those early, wonderful Tim Burton fantasies (this film also shares with them an outstanding score), the film deals -- quite movingly, I think -- with regaining that lost sense of childhood: that moment where Casper tries to remember being alive is just wrenching. And the scene relates just as profoundly to us: just as he can't remember being alive, we can't, really, remember being kids. I was ten when I first saw this, and it had an effect on me then (Ricci's description of sunny side-up eggs making her gag subconsciously made me avoid anything less than hard boiled for ten years); this is something that I really cherish as being part of my young emotional and visual education, and it stands up today.
I haven't seen the director's other films, so I have no idea whether this whole thing was a fluke or whether everything just settled in to my particular sensibility, but even outside of the emotion I think the technical aspects, the giant basement set, are enough to keep interest. And even outside of that, the acting is terrific. Cathy Moriarty is an absolute riot. 7/10
I don't view films as if I'm watching them as the intended audience; I watch them for myself. And that's why I found it odd at how engrossed I was when I watched this film for the first time at the age of eighteen. Aside from the great gothic flair of the mansion, two superbly placed cameos, and nice laughable black humour from the "trio," the film took off because of its emotional core. It's something that a youngster can really get into, but also anyone who finds it sad that a child can die. When Casper plays with his toys, I just wanted to start crying. This eternal child--lost and stuck in an age of mystery and wonder. And yet, he's smitten with a girl--he's starting to go through puberty. And it's just so sad . . . and beautiful.
And then there's the father, and his sway into the afterlife, his daughter's plight, her struggle with her wish to help Casper. It's all so simple and written for kids, but I was so engrossed by the romanticism of it all.
The villains mostly butt into the greatness of all of it, but you just have to grant that in a kid's picture. And now comes my but . . . in the end, when the mother does appear, she's supposed to be this amazing, angelic, deux es machinal, she floats through the stain glass window, her long hair flows around her, her gown flows all around her but--what the hell! why is her dress such a deep red!? she looks like satan! Oh well. Bad costume choice made a really bad moment. But mostly, I loved this film for it's good parts, despite the childishness of much of it.
And then there's the father, and his sway into the afterlife, his daughter's plight, her struggle with her wish to help Casper. It's all so simple and written for kids, but I was so engrossed by the romanticism of it all.
The villains mostly butt into the greatness of all of it, but you just have to grant that in a kid's picture. And now comes my but . . . in the end, when the mother does appear, she's supposed to be this amazing, angelic, deux es machinal, she floats through the stain glass window, her long hair flows around her, her gown flows all around her but--what the hell! why is her dress such a deep red!? she looks like satan! Oh well. Bad costume choice made a really bad moment. But mostly, I loved this film for it's good parts, despite the childishness of much of it.
A ghost-whispering paranormal expert and his daughter (Bill Pullman and Christina Ricci) move into a dilapidated mansion on the coast of Maine that's haunted by a friendly ghost and three mischievous ones. Cathy Moriarty plays the venal heir of the mansion and Eric Idle her assistant.
"Casper" (1995) delivers the goods if you're in the mood for a "spooktacular" Goosebumps-like horror film that's fun & silly and not scary at all. It's like Scooby-Doo but without the dog and the teens are tweens. "Monster Night" (2006) and "Ghostbusters" (1984) are other reference points, but I prefer "Monster Night," which has a similar plot, but is all-around more entertaining (even though it cost significantly less) and has a superior assortment of good-lookin' women, young and older. With "Caspar" there's Moriarty, but she plays the biyatch antagonist. There's also ricci, but she was only 14 during shooting, although she's effective in the role.
The movie runs 1 hour, 40 minutes and was shot at Universals City, California, with establishing shots of Rockport, Maine.
GRADE: B-/C+
"Casper" (1995) delivers the goods if you're in the mood for a "spooktacular" Goosebumps-like horror film that's fun & silly and not scary at all. It's like Scooby-Doo but without the dog and the teens are tweens. "Monster Night" (2006) and "Ghostbusters" (1984) are other reference points, but I prefer "Monster Night," which has a similar plot, but is all-around more entertaining (even though it cost significantly less) and has a superior assortment of good-lookin' women, young and older. With "Caspar" there's Moriarty, but she plays the biyatch antagonist. There's also ricci, but she was only 14 during shooting, although she's effective in the role.
The movie runs 1 hour, 40 minutes and was shot at Universals City, California, with establishing shots of Rockport, Maine.
GRADE: B-/C+
After you get through the stresses of your day... your job, the hassles of daily life, all the stressers that are out there daily, it seems great to sit back and enjoy something that will take you out of that for a little while. If you watch the news and read the papers every day like I do, it gets to you after a while...the young soldiers being killed in Iraq, all the election BS that we are being bombarded with right now...all or most of the news is downright depressing. That creates an important place for a movie like this...one that can make your life a little less serious for a while. I've always been a Christina Ricci fan, going back to the Addams Family when she was only 11 years old. She was a great actress even at that young age. You could tell that she would go far as an actress. The personality was there...it set her apart from her peers. At the age of 15, she continues to do a great job in Casper...she is very believable.
Sometimes, in this troubled world where violence and negative things seem to be the norm, a nice little movie like this can go a long way toward making your day a little brighter. Some of my other "feel good" movies are Patch Adams, all the Superman movies, the Robocop series, and good old Babe. Thanks for reading this. Feel free to reply with an email.
Sometimes, in this troubled world where violence and negative things seem to be the norm, a nice little movie like this can go a long way toward making your day a little brighter. Some of my other "feel good" movies are Patch Adams, all the Superman movies, the Robocop series, and good old Babe. Thanks for reading this. Feel free to reply with an email.
One of many children Halloween movies . I'll recommend a ghostly comedy. Especially about a friendly ghost named CASPER and his three ghosts brothers Fatso, Stretch, Stinkie. This funniest laughter ghosts that knock your socks off. Also is a family movie night . The leading roles is well acted. Christina Ricci as her character Kate and Bill Pullman character Dr. James Harvey perfect actors. Well done.
Você sabia?
- CuriosidadesThis is the first feature film to have a fully computer-generated visual effects character in a leading role.
- Erros de gravaçãoIn the classroom, Casper ties Amber's shoelaces together before anyone else's. When Amber stands up to protest the party being at Kat's house instead of hers, she doesn't trip over them. She sits back down, but when the bell rings and she gets up, she trips.
- Citações
Dr. Raymond Stantz: [runs out of the house frantic] Who you gonna call? Someone else.
- Cenas durante ou pós-créditosThe globe in the Universal logo fades into a full moon above Whipstaff Manor.
- ConexõesEdited into Casper: Deleted Scenes (2003)
- Trilhas sonorasCasper The Friendly Ghost
Written by Mack David and Jerry Livingston
Performed by Little Richard
Produced by Richie Zito and Little Richard
Arranged by Richie Zito
Principais escolhas
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- How long is Casper?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Casper: el fantasma amigable
- Locações de filme
- Rockport, Maine, EUA(Anonymous)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 55.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 100.544.179
- Fim de semana de estreia nos EUA e Canadá
- US$ 16.840.385
- 28 de mai. de 1995
- Faturamento bruto mundial
- US$ 288.144.179
- Tempo de duração1 hora 40 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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