Caballos salvajes

Sometimes it seems hard to find an Argentine movie released in the last 25 years with a plot that doesn't depend on corruption or economic crisis.

"Wild Horses" was made in 1995, a time of relative prosperity for Argentina, so it's corruption, not an economic crisis that leads old anarchist Jose (Hector Alterio) to threaten to shoot himself unless a large bank in Buenos Aires returns the $15,000 he lost years before because of the institution's shady practices.

Pedro (Leonardo Sbaraglia) is the yuppie executive chosen by Jose to turn over the money. The two leave the bank with a far larger sum and soon find themselves together on the road bound for Patagonia, pursued by police and paid assassins, and cheered on by the poor and the media as modern-day Robin Hoods.

Unlikely as this story sounds, it works well enough, thanks to great acting by Alterio. Director Marcelo Pineyro also keeps everything moving along fast enough so that we don't dwell on the occasional plot holes. Federico Luppi pops up at the end of the picture in a wonderful cameo. His performance alone is worth the price of admission.

7/10

In the 90s i was in art school, so when this movie was released, was special for many reasons. Not only the old guy that is a anarchist meets a yuppie in a back robbering and the become friends, then they find a girl who get along with them...and here the spoiler stops. This is the kind of road movie where at the end you appreciate life even more, thats the kind of movie it is.

Literally starts in the city, and then they leave to the patagonia, also the movie shows that-in many moments of the movie-that sometimes we dont know ourselves enough, we need to enjoy life more, and think less. This movie the more you watch it, the more you feel was a road movie about life and how we need to live more, and how every choice you made have consecuences, made in argentina.is one of the best movies ever made, still today feel important.

A road movie that begins when a man tries to rob a bank and the bank's clerk, a yuppie, pretends the thief has kidnapped him to help him run away. While they're running away, they meet a girl who becomes part of the team.

While I may not know much about Argentinian cinema, I do know that this is a strange adventure. It gets increasingly hectic as it goes, with the second half being far more high-intensity than the first. The initial bank robbery and "kidnapping" are the least of the plot points.

Luckily this never devolves into complete madness. Possibly semi-madness, but nothing quite like "Mad Max" though it does have elements of a world that is beyond saving.

Caballos Salvajes is about an older looking man who steals a large sum of money from the bank and then goes on the run with a bank worker who decides to help him out. Although the relationship between both men was very hostile right from the start, throughout their trip to the south of Argentina both men begin to talk through their problems and grow close. During the trip the men realize that they are involved in something bigger than just a bank robbery and they are faced with different circumstances which they resolve together. The movie includes serious circumstances surrounding the main characters, but is also filled with comedy in the way in which they handle their business and in the dialogue. Towards the end of the movie we are faced with the revealing of some facts and the mood of the movie switches to a much more tender and loving one. Overall the movie is very comical and exciting, and the acting very much entertaining.

An idealist movie as there ever was, "caballos salvajes" (Wild horses), truly captures an specific feeling in argentinian cinema.

Similar in spirit to the movies of Adolfo Aristaráin, it is the story about an old suicidal anarchist (Hector Alterio) who recovers his soul, and yes, it is a very soulful movie. Not a movie made to win festivals or to make well deserved cash, Caballos Salvajes is political at times, but also poignant and inspiring, nonetheless it's a road movie, with trepidant action and a heart of gold.

A life affirming flick for anyone who feels a little lost (although not a septuagenarian myself, I can relate), but also a great portrait of Argentina in the 1990s. A must see, anyway.