Operação Kickbox 3: Sem Retorno

This outing only has Phillip Rhee from the original cast and although he is the best martial artist, he fails to carry this franchise on his own.

It's not awful, and it tries to deliver a strong message, it just fails!

Looking for a martial arts movie with realistic villains? A made-for-TV-movie with a 'theatrical' budget? An ethnic hero whipping some redneck racist butt? Well, you'll find it here, albeit with sub-par results.

While the actual fighting in the film is all right (though I've seen better), some of the dialogue and characterizations need re-editing. The acting ranges from passable to 'William Shatner' (especially from the Klan leader - the guy with the goatee). The plot for BOTB3 is shaky - you can easily predict what the racists are going to do next and what the hero is going to do about it. The climax can be described as similar to the average horror/chop-sockey movie: not quite believeable (how can one guy take on 50 (or so) villains - with guns no less?) and devoid of thrills. Oh yeah, that Owen kid (the troubled teen who joins the racist gang) is heavily involved in the climax, and EVERYONE who watches this movie will be able to guess what he does at the end, even if they turn it off half-way.

This film is kind of like an episode of 'Walker, Texas Ranger' - tame, predictable, and really not worth bothering with, since there are so many better choices available in your video store.

Best of the best 3: No Turning Back is a movie with a strong social and political message. Our hero Tommy Lee, as portrayed by Phillip Rhee, encounters and overcomes a myriad set of common problems in the deep south. From strange cuisine to white power groups who value an idea of might makes right. I'd like to digress here to applaud Mr. Rhee, not only did he star as Tommy Lee but also directed and produced. It can been seen that Mr. Lee applied his own experiences as a minority in America to his magnum opus.

Strong political message aside, the inner workings of the film, the basic craft if you will is on point throughout. From inspired lighting and set design to insightful scene transitions, a spinning chain gun into a spinning plastic flower. We can see a juxtaposition of spinning things one on the side of whimsy the other cold raw steel crafted for killing.

Every one understands that no thing, be it movie or sandwich, can be perfect. Thus I must concede that Best of the Best 3: Cool Runnings does have its faults. One half hour is spent before a showcase of Mr. Rhee's fistic acumen. In fact Lee, Rhee's character, seems to have no real competition in the film. Nearly every skinhead he fights falls with little effort, this is strange due to the basic toughness and fighting skill attributed to the skinhead stereotype. Particularly with the basic para military training they are given.

As the plot reaches its climax, beginning with a dirt bike chase no less, and ramps up to a full on assault. We learn here that Lee can outrun an explosion. In a dizzying display of action and full on violence Tommy and his partner, the local sheriff and his bother in law, take out the skin head compound. Of course in the end Tommy proves he is indeed the best of the best. Then again this really never became an issue in the movie.

All in all Best of the Best 3: the lion the witch and the wardrobe does a fine job of telling a complex story in simple terms that can be appreciated by young and old alike. 4 giant clown shoe beat downs out of a possible 10.

I picked this up 2nd hand and really enjoyed it, in a campy way. Tommy turns up in some rural town and steps right into a race war. Tommy is basically given reason after reason to take on guys of 4 or more and throw them through various fruit stalls, ticket offices, coffee tables, and french windows. The gorgeous Gina Gershon does her best as a choir teacher helping Tommy out, but whenever she needs to be "helpless" it kinda doesn't work because she now plays such strong, female roles.

The acting and direction are seriously questionable but this film is obviously about fight scenes and they are entertaining enough, from the moment we see Gershon's house is full of glass tables, flimsy bookcases and china filled cabinets we know we are in for a treat.

Terrible, patronising attitude toward racial issues but, hey, its got a rocket launcher and plenty of flying kicks.

BEST OF THE BEST 3: NO TURNING BACK steps even further away from the tournament set-up of the original movie to offer straightforward straight-to-video action thrills from leading man Phillip Rhee. Rhee is the sole returning cast member from the first two movies, although he steps up to direct here as well as star in what turns out to be a typically over the top, mildly entertaining slice of mid-'90s entertainment.

This time around the setting is the small, ubiquitous town in one of the southern states. Rhee turns up and soon uncovers a hotbed of racism and murder, brought about by the antics of the cult-ish members of the local church, which bears more than a passing similarity to Westboro Baptist Church. Cue lots of violent fist fights, shoot-outs and explosives, achieved in the best low budget '90s way.

BEST OF THE BEST 3 isn't as good as the previous film in this series - the action isn't as hard-hitting or as well staged - but it's not bad and could be a lot worse. Rhee is a dependable hero type, and the supporting cast is packed with familiar aces: THE SHAWSHANK REDEMPTION's Mark Rolston as the baddie, R. Lee Ermey as a preacher, Gina Gershon as a potential love interest, Dee Wallace-Stone as a townswoman, and the hulking Michael Bailey Smith (THE HILLS HAVE EYES remake) as a thug.