Jean Luc Picard salva Soran, que tem um plano maléfico para destruir a Enterprise. Agora, a única esperança de Picard depende de um lendário comandante do passado, que desapareceu no espaço ... Ler tudoJean Luc Picard salva Soran, que tem um plano maléfico para destruir a Enterprise. Agora, a única esperança de Picard depende de um lendário comandante do passado, que desapareceu no espaço há mais de setenta anos atrás: James Kirk.Jean Luc Picard salva Soran, que tem um plano maléfico para destruir a Enterprise. Agora, a única esperança de Picard depende de um lendário comandante do passado, que desapareceu no espaço há mais de setenta anos atrás: James Kirk.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 4 indicações no total
Avaliações em destaque
Originally I wasn't too fussed on the film because I was an avid Trekkie who had loved 'The Undiscovered Country', had been a huge fan of the TNG series and remembered that Scotty said in Relics that "I'll bet Jim Kirk himself hauled the old gal outta mothballs" and thus the film had what I considered a major plot hole as a result of Kirk dying. Now that I'm considerably wiser and no longer a virgin/13 years old, this minor plot inconsistency really doesn't matter to me. ;-)
Whilst the special effects are a bit rushed/cheap in places (re- using 'The Undiscovered Country' and TV Series effects), it stands up fairly well for a 20+ year old film on a limited budget (particularly compared to the new films). Anyway, special effects can sometimes get in the way of a good script or even negatively affect a film...as they did with 'Into Darkness'.
Generations has some stand out moments. I was quite touched by how lonely Picard and Kirk were despite the fact that they had extraordinary lives with excitement and variety that most of us could only dream about. And yet, Picard mourning the death of his family and the family he never had, really touched me...in a way that it didn't 21 years ago. Behind that extremely intelligent and reserved character, was a real, nuanced human being with regrets, dreams and hopes that were never quite realised. When people say this is out of character for Picard, it's obvious that the events in TNG Episode 'The Inner Light' really touched him on a personal level and made him reconsider how important family was. Kirk too, seemed to have heartache in his life and how his decisions/Starfleet ruined any chance of a normal existence. It was sad and compelling to watch and something I never really noticed when I was 13.
In fact, the writing by Braga and Moore is very good in the Nexus part whilst the acting by Patrick Stewart and William Shatner made this even more believable/tangible.
Moreover, there are humorous elements to the film - Data and the tiny life forms speech made my girlfriend laugh out loud several times - in fact, we watched it 4 times! Thus, it's not all sad. :-) And to me, that's the mark of a good film.
Soran, played by Malcolm McDowell, hams it up but is a good character. It was also nice to see Chekov and Scotty one last time. Seeing Kirk, Chekov & Scotty on the bridge and how out of place they were was a nice touch and well-acted.
Obviously the rest of the cast probably weren't utilised as much as they should have been but that's only a small negative.
Try to watch this with an open mind and maybe you'll appreciate Generations a lot more than you did previously. I know I did. :-)
I find this to be very underrated among Star Trek goers. I mean, how cool is it to see the two greatest Star Trek characters in history Shatner's Kirk and Stewart's Picard team up to face evil adversity. It was a real treat to watch. I'm well aware Patrick Stewart had already started Trek previously before this with the TV series, Star Trek: The Next Generation, but it was still cool. I also thought the opening tribute to Kirk was well-done, and neat to see, considering he did so much for keeping Star Trek alive. This movie also benefits from one of the most underrated madman's of cinema Malcolm McDowell playing crazy like only he can, going up against the two memorable Star Trek icons. The finale is intense, emotional, and in my opinion a fitting send off for Kirk.
Performances. William Shatner is not the star, his screen time is precious, but his bravery to take this part and putting his ego aside is clearly refreshing. He is still charismatic, and iconic as ever. Patrick Stewart's intensity knows no bounds, and he was the perfect choice to take over in the movies. I love the guy. Malcolm McDowell is a great foe for Stewart, and I was glued to the screen every time he was on it. Not many people can play a madman like him. Jonathan Frakes is likable, and enjoyable to watch as Riker. Rest of the cast does fine.
Bottom line. This is an entertaining entry to the Star Trek saga, and many people underrate it as far as I'm concerned. It ranks among my favorites in the series. Recommended
7/10
The first part of the movie seems to pick up where "The Undiscovered Country" left off; and it does so on a somewhat sour note. Retirement does not sit at all well with Captain Kirk, and he hates the idea of being a "legend" and having the namesake of his beloved ship run by a bunch of inexperienced kids and a skeleton crew (the running "tuesday" gag is hilarious). I think Walter Koenig and James Doohan were marvellous in the first part of this movie, and the scene where they arrive on deck 15 and find themselves staring into the void of space is chilling.
After this, it picks up with the Next Generation Crew, and boy, does the camera love the Enterprise D. It's emotional to see the crew going through the changes this movie throws at them, and by the time Geordi's kidnapped and Data's emotions are uncontrollable, my heart was in my throat.
It's also a pleasure to see Whoopi Goldberg reprise her role as Guinan, and as far as humor goes, Data's newfound sense of humor had me on the floor.
I LOVED Picard and Kirk's interactions and the segment in Kirk's cabin is an absolute hoot. (Picard: "This is not your bedroom.") Soran is a great villain, truly ruthless and threatening. Out of all the Next Gen films, this is probably my favorite. It has an atmosphere about it that's very appealing to me, and the only other TNG film that had the same feeling was Nemesis, which I still maintain was a DAMN good movie.
This opens with William Shatner along with Walter Koenig and James Doohan out of retirement to take a short spin on the inaugural voyage of a new Enterprise. The ship gets called on a rescue mission but James T. Kirk is lost and presumed dead.
A century later Patrick Stewart and his Next Generation crew are involved with chasing a renegade scientist Malcolm McDowell whom you can usually find playing disturbed people. He's got some kind of mad scientist scheme to get to a place called the Nexus where time and space have no meaning. To do that he has to launch a missile into a star and have it explode. That it will kill all life in its solar system has little concern. As mad a scientist as you will ever find.
So there's Jean-Luc Picard in pursuit and he gets help from an unlikely source.
That's as far as I go. McDowell is a great villain, always is. It's not the greatest of science fiction plots I've seen. But Trekkies around the globe will love this summit film from the Star Trek franchise.
Você sabia?
- CuriosidadesThis was the first Star Trek film to be produced and filmed after the death of Gene Roddenberry. Following his death, the Star Trek creative team began using story ideas and concepts to which Roddenberry was opposed, which included the teaming up of Jornada nas Estrelas (1966) and Jornada nas Estrelas: A Nova Geração (1987) characters.
- Erros de gravaçãoAs Worf climbs up the side of the 19th century ship, his right knee is red either from bleeding or from touching a part of the ship that may have been freshly painted. When he enters the bridge, the red color is missing.
- Citações
Kirk: Captain of the Enterprise, huh?
Picard: That's right.
Kirk: Close to retirement?
Picard: I'm not planning on it.
Kirk: Well let me tell you something. Don't! Don't let them promote you. Don't let them transfer you. Don't let them do *anything* that takes you off the bridge of that ship, because while you're there... you can make a difference.
Picard: Come back with me. Help me stop Soran. Help make a difference again!
Kirk: Who am I to argue with the captain of the Enterprise? What's the name of that planet? Veridian III?
Picard: That's right.
Kirk: I take it the odds are against us and the situation is grim?
Picard: You could say that.
Kirk: You know if Spock were here, he'd say I was an irrational, illogical human being for going on a mission like that.
[pause]
Kirk: Sounds like fun!
- Versões alternativasFox-TV version removes some footage: During the crisis on the Enterprise B, Kirk starts to stand a number of times to offer a suggestion and then thinks better of it, sitting back down. Scotty leans over after this happens a few times and asks if there's something wrong with his chair. Scotty's remark is deleted. After Riker orders the computer to remove the plank, causing Worf to be dumped in the water, his follow-up exchange with Picard is missing - Picard: "Number One, that's 'retract' the plank, not 'remove' the plank." Riker: "Of course, sir. [shouting over the rail] Sorry!"
- ConexõesEdited from Jornada nas Estrelas VI: A Terra Desconhecida (1991)
- Trilhas sonorasTheme from 'Star Trek'
TV Series
from Jornada nas Estrelas (1966)
Music by Alexander Courage
Arranged and Orchestra Conducted by Dennis McCarthy (uncredited)
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Jornada nas Estrelas 7: Novas Gerações
- Locações de filme
- Valley of Fire State Park - Route 169, Overton, Nevada, EUA(Veridian III surface)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 35.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 75.671.125
- Fim de semana de estreia nos EUA e Canadá
- US$ 23.116.394
- 20 de nov. de 1994
- Faturamento bruto mundial
- US$ 118.071.125
- Tempo de duração
- 1 h 58 min(118 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1