Traído pela Ilusão

The promissing cast starts good with nice scenes between the beautiful Lara Flynn-Boyle and Scott Glenn as the sensitive cop. But the story gets so weird: Lots of cheap flashbacks and "mysterious" knifes, glasses and fruits falling on the ground – uuups! – oh, you mean this is suspense? Then watch it. I didn´t enjoy it: 4 out of 10. To less Lara F.B. for to much movie.

Not a confusing film, but an intriguing one. Viewers learn more and more, and in the end everything is wrapped up and nothing is left without explanation.

Early on it calls to mind The Lady Vanishes (1937)...but it is different than that. Later on it calls to mind, to some degree, Jacob's Ladder (1990), but it is not that film either. There are aspects that almost seem surreal, until we gradually learn what is going on - there is a definite resolution; this is not like the stereotype of a David Lynch film.

A good suspense film that deals with memory and identity and their unravelling as a mystery.

Lara Flynn Boyle is especially attractive here: softer and not as extremely, frighteningly thin as she has been recently.

Truly a good film and for noir addicts it is a must see. I see the Twin Peeks comparison and not surprising, one of the writers, wrote for that show (as well as his brother). Not for a casual view, it can quickly become confusing, as shown, almost completely, in flashback style. Nice "tip" to the Wizard of Oz and the attention to detail, is amazing.

Here's a modern-day film noir in which you're never sure what's real and what isn't real. There is a possibility you may get tired of guessing and give up on this film 3/4ths of the way through, as I almost did but it worth finishing. It also was better the second time around

The problem is just too many flashbacks. If some of those scenes were not replayed so often, or a few of the many twists eliminated, it would have been a super movie. It still was fascinating in parts. It grabs you, and you can't stop watching to see what the real story is. Along the way, is a bunch of nice colors and some nice film noir-type in the beginning and then during the ending credits.

First of all, anyone who claims that he or she didn't find this head-scratcher confusing must be the next freakin' Einstein! The plot is maybe more tangled than that of "The Usual Suspects", and there are enough distorted/out-of-chronological order events, half-remembered/repeated/altered lines and "was-it-all-a-dream-or-was-it-real?" tricks to baffle even the most avid mystery fan. Generally, movies with multiple twists and turns can be great fun, but this one is so contrived that it tried my patience. Besides, I don't understand why Lara Flynn Boyle had to whisper almost all of her lines (to come off as "seductive", perhaps?), or why they would pair her romantically with Scott Glenn, an actor almost 30 years older than her. (**)