AVALIAÇÃO DA IMDb
7,3/10
67 mil
SUA AVALIAÇÃO
As irmãs March vivem e crescem na América pós Guerra Civil.As irmãs March vivem e crescem na América pós Guerra Civil.As irmãs March vivem e crescem na América pós Guerra Civil.
- Direção
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- Indicado a 3 Oscars
- 6 vitórias e 19 indicações no total
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Avaliações em destaque
This version of Little Women is lovely. Everyone is perfectly cast, and fans of the novel will be happy that it is quite true-to-book. Winona Ryder is perfect as Jo, quite equal to Katherine Hepburn's performance in the 1933 version. Susan Sarandon is wonderful (though I'm not sure Marmee would talk about 'restrictive corsets' to John Brooke). :) Christian Bale is an excellent Laurie, and Gabriel Byrne is wonderful as our Professor Bhaer. Kirsten Dunst and Claire Danes showed acting ability beyond their years. Trini Alvarado was a very pretty and sweet Meg. Samantha Mathis was a very pretty older Amy, but she could have been more lively. Eric Stoltz was a great John Brooke. I had never pictured Brooke with red hair, but it was nice. The rest of the cast was terrific, especially Mary Wickes as Aunt March. For once, Mary wasn't playing somebody's nurse or maid. :)
The music and cinematography were beautifully done. It was absolutely wonderful, and I highly recommend it (and the book of the same name). :)
The music and cinematography were beautifully done. It was absolutely wonderful, and I highly recommend it (and the book of the same name). :)
Though some may argue that the older classic versions of Little Women with Katherine Hepburn and June Allison may be better because it sticks to the book, this is the only version that captures the spirit of the book.
Though the filmmakers took license to cut away certain specifics, the end result is an absolutely gorgeous film that stands on it's own completely. One would be able to watch this film without ever having read or known the book and seen it as it's own film.
The film thrives on small scenes and nuances, moments of person to person contact, production design and cinematography, the all important score (which adds a great deal to the film). This delicate and complicated symbiosis between all aspects tactfully and poignantly creates the story, something missing from many movies these days which creates a tangible and effervescent emotional layer. Then the acting of one of the best ensembles to hit the screen in a long time. Keep an eye out for Susan Sarandon and Claire Daines in roles that ought to have been nominated along with Ryder. These actors create people that endear themselves to us, and make the film even more than it could have been.
It's a small scale masterpiece that will leave you in tears. The film is honest and true in it's portrayal of human emotion. It went from being an adaptation of the book to it's own story and portrayal of people and their lives. It's beautiful aesthetically and dramatically, and a real gem of a film.
Though the filmmakers took license to cut away certain specifics, the end result is an absolutely gorgeous film that stands on it's own completely. One would be able to watch this film without ever having read or known the book and seen it as it's own film.
The film thrives on small scenes and nuances, moments of person to person contact, production design and cinematography, the all important score (which adds a great deal to the film). This delicate and complicated symbiosis between all aspects tactfully and poignantly creates the story, something missing from many movies these days which creates a tangible and effervescent emotional layer. Then the acting of one of the best ensembles to hit the screen in a long time. Keep an eye out for Susan Sarandon and Claire Daines in roles that ought to have been nominated along with Ryder. These actors create people that endear themselves to us, and make the film even more than it could have been.
It's a small scale masterpiece that will leave you in tears. The film is honest and true in it's portrayal of human emotion. It went from being an adaptation of the book to it's own story and portrayal of people and their lives. It's beautiful aesthetically and dramatically, and a real gem of a film.
"Little Women" is a gem of a movie, encompassing comedy, drama, and romance into one well-made film that is true to Louisa May Alcott's literary classic. It follows the lives of the four March sisters, from the turbulence of youth, the turmoil and romance of adolescence, the joy of love, and the pain of loss. The quality of this movie depends entirely upon the chemistry between the actors, and it accomplished this with success. The film is a vignette of scenes throughout the sisters' lives, showing their relationships with one another and with the people around them.
Winona Ryder is the quintessential Jo, the tomboyish, spirited sister who dreams of becoming an accomplished writer. She brings a refreshingly sweet, human touch to the character, who is as impulsive and headstrong as she is ambitious and loving. Ryder carried the film beautifully, and much of its success is due to her.
Trini Alvarado made a very pretty and convincing Meg, the dependable older sister, although she is not so set on marrying for money as she is in the book. Claire Danes as sweet, selfless Beth, really shone in one heartbreaking scene that is impossible not to cry through. For her performance as the spoiled youngest sister, Amy, the very young Kirsten Dunst showed remarkable potential, and brought humor to the character.
Christian Bale as Laurie was everything the "boy next door" should be: handsome, kind, and charming. His chemistry with Winona Ryder was considerable, and made their friendship very believable. Susan Sarandon played a wonderful Marmee, supportive and loving towards her girls.
Another thing I would recommend is the soundtrack to this movie, composed by Thomas Newman, which has some gorgeous music on it.
10/10
Winona Ryder is the quintessential Jo, the tomboyish, spirited sister who dreams of becoming an accomplished writer. She brings a refreshingly sweet, human touch to the character, who is as impulsive and headstrong as she is ambitious and loving. Ryder carried the film beautifully, and much of its success is due to her.
Trini Alvarado made a very pretty and convincing Meg, the dependable older sister, although she is not so set on marrying for money as she is in the book. Claire Danes as sweet, selfless Beth, really shone in one heartbreaking scene that is impossible not to cry through. For her performance as the spoiled youngest sister, Amy, the very young Kirsten Dunst showed remarkable potential, and brought humor to the character.
Christian Bale as Laurie was everything the "boy next door" should be: handsome, kind, and charming. His chemistry with Winona Ryder was considerable, and made their friendship very believable. Susan Sarandon played a wonderful Marmee, supportive and loving towards her girls.
Another thing I would recommend is the soundtrack to this movie, composed by Thomas Newman, which has some gorgeous music on it.
10/10
Superlative, mostly faithful adaptation of Louisa May Alcott's acclaimed novel of four impoverished teenage sisters who come of age in Civil War era New England. The film chronicles ambitious scribe Jo, decorative and impressionable Meg, timid, musically inclined Beth, and artistic, precocious Amy, with emphasis placed on their relationship with their beloved "Marmee" and their growing bond with the playful, cultured boy next door as they attempt to make their way while their father is off fighting in the war. While devoted readers may have wished for an ending that was more in line with the novel, this is perfectly cast and brilliantly acted, with wonderful characters, a pinpoint sense of the time period, and genuine emotions that flow throughout the proceedings; a worthy adaptation indeed. ***
Você sabia?
- CuriosidadesWinona Ryder introduced Christian Bale to his future wife Sibi Blazic on the set of this film. At the time she worked as Ryder's personal assistant.
- Erros de gravaçãoWhen Amy discovers that Jo will be her teacher, she sulks twice. However, this is in keeping with Amy's character - if no one noticed her sulking the first time, she would most likely do it again.
- Citações
Laurie: I have loved you since the moment I clapped eyes on you. What could be more reasonable than to marry you?
Jo March: We'd kill each other.
Laurie: Nonsense!
Jo March: Neither of us can keep our temper-...
Laurie: I can, unless provoked.
Jo March: We're both stupidly stubborn, especially you. We'd only quarrel!
Laurie: I wouldn't!
Jo March: You can't even propose without quarreling.
- Cenas durante ou pós-créditos19th-century-style portraits of the sisters are seen under the early part of the credits.
- Trilhas sonorasLeila! Dieu Puissant
No.9 "Act II of the Pearl Fishers"
Music by Georges Bizet (uncredited)
Lyrics by Eugène Cormon (uncredited) and Michel Carré (uncredited)
Performed by Barbara Hendricks and John Aler with L'Orchestre National du Capitole de Toulouse (as Orchestre du Capitole de Toulouse)
Conducted by Michel Plasson
Courtesy of EMI Classics, under license from CEMA Special Markets
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Detalhes
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 18.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 50.083.616
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.411.247
- 25 de dez. de 1994
- Faturamento bruto mundial
- US$ 50.085.123
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