AVALIAÇÃO DA IMDb
7,4/10
2,5 mil
SUA AVALIAÇÃO
Renegado por seus pais ainda jovem, um homem acaba em uma pequena vila controlada por chefes do submundo e alguns políticos muito poderosos. Preguiçoso, alcoólatra e desempregado, é influenc... Ler tudoRenegado por seus pais ainda jovem, um homem acaba em uma pequena vila controlada por chefes do submundo e alguns políticos muito poderosos. Preguiçoso, alcoólatra e desempregado, é influenciado por um jornalista com uma missão positiva.Renegado por seus pais ainda jovem, um homem acaba em uma pequena vila controlada por chefes do submundo e alguns políticos muito poderosos. Preguiçoso, alcoólatra e desempregado, é influenciado por um jornalista com uma missão positiva.
- Prêmios
- 7 vitórias e 3 indicações no total
Atul Agnihotri
- Atul Dhayal
- (as Atul Agnihotree)
Tinnu Anand
- Yograj
- (as Tinu Anand)
Sujit Kumar
- Police Commissioner
- (as Sujeet Kumar)
Rammohan Sharma
- Vishnu Narayan Tilak
- (as Ram Mohan)
Avaliações em destaque
earlier when Bollywood used to have limited budget, technicians, etc actors used to be the captain of the ship. this one has the one of the most capable actors of last few decades. thought i would like to encourage people to watch this film because of mehul kumar. this guy had a vision and it shows with every frame. its a full entertainment riot. Bollywood's fight club. it made me think for days when i 1st saw it when i was hardly 10. see it to believe in one man revolution. look it for acting, direction, story possibly every basic thing you can expect from a great film. surprisingly it has some funky music which was super-hit at that time and even today it will entertain you with lyrics. finally, this one is not for a miss.
Mehul Kumar's 1994 drama about the importance of battling social injustice stars Nana Patekar as Pratap, a decent but lazy man unwilling to fight for anyone's cause but his own. He is finally roused to action by a fiery reporter named Megha (Dimple Kapadia) and by the cruelty of a ruthless, exploitative businessman named Yograj (Tinnue Anand). This movie is the most talented scripture I have ever seen. This movie also starring in Mamta, Atul & Danny. The movie features one of the best direction that I have ever seen. This movie is so interesting that I watched it more than 20 times. All the actors must have take there time in making this film.
The subject matter of Krantiveer is quite interesting, and it could have been a great classic. But sadly the film is a) very very exaggerated in execution; and b) is clearly not a film confident in its own merit and in order to attract wider audiences makes use of some unnecessary romantic subplots with younger actor so as to just make it more commercially appealing. As for the first point, the film is just very theatrical. Despite a strong story and good actors, it keeps abusing its core message and pushing it too much by being quite preachy, sometimes stagy, and unrealistic. The second point is a common problem of many films of the sort where older actors lead the film. In this film, Nana Patekar and Dimple Kapadia, two great actors who had by then passed their so-called sale-by-date, were probably insufficient factors for a commercial film, and so two young charmers were recruited for the songs and romantic portions, Atul Agnihotri and Mamta Kulkarni. How funny is that. The portrayal of the communal riots and the dehumanization that takes place after is handled quite well.
Where the film scores big time and everybody already knows that is in the stupendous presence of Nana Patekar, one of India's topmost actors. Patekar is tremendous in the part - real, nuanced, fiery - and he's quite a star, which is something the producers didn't really know or understand. He creates a man who is both a character actor and a hero, and this is definitely enough of a reason to watch the film. Another reason is obviously Dimple Kapadia, a marvelous actress in her own right. Her character is sometimes stereotypically written, but in a number of hard-hitting scenes, she outdoes herself even if the context is a little theatrical. Atul Agnihotri and Mamta Kulkarni do their usual bits, giving exactly what's expected of them, which is not much, as does Danny Denzogpa, who is the most typical villain you can get. I wish director Mehul Kumar had not turned this dark subject matter into a fluffy potboiler, as also seen in the songs and some of the action. The communal strife though is handled well, and kudos to Patekar and Kapadia for their superbly played roles. Overall, a flawed film but thoroughly watchable.
Where the film scores big time and everybody already knows that is in the stupendous presence of Nana Patekar, one of India's topmost actors. Patekar is tremendous in the part - real, nuanced, fiery - and he's quite a star, which is something the producers didn't really know or understand. He creates a man who is both a character actor and a hero, and this is definitely enough of a reason to watch the film. Another reason is obviously Dimple Kapadia, a marvelous actress in her own right. Her character is sometimes stereotypically written, but in a number of hard-hitting scenes, she outdoes herself even if the context is a little theatrical. Atul Agnihotri and Mamta Kulkarni do their usual bits, giving exactly what's expected of them, which is not much, as does Danny Denzogpa, who is the most typical villain you can get. I wish director Mehul Kumar had not turned this dark subject matter into a fluffy potboiler, as also seen in the songs and some of the action. The communal strife though is handled well, and kudos to Patekar and Kapadia for their superbly played roles. Overall, a flawed film but thoroughly watchable.
Mehul Kumar's 1994 Box-Office Hit 'Krantiveer' is dark & disturbing. It isn't a a masterpiece though, but its an effective human-drama, that arrests your attention by its brash & brutal story. But, if there is a reason why this film is unmissable, its, without a shed of doubt, Nana Patekar's Astonishing Performance as the righteous/tough hero.
'Krantiveer' is a story about vengeance, love, hatred & racial-discrimination.
'Krantiveer' comes in-tact with some masterful, hard-hitting dialogue, that leave a terrific impact. Mehul Kumar's Direction is appropriate. Cinematography is perfect. Editing is sharp.
Nana Patekar left me astonished with his National-Award Winning Performance. The Actor takes an unforgettable turn & performs fearlessly from start to end. Its a performance, that deserves to be watched & respected! He's the soul of 'Krantiveer'.
On the whole, 'Krantiveer' is an effective film, along-with a performance that's utterly unforgettable.
'Krantiveer' is a story about vengeance, love, hatred & racial-discrimination.
'Krantiveer' comes in-tact with some masterful, hard-hitting dialogue, that leave a terrific impact. Mehul Kumar's Direction is appropriate. Cinematography is perfect. Editing is sharp.
Nana Patekar left me astonished with his National-Award Winning Performance. The Actor takes an unforgettable turn & performs fearlessly from start to end. Its a performance, that deserves to be watched & respected! He's the soul of 'Krantiveer'.
On the whole, 'Krantiveer' is an effective film, along-with a performance that's utterly unforgettable.
Based on the 1993 Bombay riots, Krantiveer brought immense critical acclaim as well as commercial success to its lead actor Nana Patekar. This was his first solo hero role after gaining foothold in Bollywood as a formidable villain. His famous dialogue "Yeh Musalman ka khoon yeh Hindu ka khoon ... bataa is mein Musalman ka kaunsa Hindu ka kaunsa!!." struck the right chord with the masses. Indeed, the national integration theme was quite pertinent for those troubled times and the film became a super hit.
The plot revolved around a common man who takes on a local don (Danny) and his politician cronies who instigate communal riots. Dimple Kapadia played a journalist and rape survivor who admires Nana and helps him in his mission. Atul Agnihotri and Mamta Kulkarni had nothing much to do except a couple of unnecessary songs.
Mehul Kumar's treatment was unabashedly raw and volatile like his previous hit 'Tirangaa' (1993). Krantiveer was his last success and he made Mrityudaata (1997) and Kohram (1999) with Amitabh Bachchan later - both box office flops.
Krantiveer made Nana an instant star and public used to mouth his long monologue in the climax while watching the film multiple times in theatre. He was in full form and even grooved to love rap with Bindu (in a cameo). The film won Nana his first and only Best actor Filmfare award.
But today, Krantiveer appears quite loud and dated. It is frequently shown on Zee Cinema but I cant sit through it now. Well, times change and so does the audience taste..
The plot revolved around a common man who takes on a local don (Danny) and his politician cronies who instigate communal riots. Dimple Kapadia played a journalist and rape survivor who admires Nana and helps him in his mission. Atul Agnihotri and Mamta Kulkarni had nothing much to do except a couple of unnecessary songs.
Mehul Kumar's treatment was unabashedly raw and volatile like his previous hit 'Tirangaa' (1993). Krantiveer was his last success and he made Mrityudaata (1997) and Kohram (1999) with Amitabh Bachchan later - both box office flops.
Krantiveer made Nana an instant star and public used to mouth his long monologue in the climax while watching the film multiple times in theatre. He was in full form and even grooved to love rap with Bindu (in a cameo). The film won Nana his first and only Best actor Filmfare award.
But today, Krantiveer appears quite loud and dated. It is frequently shown on Zee Cinema but I cant sit through it now. Well, times change and so does the audience taste..
Você sabia?
- CuriosidadesDistributors from few regions wanted to back out from the film as Nana Patekar was playing a solo role in a mainstream film.Mehul Kumar assured them that he wouldn't ask them any penny to whatever amount they have payed him at the moment and he will bear the further losses if film doesn't work.During the trial show the same distributors got ready to pour any amount of money fro the film.
- Citações
Pratap Narayan Tilak: So you have come to see the scene of my death.
- ConexõesFeatured in Mrityudaata (1997)
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