Uma Loira de Verdade

"The Real Blonde" is an easy going romantic comedy with the emphasis on comedy which sticks Modine and Keener in the midst of an ample cast of familiar faces as it spins its lukewarm but likeable story of sitcom type couple vicissitudes. Somewhat ill focused and lacking in coherence but always upbeat and busy, "TRB" makes a good couch potato flick for those in the mood for romantic comedy. (B-)

Set in the world of struggling actors and models, this is an intelligent comedy with just a hint of seriousness. It's well-written with good performances by its large, mostly younger cast. The humor is for adults, so if you're looking for big belly-laughs and gross-out situations, you'll be disappointed. The number of characters threatened to be a bit too many but that's not a major problem. I found 'The Real Blonde' funnier and more entertaining than lots of comedies that get far more publicity and have much more box-office success.

Joe is an out of work actor who is also struggling with his relationship with Mary who has lots of rage inside. Joe's actor friend Bob has just got a job on a soap opera but is caught up in his desire for a `real' blonde despite having fallen for the available model Sahara. The films follows their lives in the world of minor celebrity.

Despite having done good with the subject of film making in `Living in Oblivion', the director doesn't do as well when it comes to the world of the minor celebrity. The plot is a little jumbled – it wants to make fun of the world but also seriously follow the people it makes fun of in their relationships. Also it makes fun of Bob's acting but yet has plenty of respect for Joe simply because he keeps quoting `Death of a Salesman'. The satirical edge is nice and produces some funny moments but the relationship stuff is muddled.

There are plenty of famous cameos and most are good. Lloyd, Turner, Leary, Buscemi, Chappelle, Von Bargen etc all show their faces. In the leads Modine is OK but because the director doesn't know if he's part of the joke or a serious character then we don't know how to approach him either. Keener tries hard and is OK but Caulfield is the best of the bunch simply because we know he's meant to be a bit of a comedy figure.

The film manages to loose it's laughs in a sea of serious asides. The worst being the theme of the old black woman and her dog getting stolen. We keep going back to her and she has the last theme in the film – why? If there was a message I must be too dumb to get it and it certainly didn't really fit in with the rest of the movie.

Overall this has enough good moments to justify watching but it clearly lacks focus and loses it's way really easily.

Tom DiCillo is a wonderful director who should be seen more often. As he has demonstrated with his previous films, he is a man that brings a great dimension to the subjects he selects for his movies. Mr. DiCillo's strength lies in the magnificent performances he gets from his casts by making them underplay their roles and the irony behind his plots.

"The Real Blonde" was Mr. DiCillo's third film and he shows a firm hand in moving all the characters in so many interesting ways as they go about their lives in this complex city of New York. The film deals with the way young people are trying to cope with careers and relationships in this complicated city.

At the center of the action we find Joe, a good guy who works as a waiter in order to pursue his ambition of becoming an actor. Joe seems to be a bit confused about what he wants to do and doesn't have his feet planted on the ground. He doesn't have anyone pushing for him, no experience to speak of, yet he perceives himself into doing roles such as Biff in "The Death of a Salesman". Talk about reality!

Joe is living with a down to earth woman, Mary, who is a makeup artist and knows her way around the city and the people she has to deal with. Bob, who is Joe's best friend, and fellow waiter, lands himself in a soap opera that nets him a lot of money. Joe, the idealist, believes Bob is selling out, going too commercial.

Mr. DiCillo brings together the different worlds in which these characters are living into perspective with great style in a fun movie that is a lot of fun, at the same time.

Catherine Keener, who has worked with Mr. Dicillo in several films, comes out the best in her role of Mary. Ms. Keener is one of the best actresses working in films today and has a natural charm that graces everything she does. Matthew Modine gives a good performance as Joe. Daryl Hannah, Maxwell Caulfield, Elizabeth Berkley, Marlo Thomas, Bridgette Wilson, Buck Henry, Christopher Lloyd, Katheleen Turner and Denis Leary, are seen in supporting roles.

A charming film by one of America's best kept secret director: Tom DiCillo!

I rented 'The Real Blonde' on video at the same time that I rented 'The Curse of the Jade Scorpion', because my favourite actress (Elizabeth Berkley) is in both and I wished to have a quiet afternoon in watching two of my favourite screen star's movies. 'The Real Blonde' was not only funny, it was well-scripted, well-acted and well... great!

The cast all did an absolutely fine job of bringing their characters to life, despite the fact that some didn't get a lot of screen time. Honestly, I had no idea that Bridgette Wilson could be so funny! I've only ever seen her on TV a few times, and she didn't really strike a huge chord with me there. But in 'The Real Blonde'... wow! Kathleen Turner, Daryl Hannah, Christopher Lloyd and my favourite, Elizabeth Berkley, are nothing short of hilarious as well. The satire was excellent and the ending was practically inspired. Great!

Does anyone happen to know the title of the song that was played in the Madonna video scene? That song was goofy. I liked it! :)