O Impostor

A prostitute is brutally murdered and the police's only lead is James Walter Wayland, a drunken epileptic who is heir to a very successful textiles company. With little to go on but his testimony, Detectives Braxton and Kennesaw hook him up to a polygraph and begin to question him further. Wayland's arrogance and contempt for them immediately rubs them up the wrong way and they increasingly suspect that he is not telling them everything. They keep pushing him, aware of his illness, in the hope that he will start to crack. However what they never foresaw was that Wayland would push back, getting information on both the men and turning the tables on them.

With a pretty heavy weight cast, I was attracted to this film when it went by the much better name of 'Liar' in the UK without really knowing a great deal about it. The film has an interesting premise and offers a good flashback structure with some tense interrogation scenes but the plot is not strong enough to really deliver this and ends up twisting into some silly places that fail to convince. The development of the story meant we were thrown in at the deep end – not a problem at first, but I never really got a handle on the film until near the end, making sections of it unengaging. The way the plot turns and twists is also a problem, because very little of it actually rings true, with some of it seeming extreme or just plain nonsensical. It is delivered well though, the interview room is used to increase the tension and seems to become steadily darker throughout the film to produce a good mood.

This tense mood is helped by a pretty good cast, in particular the lead three who have enough testosterone to start a riot. Roth plays the meatier role from the start and he does have fun even if I didn't think his epileptic thing really worked that well. Penn is OK but doesn't have much to do other than bash heads with his co-stars, but it is Rooker who manages to steal a lot of the film. Starting with the feel of just a tough guy role, Rooker delivers a much more complex person with self-loathing that is convincing (up until the script takes his character away). The three interact well and the tension between them almost covers from the fact that the story isn't actually that good – but their shared scenes at least have a tough energy that makes them watchable. Support from Arquette, Zellweger and Burstyn is fleeting but adds the feeling of depth.

Overall this is not that good a film; the story isn't convincing and is full of silly jumps, nor is it structured that well. However these problems are slightly covered by three tough actors in a small dark room, providing a reasonably good sense of tension and urgency. Of course without the story to back them up, the film gradually starts to come apart and delivers a deeply unsatisfying ending, but it just about has enough going for it to make it watchable.

I love a movie that will capture me from the beginning and never let go. This movie was like that for me. This is the movie that made me a fan of TIM ROTH. He is fascinating to watch, and the character he plays is fascinating to watch.

The movie goes into the psychology of each of the lead players, and I found myself collecting ever more answers -- with always a few more questions with each answer.

It's not one of those kinds of films that tries to make sure you know the answer to anything -- yet lets you see most everything -- and still find yourself wondering. It's got little action, yet is continually stimulating and thought-provoking, interesting and fun to watch.

I've seen this movie more than once and it's one of those rare films I know I will enjoy watching again and again -- and I think that every time I watch it I have new answers -- and new questions. Anyone interested in psychology will love this film. The acting are all excellent, the cinematography wonderfully mood-setting, the direction superb. I gave it 10 stars.

Deceiver (AKA: Liar) is directed and written by Jonas and Josh Pate. It stars Tim Roth, Chris Penn, Michael Rooker, Ellen Burstyn, Renée Zellweger and Rosanna Arquette. Music is by Harry Gregson-Williams and cinematography by Bill Butler.

The gruesome murder of a prostitute finds chief suspect James Wayland (Roth) in an interrogation room undergoing a lie detector test. Two detectives, Phillip Braxton (Penn) and Edward Kennesaw (Rooker), are overseeing the test and sure of Wayland's guilt. But they are soon to find that Wayland is no push over and as the mind games start, dark secrets begin to come into play...

Without doubt it's an acquired taste, met with indifference upon its release and still causing debates on internet forums, Deceiver is one of those films that infuriates and fascinates in equal measure. As the title of the film suggests, deception and untruths are the order of the day here, not just in the claustrophobic interrogation room, but also in how the brothers Pate toy with us the audience. With its reliance on a non linear structure and convoluted plot, focusing the attention is greatly required, especially since the use of a rug-pull device will either seal or kill the deal.

As the walls close in on the interrogation room sequences and the flashbacks and character subplots flit in and out of the tale, the Pate brothers bring striking photography and angles into play. Sometimes it's a POV camera technique that has an edginess that seems to be probing for a crack in the armour of the person it looks at, at other instances it's distorted backdrops that run concurrently with the psychological chaos buzzing around the sweat tinged room. While the dialogue the characters are given crackles with the hard-boiled intensity that graced many a 40s and 50s noir thriller.

With a trio of superb lead male performances leading the way and a narrative loaded with duplicity and deviousness, Deceiver is crackerjack neo-noir. It's guilty of excess at times, and it's not hard to understand why some find the trickery too much to bare, but for those who like labyrinthine crime thrillers then this hits the spot. In fact! Repeat viewing is very much recommended. 8/10

This movie has first class acting.Tim Rooth delivers a great performance and so does Michael Rooker.The movie is very dark and mysterious.A big part of the movie takes place in a little room,but this just helps make the movie even better.The story is really clever and it reminds me a lot of Usual suspects.This movie uses good camera work and great acting to build the story,and that is they way it should be.Good thriller with lots of suspense.

Somehow this hidden treasure had escaped my radar until now. As usual Tim Roth does not disappoint. The accused characters mentally abused by his disconnected parents, epilepsy and absinthe addicted personality seems custom written for Roth. In truth, few other actors could have pulled that off. There are stories within stories here and the movie holds your attention throughout. A modern day noir with a great surprise ending. Two powerhouse actresses, Patricia Arquette and Renee Zellwegger were under utilized in this film. Chris Penn gives an adequate performance as the junior and somewhat less intelligent assistant detective, but his ignorance is not as great as the audience is made to think. I was a little surprised by the relatively low 6.4 rating. This film deserves much better. Well worth your time.