AVALIAÇÃO DA IMDb
6,4/10
2,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA Chicago cab driver's night shift becomes a kaleidoscope of humanity. With each fare, his initial cold demeanor softens, revealing unexpected depth amid cameos from familiar faces.A Chicago cab driver's night shift becomes a kaleidoscope of humanity. With each fare, his initial cold demeanor softens, revealing unexpected depth amid cameos from familiar faces.A Chicago cab driver's night shift becomes a kaleidoscope of humanity. With each fare, his initial cold demeanor softens, revealing unexpected depth amid cameos from familiar faces.
- Prêmios
- 1 indicação no total
Moira Sinise
- Religious Mother
- (as Moira Harris)
Shanesia Davis
- Lawyer
- (as Shanesia Davis-Williams)
Phillip Edward Van Lear
- Father-to-Be
- (as Phillip Van Lear)
Avaliações em destaque
I just finished watching "Chicago Cab" on cable and was moved to post some comments. Though Paul Dillon gets third bill, this is his show.
Better known to most of the world for his hilarious role in the first "Austin Powers" flick, Dillon gets an opportunity to flex his muscles as a fully rounded character actor. Over the course of his very long day (from sun-up to sundown and then some), he picks up a plenitude of fares ranging from sanctimonious (his first fare of the day is a rather smug Born Again couple and their little daughter on their way to church at the very ungodly hour of six in the morning) to the frightening (too many to mention). All are played with conviction by a large number of talented actors ranging from the virtually unknown to very familiar faces in cameos.
One of these well-known faces is Gillian Anderson. It's fun to see her as a foul-mouthed Southside girl; a nice break from her prim, proper Agent Scully persona. Also worthy of mention is Reggie Hayes as Dillon's final fare of the day. The dialogue between the two men is touching and provides a necessary respite from the overall dire (yet entertaining) tone of the film.
I hope Will Kern graces the screen with another effort. This was adapted from his play of the same name and I'd like to see more from him.
As a final note, the video title, "Hellcab," is perhaps misleading. This movie is in no way related to the early CD-ROM game "Hellcab" created by comic artist Pepe Moreno.
Better known to most of the world for his hilarious role in the first "Austin Powers" flick, Dillon gets an opportunity to flex his muscles as a fully rounded character actor. Over the course of his very long day (from sun-up to sundown and then some), he picks up a plenitude of fares ranging from sanctimonious (his first fare of the day is a rather smug Born Again couple and their little daughter on their way to church at the very ungodly hour of six in the morning) to the frightening (too many to mention). All are played with conviction by a large number of talented actors ranging from the virtually unknown to very familiar faces in cameos.
One of these well-known faces is Gillian Anderson. It's fun to see her as a foul-mouthed Southside girl; a nice break from her prim, proper Agent Scully persona. Also worthy of mention is Reggie Hayes as Dillon's final fare of the day. The dialogue between the two men is touching and provides a necessary respite from the overall dire (yet entertaining) tone of the film.
I hope Will Kern graces the screen with another effort. This was adapted from his play of the same name and I'd like to see more from him.
As a final note, the video title, "Hellcab," is perhaps misleading. This movie is in no way related to the early CD-ROM game "Hellcab" created by comic artist Pepe Moreno.
In Chicago we spend the day with the driving of a taxi who starts work at 6am, picking up a religious family and taking them to church. Throughout the day he has to deal with many different types of fare, from abusive boyfriends, drunken sports fans, adulterous colleagues and a woman who has been raped. He increasingly gets more and more impatient and distraught with what he sees in Chicago's life and he starts to get very tired as his shift reaches way past midnight on a freezing cold Christmas in Chicago.
This film had potential lots of characters, lots of stories, lots of real people all come and go past our main character as he drives his cab, however it is all the more annoying for the fact that it is just a badly fragmented film where little bits sort of work, some bits could have worked and other bits are just clichéd and lazily written. Too many of the characters' stories just stop and their point is lost. This is a waste because there is such a wide variety of recognisable characters here that it is a shame that nothing of any interest is done with them. Some of the stories do work and have a minor impact but they are just lost in a film that lacks structure and seems content to be a patchwork of stories and nothing else. Of course, many better films have shown us that a variety of stories with a loose connection can work as a film, but this film fails to have a real central point that we can latch onto.
This point should have been the cabbie, but the film does a bad job with his character and I was never emotionally drawn into his life or his thoughts. Some of the individual stories are quite interesting but they are so truncated that they make no real impact. The cast try hard and I was impressed (surprised?) by just how many well known faces had signed up for the film. Dillon is OK but can't do much with the character it feels like he is being given direction without understanding what his character feels. The rest of the cast are basically cameos and most of them aren't very good simply because they aren't given much to work with. Ironside, Metcalf, Reilly, Anderson, Cusack, Lennix, Moore and Hayes all show up but few of them can raise the material.
Overall this was an interesting film that had potential but fails to really deliver. It is a good idea and one that requires very good delivery to hold all these stories together and deliver an emotionally satisfying film at the end however the film fails to do that and it is annoying for that reason. It is a failure but it is not totally without merit, but having said that, I could see no reason for me to ever want to see this again.
This film had potential lots of characters, lots of stories, lots of real people all come and go past our main character as he drives his cab, however it is all the more annoying for the fact that it is just a badly fragmented film where little bits sort of work, some bits could have worked and other bits are just clichéd and lazily written. Too many of the characters' stories just stop and their point is lost. This is a waste because there is such a wide variety of recognisable characters here that it is a shame that nothing of any interest is done with them. Some of the stories do work and have a minor impact but they are just lost in a film that lacks structure and seems content to be a patchwork of stories and nothing else. Of course, many better films have shown us that a variety of stories with a loose connection can work as a film, but this film fails to have a real central point that we can latch onto.
This point should have been the cabbie, but the film does a bad job with his character and I was never emotionally drawn into his life or his thoughts. Some of the individual stories are quite interesting but they are so truncated that they make no real impact. The cast try hard and I was impressed (surprised?) by just how many well known faces had signed up for the film. Dillon is OK but can't do much with the character it feels like he is being given direction without understanding what his character feels. The rest of the cast are basically cameos and most of them aren't very good simply because they aren't given much to work with. Ironside, Metcalf, Reilly, Anderson, Cusack, Lennix, Moore and Hayes all show up but few of them can raise the material.
Overall this was an interesting film that had potential but fails to really deliver. It is a good idea and one that requires very good delivery to hold all these stories together and deliver an emotionally satisfying film at the end however the film fails to do that and it is annoying for that reason. It is a failure but it is not totally without merit, but having said that, I could see no reason for me to ever want to see this again.
I saw "Chicago Cab" by accident, while flipping through channels. Soon I noticed I was stuck watching this seemingly plotless movie about a guy, who has driven a taxi in Chicago for about 4 months.
A plotless movie might sound boring, even waste of time, but with great writing, good actors and good director "Chicago Cab" dwells up to be nicely cut slice from a population of big city, in example, religious family, married couple pregnant with their first born, etc.
Acting is overall very good, but Paul Dillon makes outstanding job in the role of Cab Driver. Without his subtle performance this whole movie could fall in pieces.
"Chicago Cab" balances between drama and comedy. Some things in this movie are so surprising and well thought of, that they made me laughing out loud. Some things made me sad, or feel compassion towards the Taxi Driver or his customers.
This is a movie, which can be recommend for people, who want to see little different kind of drama/comedy or are just fed up with all regular actors of this specific genre.
8/10.
A plotless movie might sound boring, even waste of time, but with great writing, good actors and good director "Chicago Cab" dwells up to be nicely cut slice from a population of big city, in example, religious family, married couple pregnant with their first born, etc.
Acting is overall very good, but Paul Dillon makes outstanding job in the role of Cab Driver. Without his subtle performance this whole movie could fall in pieces.
"Chicago Cab" balances between drama and comedy. Some things in this movie are so surprising and well thought of, that they made me laughing out loud. Some things made me sad, or feel compassion towards the Taxi Driver or his customers.
This is a movie, which can be recommend for people, who want to see little different kind of drama/comedy or are just fed up with all regular actors of this specific genre.
8/10.
I remember the night I watched Chicago Cab for the first time. It was a few years ago and it was around 3:00 A.M. As soon as I saw the cab park to pick up the coke head, I was hooked. This movie, in my opinion, can be seen any time of the year but the true effect is present on or around the Christmas season. In some odd way, you can relate this film to the holidays. Of course, the movie is set on the winter solstice which is near Christmas but it's more of a relation to the depression that people face near Christmas. In any event, this movie is a must see. Paul Dillon deserves a standing ovation from every individual that sees this movie. You can't really "connect" with the driver but, then again, you can. If you ever see Chicago Cab/Hell Cab on your cable guide screen, do not pass it by. Watch it.
Don't let the box art or bad title change fool you (the movie was originally called "Chicago Cab"). This is not a B-horror movie, but an interesting and well done film about a day in the life of a cab driver. He spends the day going through a long shift and picking up all sorts of eccentric passengers. Although we don't really get to know much about the cab driver, the viewer nevertheless feels some sort of attachment to him. The last twenty minutes of the film (which starts with Julianne Moore's character and continues right to the end of the film) is alone worth the rental.
I recommend this movie for those who are looking for something a little different from the norm. I'm still mad though about how this film has been mismarketed.
I recommend this movie for those who are looking for something a little different from the norm. I'm still mad though about how this film has been mismarketed.
Você sabia?
- CuriosidadesThe original play, "Hellcab", opened in Chicago in 1992.
- Citações
Cab Driver: Why does everything have to be so fucked up?!
- Cenas durante ou pós-créditosThe film's copyright date in the credits is 1998, despite premiering in 1997 and being completed that same year. This means the date might have been added ahead of time, in anticipation of a theatrical release in 1998.
- Trilhas sonorasJoy to the World
Performed by Chet Baker
Music attributed to George Frideric Handel (as George F. Handel) (1685-1759)
Lyrics by Isaac Watts (1674-1748)
Arranged by Paul Sutin
Published by Dinemec
Courtesy of Dinemec Jazz
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- How long is Chicago Cab?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 23.946
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.947
- 13 de set. de 1998
- Faturamento bruto mundial
- US$ 23.946
- Tempo de duração1 hora 36 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Chicago Cab (1997) officially released in Canada in English?
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