Adicionar um enredo no seu idiomaVusi Madlazi returns to the South African village he left as a young boy (he was organizing against apartheid and left in fear of his life) to bury his father. He meets up with his brother E... Ler tudoVusi Madlazi returns to the South African village he left as a young boy (he was organizing against apartheid and left in fear of his life) to bury his father. He meets up with his brother Ernest, who tells him he couldn't contact their other brother Stephen. Vusi goes to Johanne... Ler tudoVusi Madlazi returns to the South African village he left as a young boy (he was organizing against apartheid and left in fear of his life) to bury his father. He meets up with his brother Ernest, who tells him he couldn't contact their other brother Stephen. Vusi goes to Johannesburg to find him, but at first can only find his neighbor/girlfriend Karin, a stripper. V... Ler tudo
- Direção
- Roteiristas
- Artistas
- Interrogation Policeman
- (as Ron Smerczac)
- Igqira
- (as Peter Kubheka)
- Black Hooker
- (as Temsie Times)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
With this comically clumsy explanation of apartheid, an actual line from this unfortunate film, any meager hope for ``Dangerous Ground'' evaporated like a Transkei rain shower.
How flawed is this film?
Consider that its star, Ice Cube, utters that clunker yet is supposed to be believable as a South African exile living in the United States, a former student protest leader sent abroad as a teenager. He doesn't even attempt a credible accent, so his character, Vusi, winds up sounding straight outta South Central and not South Africa, where the film is set.
His costar, Elizabeth Hurley, as the semi-exotic dancer Karin, has a peculiar habit of answering her door wearing next to nothing, despite being on the run from nefarious drug-dealing thugs from the South African underworld.
Since Karin is conveniently the main squeeze of Vusi's wayward crackhead brother, also on the run from the aformentioned nasties, the pair are the unlikely salt-and-pepper buddy team that this film hangs upon. ``Hanged upon'' is probably more accurate, since there is zero rapport between the rapper and the perfume plugger.
There's not much action and even less suspense, and there's an unshakable air of implausibility every time Ice Cube opens his mouth. The things that work in this film are Ving Rhames as a driven drug lord and the unintentional humor from a script that is laughably bad when it is not outright stupid. For example:
Vusi's rental BMW is car-jacked, then he totals the replacement, then somehow gets another the same day?
A graduate student in African studies, with no other family in America, secures $14,000 in a day to pay off his brother's crack debt?
Two druggies proclaim extreme paranoia but fail to lock the door of their hotel suite?
And there should be a bounty on the head of the person who penned the line ``Steven was in over his head -- but so was the country.'' South African director Darrell Roodt (``Cry, the Beloved Country'') shares part of the blame for the inept dialogue and inexplicable plot gaps as co-writer. Shame, shame, shame.
I know a little Zulu and one scene fascinated me. It was at a funeral in the kraal of Ice Cube's family. He is supposed to be a Xhosa (ko-sa), but I swear the others were speaking in Zulu. I may be wrong, but if right, this is extremely amusing as the Zulus and Xhosas tend to start killing each other from the age of around twelve!
I wondered why, when they were supposed to be at a funeral, they seemed to be laughing, perhaps they saw the funny side. :-)
If I am right, then the producer and director ought to be shot for employing zulu actors playing Xhosa people, yet speaking Zulu.
This starts with flashbacks to South Africa during the early 80's, where we find Ice Cube ys, you heard me was one of the student leaders of the uprising for change. Years later he returns, bringing with him a heavy monologue that lectures us about drugs being the new trap for the black man and how he must help the kids etc. The story itself never really gets interesting the only interest is the possibility to learn about life in S. Africa, however even that is a bit stereotyped.
The monologue makes the film feel even heavier than it is, but when the film eventually settles in the guns n' gangstas ending that it promises it appears to have confused itself. The film lectures about making the right choice as men, about the evils of drugs in fact Vusi makes it his mission in USA and S. Africa to help kids stay in education etc. However after all that lecturing, a happy ending only comes with murder, violence and guns is that the films message? That drugs are bad and are a global trap for the black man and the only way to stop them is to leave education programmes and murder anyone involved in the deals? I wouldn't have seen it this way if it had just set itself out as another thriller with an African twist, but because it is message heavy until it gets guns, I feel that it wanted to have it both ways when it can't.
Ice Cube is watchable, even when he is in rubbish films, here he is OK but is really pushing the laid-back yank thing too much. His voice over is so preachy and monotonous that at times I thought he was falling asleep in the studio. Hurley looks sexy (despite working in a strip cub where no-one gets naked!) but her accent wanders all over the place from English to African and back again. Ving Rhames plays a sort of African Marcellus Wallace the first dialogue scene he has all we see is the back of his head very Pulp Fiction. His accent is good but his character is nothing new.
Overall this `action' movie is dull the interesting cast make it worth one watch but no more than that. The mix of `stay in school kids' and `just say no' is too heavy and labourious, but is made even more pointless by the film's conclusion that the best way to deal with criminals destroying an area is to get guns and kill them!
Você sabia?
- CuriosidadesWhen Vusi first meets Muki, Muki can be seen sucking on a chicken's foot.
- Citações
Vusi Madlazi: Don't you think South Africa has went through enough shit without you coming in fucking it up even more?
Muki: I like to fuck shit up. It's something inside me.
- ConexõesReferences Conduzindo Miss Daisy (1989)
- Trilhas sonorasYebo
Written by J.J. Jeczalik, Anne Dudley, West Nkosi
Performed by The Art of Noise
Courtesy of Off-Beat Records Inc. and China Records Ltd.
Principais escolhas
- How long is Dangerous Ground?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Dangerous Ground
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 5.303.931
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.647.745
- 17 de fev. de 1997
- Faturamento bruto mundial
- US$ 5.406.742
- Tempo de duração1 hora 35 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1