Danny, um ambicioso gato cantor e dançarino, vai para Hollywood e supera vários obstáculos para realizar seu sonho de se tornar um astro de cinema.Danny, um ambicioso gato cantor e dançarino, vai para Hollywood e supera vários obstáculos para realizar seu sonho de se tornar um astro de cinema.Danny, um ambicioso gato cantor e dançarino, vai para Hollywood e supera vários obstáculos para realizar seu sonho de se tornar um astro de cinema.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 13 indicações no total
- Danny
- (narração)
- Sawyer
- (narração)
- Sawyer
- (canto)
- Darla Dimple
- (narração)
- Darla Dimple
- (canto)
- Tillie Hippo
- (narração)
- Woolie Mammoth
- (narração)
- L.B. Mammoth
- (narração)
- Flanigan
- (narração)
- Frances
- (narração)
- Cranston
- (narração)
- Pudge the Penguin
- (narração)
- T.W. Turtle
- (narração)
- T. W. Turtle
- (canto)
- Farley Wink
- (narração)
- Bus Driver
- (narração)
- Max
- (narração)
- Additional Voices
- (narração)
Avaliações em destaque
Only if the story is realistic enough.
I haven't had this warm and swingin' a feeling watching an animated feature since, well, the last time I watched Tom O'Malley and Duchess (Phil Harris and Eva Gabor's voices) in the movie The Aristocats.
If you haven't seen this animated musical yet and you've been yearning to see a new cartoon feature that is produced the way they used to make 'em, this one's for you. Besides satisfying a craving for 30s/deco styled cartoons, the writing also toys with some deeper themes reminiscent of that era. It's a funny combination because we usually expect cartoons to never dig deeper than surface humor as there's never enough time for character development. However, some very witty writing (there were 10 writers listed in the credits) manages to take this story well into subject matter that is almost downright noir! That's saying a lot for a cartoon musical, and to top it all off we get Randy Newman songs composed apparently during an especially fertile period of this already extremely talented songwriter and Steve Goldstein's Broadway flair adds up to a wallop of absolutely top-notch songs.
"Big & Loud" has an arrangement that Mancini undoubtedly would have been very proud to have written and is belted to perfection by vocalist Lindsay Ridgeway. The female cat character is as jaded and sultry as Michelle Pfeiffer was in Baker Boys, and is sung by Natalie Cole who we all know is one of the most incredible female swing vocalists who has ever lived. This film really has it all. A rare gem, especially for a cartoon.
My favorite character is Woolie Mammoth, a cynical elephant pianist that immediately reminds me of Brahms, only he's a ragtime genius on the keys. In fact, there is not one (NOTE: NOT ONE) weak character in the whole cast. That is, every single supporting wiseacre line in this fast moving musical romp is written & executed perfectly. Of course, when you're writing classic 30s shtick there's plenty of tried & tested winning material and timing (timing, timing, timing!!!) to draw from and it's therefore easier than trying to make a gargoyle or a sea turtle funny. That's exactly where this flick excels, and there's no shame in that.
The most amazing thing about this movie is how it wasn't a blockbuster success from the tee-off. That's okay; there's nothing wrong with being a sleeper success. Absolutely unbelievable that Malkin panned this filck has bad as he did, considering how good it is and the quality of music etc. In the recent rush of animation features vying to break out of the children's film mold during the past few years, it seems you need a stylish techno look to get noticed. But in the long run, the real talent will eventually outshine the rest. Cats Don't Dance is one that should easily hold its place on the video collectors shelf. But to me, well... there are only a few movies that can make me cry. The Sound of Music is one that always "gets me right here." There are certain places in Cats Don't Dance that are very touching, too. Okay, I admit it. I'm a sentimental old fool. Fortunately for me, movies & sentimentality go together like cookies & milk.
P.S. Did you know that Scott Bakula can sing? He sure can!
Scott Bakula is a real surprise as Danny, the talented singing and dancing cat from Kokomo, Indiana, who comes to Hollywood with stars in his eyes, and ignites the fading dreams of the jaded animals who work as extras while humans get all the good scenes.
The principal characters are well cast and easy to like, except for Darla and Max, whom you'll love to hate! BTW - I don't know the name of the young woman who did the singing voice for Darla, but she has a set of pipes that will absolutely knock you on your seat. Big And Loud!
Take a look at this movie with an open mind and a young heart. You'll be glad you gave it a chance!
I am also scratching my head on some of the aspects of the film critical reviews have picked up. Critics complained of dull characters, and others of forgettable songs. Now I will admit that Cats Don't Dance is surprisingly ambitious, but I cannot disagree more with the criticism that it has forgettable music. I thought it was wonderful, the incidental music itself was beautiful, but the songs were amazing and definitely memorable, from the wonderfully energetic end number, to the poignant one sung by Sawyer in the rain. Though special mention has to go to Big and Loud, where Lindsay Ridgeway did a spectacular job with the singing voice of the antagonist Darla Dimple.
And the characters certainly weren't dull. Danny is a very likable Gene Kelly-like protagonist, and Sawyer is lovely. And if you're looking for a character for comic relief, look to Flannigan especially. But the most memorable character is easily Darla, wonderfully voiced by Ashley Peldon. You could say Darla is like Shirley Temple's evil twin, she is very cute yet she is mighty mean too. Her bodyguard Max for some reason frightened me at the end when he was chasing Danny when I first saw Cats Don't Dance. The animation is colourful and detailed, and the voice cast is excellent. Other definite pros are in the surprisingly consistent and mature scripting, the inspired story, its constant sense of fun and the glamorous and irresistible choreography. All in all, despite the decent enough rating on IMDb(though I personally think it should be in the 7s) this is a very underrated and almost forgotten film. 10/10 Bethany Cox
Você sabia?
- CuriosidadesThe poster parodies at the end are all of movies from Warner Bros., New Line Cinema or Turner Entertainment. The filmmakers originally conceived of parodies of other famous films, such as A Noviça Rebelde (1965) and Star Wars: Episódio IV - Uma Nova Esperança (1977), but abandoned them because they would've had to pay licensing fees.
- Erros de gravaçãoAs Danny arrives in Hollywood at the beginning of the film, the Hollywood sign can be seen. The film is set in 1939 so the sign should still read Hollywoodland as it did until 1949.
- Citações
Darla Dimple: I'm the star! You stupid, stupid cat! I should have drowned you all when I flooded the stage!
[echoing over the PA says "Flooded the stage". The crowd, L.B. Mammoth and Flanigan were shocked and gasped]
Crowd: Darla Dimple! I can't believe it.
[Darla looks around, forces a smile, a weak giggle, grabs Danny, and tries to act all innocent. Pudge giggles and pushes the trap door lever]
Darla Dimple: [as she falls down the trap door, screaming] Max!
Max: [on the Darla balloon, floating over Paris] Oui, Miss Dimple?
- Cenas durante ou pós-créditosThere is a statement in the closing credits: "No animals were harmed during the making of this film. Although, some were erased and had to be redrawn."
- Trilhas sonorasDanny's Arrival Song
Music and Lyrics by Randy Newman
Performed by Scott Bakula
Arranged by Steve Goldstein
Produced by Randy Newman and Steve Goldstein
Principais escolhas
- How long is Cats Don't Dance?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Gatos Não Sabem Dançar
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 32.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 3.566.637
- Fim de semana de estreia nos EUA e Canadá
- US$ 939.781
- 30 de mar. de 1997
- Faturamento bruto mundial
- US$ 3.566.637
- Tempo de duração1 hora 15 minutos
- Cor
- Mixagem de som