AVALIAÇÃO DA IMDb
6,3/10
6,4 mil
SUA AVALIAÇÃO
Anna (Marceau) é uma esposa e mãe que tem um caso com o belo conde Vronsky. Baseado no romance de Tolstói.Anna (Marceau) é uma esposa e mãe que tem um caso com o belo conde Vronsky. Baseado no romance de Tolstói.Anna (Marceau) é uma esposa e mãe que tem um caso com o belo conde Vronsky. Baseado no romance de Tolstói.
Petr Shelokhonov
- Kapitonich, Chief Butler
- (as Pyotr Sholokhov)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I disagree that this was terrible. I am a big time historical movie and costume buff, so I watch everything I can get my hands on and there is hardly a period drama I have not seen. I have also read the book. While the story line of the movie doesn't necessarily follow the novel, I am still sucked into it every time I see it. I found their chemistry wonderful, the costumes lovely and very period accurate, the music and cinematography fabulous. I have seen it over a dozen times (bought the DVD) and STILL never get bored. Sophia Marceau was a perfect choice in my opinion. She is classically beautiful, and the right combination of all the elements that made her character.....chaste wife turned star crossed lover, strong, confidant woman melted to vulnerable young girl. I adored Sean Bean also. I found him totally believable, and I fail to understand how anyone even remotely interested in period dramas could fail to appreciate this film.
According to an earlier review, this movie is supposed to be "just plan awful." The writer probably meant "plain" instead of "plan," and that misspelling may be an indication of the quality of the review.
There is much to be said for the viewpoint that this film version of Tolstoy's novel, starring Sophie Marceau, must certainly be one of the greatest versions ever produced.
Tolstoy himself lived to see just the beginning of the era of the motion picture and was said to have been fascinated by the possibilities the new medium presented. If so, he would no doubt have been quite astonished at the beauty and the extraordinary quality of this rendition of his story about Anna Karenina. The production values are among the highest there could possibly be. The costumes, the cinematography, and the sets unlike earlier versions, the film was shot on location in St. Petersburg and elsewhere in Russia are at such a remarkable level that the action almost does appear to be really taking place in the Czarist period at the end of the nineteenth century.
As for Sophie Marceau's mild French accent which the above-mentioned reviewer found so irritating it is quite likely that many upper-classes Russians of the period actually did speak with a French accent. It was not Russian but French that was the dominant language among the Russian nobility and aristocracy of the time for some, French was in fact their native language, since many of them never learned to speak Russian at all, except perhaps a few words and phrases they could use to communicate with the servants.
What is perhaps most remarkable of all in this film is the utterly believable way that the behavior of the of characters is presented. Their motives are suggested with great subtlety, not in the somewhat simplistic tones of the (nevertheless still magnificent) MGM version of the film that starred Greta Garbo seventy years ago. Anna's husband is not a monster, for example, in this new version, but a rather pathetic, right-wing government bureaucrat with obsessively strict moral values. Moreover, the portrayal of Anna's behavior throughout the film, and especially in the final scenes, is a masterpiece of sympathetic psychological insight and understanding.
This film is a for the time being, anyway neglected classic.
There is much to be said for the viewpoint that this film version of Tolstoy's novel, starring Sophie Marceau, must certainly be one of the greatest versions ever produced.
Tolstoy himself lived to see just the beginning of the era of the motion picture and was said to have been fascinated by the possibilities the new medium presented. If so, he would no doubt have been quite astonished at the beauty and the extraordinary quality of this rendition of his story about Anna Karenina. The production values are among the highest there could possibly be. The costumes, the cinematography, and the sets unlike earlier versions, the film was shot on location in St. Petersburg and elsewhere in Russia are at such a remarkable level that the action almost does appear to be really taking place in the Czarist period at the end of the nineteenth century.
As for Sophie Marceau's mild French accent which the above-mentioned reviewer found so irritating it is quite likely that many upper-classes Russians of the period actually did speak with a French accent. It was not Russian but French that was the dominant language among the Russian nobility and aristocracy of the time for some, French was in fact their native language, since many of them never learned to speak Russian at all, except perhaps a few words and phrases they could use to communicate with the servants.
What is perhaps most remarkable of all in this film is the utterly believable way that the behavior of the of characters is presented. Their motives are suggested with great subtlety, not in the somewhat simplistic tones of the (nevertheless still magnificent) MGM version of the film that starred Greta Garbo seventy years ago. Anna's husband is not a monster, for example, in this new version, but a rather pathetic, right-wing government bureaucrat with obsessively strict moral values. Moreover, the portrayal of Anna's behavior throughout the film, and especially in the final scenes, is a masterpiece of sympathetic psychological insight and understanding.
This film is a for the time being, anyway neglected classic.
I'm not sure how this movie slipped past me, as I try to stay on top of the period movies that come out. Nonetheless I caught it on one of the Encore channels last night, and I'm glad I did. Visually this movie is incredible! The cinematography could not have been much better, down to small details such as Levin "mowing" in the fields with the scythe in perfect rhythm with the workers.
As much as I like the film, however, I'm disappointed that Sophie Marceau's portrayal of Anna was not more passionate. On the whole I thought her performance was pretty good, but I agree with the comments above that she could have exhibited a much more involved and emotional presence in the face of a love that she could not resist. Ditto for Sean Bean, although he was somewhat better at it than Sophie. It's a situation where one fervently wishes that the actors were better than they were, because you know that it would have made the movie a "10." Both Bean and Marceau did provide some excellent glimpses into the souls of their characters, but only glimpses. One would wish for more intimate looks into their motivations and their respective desolations. I was not at all put off by accents of the actors. So Marceau has a mild French accent...French was the dominant language of the Russian court up to the Revolution, so it would not have been out of place at all.
The story of Levin and Kitty fares better, if only because of the stellar performance of Alfred Molina. Offhand I can't think of a more underrated actor (save perhaps Ron Perlman). Ms. Kirshner was fine as Kitty, although her journey from infatuation with Vronsky to love for Levin was given short shrift.
Overall I loved this movie, but I just wish it had been two marks better.
As much as I like the film, however, I'm disappointed that Sophie Marceau's portrayal of Anna was not more passionate. On the whole I thought her performance was pretty good, but I agree with the comments above that she could have exhibited a much more involved and emotional presence in the face of a love that she could not resist. Ditto for Sean Bean, although he was somewhat better at it than Sophie. It's a situation where one fervently wishes that the actors were better than they were, because you know that it would have made the movie a "10." Both Bean and Marceau did provide some excellent glimpses into the souls of their characters, but only glimpses. One would wish for more intimate looks into their motivations and their respective desolations. I was not at all put off by accents of the actors. So Marceau has a mild French accent...French was the dominant language of the Russian court up to the Revolution, so it would not have been out of place at all.
The story of Levin and Kitty fares better, if only because of the stellar performance of Alfred Molina. Offhand I can't think of a more underrated actor (save perhaps Ron Perlman). Ms. Kirshner was fine as Kitty, although her journey from infatuation with Vronsky to love for Levin was given short shrift.
Overall I loved this movie, but I just wish it had been two marks better.
Visually, this film is gorgeous. Sophie Marceau is perfect as Anna and Alfred Molina also shines. Sean Bean, known for finding the humanity in the worst of characters, is the most likeable, sympathetic and attractive Vronsky I have seen. He does not portray the transformation of the selfish, spoilt, wealthy and aristocratic mother's darling into a deeply remorseful, more mature individual who learns that there is a price to pay for taking whatever you want and you had better consider the price worth it. A pity as the contrasting story of Levin (Alfred Molina) and his unselfish devotion to Princess Kitty requires that the point be made. You reap what you sow. Similarly, James Fox is too tolerant and long-suffering as Karenin. Tostoy's Karenin is a self-important bureaucrat who disguises his revenge on Anna as piety. HOWEVER...maybe not be accurate Tolstoy but the sheer niceness of all the characters makes one care far more when tragedy strikes than I ever did when I read the book. Gorgeous music also.
I saw this movie almost accidentally and I LOVED it! It made me a fan of Sophie Marceau, a beautiful and talented French actress. To my delight Sophie is starring in some upcoming movies (which I will not miss). I would recommend this movie to anyone looking for a movie with all the components that makes a classic. Too bad it didn't hit the mainstream, it was very under-rated. Bottom line: I loved this movie, and I am usually quite picky about which movies I say that about!
Você sabia?
- CuriosidadesThis was the first western production of "Anna Karenina" to be filmed in Russia (St. Petersburg).
- Erros de gravaçãoDuring the movie, title cards inform the viewer that the story arch unfolds in the years 1880 to 1882 - yet at the end of the movie Vronsky leaves to fight in the Russo-Turkish war of 1877- 1878.
- Citações
Anna Karenina: What are you doing here?
Vronsky: You know that I have come to be where you are. I cannot help myself.
- ConexõesReferenced in 13 posterunek: Kalambury filmowe (1998)
- Trilhas sonorasSymphony No. 6 in B Minor, op. 74 (Pathetique)
Written by Pyotr Ilyich Tchaikovsky (as Peter Ilyich Tchaikovsky)
Performed by The St. Petersburg Philharmonic Orchestra
Conducted by Georg Solti (as Sir Georg Solti)
Courtesy of Icon Records and London Records
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- How long is Anna Karenina?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Leo Tolstoy's Anna Karenina
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 35.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 858.553
- Fim de semana de estreia nos EUA e Canadá
- US$ 75.268
- 6 de abr. de 1997
- Faturamento bruto mundial
- US$ 858.553
- Tempo de duração
- 1 h 48 min(108 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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