All Over Me

All Over Me is a film that isn't so much about telling a story as much as it is about feelings and emotions within the characters that are not so obvious at first. The intentions and desires of the characters unfolds as the movie progresses at a very slow pace, and the dialog is intentionally bland, not sharp in any way, as if it was real life. There is no attempt by the filmmaker or actors to make this look like it is a movie, beyond some rather artsy shots here and there. It is simply a window into a young girls life and the small, confused, somewhat corrupted world that surrounds her while she is making another transition in her development in life. This is a very subtle film with very few shifts in tone. The action that leads to the most drastic shift in the film is not even seen, only talked about later on. Even the more climatic moments result in not much happening, though tension does build on a number of occasions. The acting is top notch. In fact, the acting is so superb that it almost makes me wish that the script had just a little more zing to it since the actors could have definitely pulled off some colorful dialog and made for some classic scenes. Regardless of that, All over Me is a good enough film, though if you can't get into the characters or want to see a movie that feels like a movie and not a documentation of life, you won't dig it.

I just watched this film on IFC and was really impressed with how well done it was, the acting is really fantastic as well. This one was a sweet story and had real depth of the people we watched in the film. Bravo all around!

The setting is Hell's Kitchen, the time the 90s, the lead characters, some confused, angst-ridden teens.

There's not much plot here, nor much character development. Just a brief walk on the wild side of big city life.

Focusing on a sensually ambivalent girl and her off and on lovers and acquaintances, there are very good performances and atmospheric details to savor.

Competently directed, with a rich rock track, these short vignettes explore a feminine teen scene rarely depicted in films. Make no mistake, though, this journey is definitely not for everyone, and only those who have the energy, stamina and interest in examining tough urban life from a young feminine perspective, will be rewarded.

While I do not think it was a bad made film and the acting was decent, it was not enough to hold my attention. I would not say it was a horrible movie or the worst I have ever seen, but I also do not think I would be telling people to run out and see it. The character Ellen made me want to smack her and also the girl Claude for putting up with crap from Ellen. If you look closely there are several people who have gone onto bigger and better things that are in this not so well known film. It is easy to see the inner struggle between a girl trying to grow into herself and trying to be loyal to her undeserving best friend. This is a movie anyone who has an undeserving best friend should see.

Claude (Alison Folland) and Ellen (Tara Subkoff) are best friends in New York. Claude is struggling with her sexuality. Luke is a gay musician who moves into Claude's building. Jesse (Wilson Cruz) is a local gay teen. Ellen spends time with volatile boyfriend Mark (Cole Hauser). His friend Gus (Shawn Hatosy) keeps hitting on Claude. Luke gets into an argument with Mark and then Luke is later found murdered. Claude falls for indie musician Lucy (Leisha Hailey). Mark pushes Ellen into drugs as her friendship with Claude cracks under the pressure.

It's a coming-of-age drama with a bit of bite. Folland's performance is naturalistic. Hauser and Subkoff show their acting skills. The filmmaking is raw for newcomer Sichel sisters. It is amateurish at times but the story and the actors are compelling enough to maintain focus. This deals with many edgy subject matters but it keeps it within Claude's struggle for love. That makes this a more touching exercise than other tougher contemporary indies.