Touching Evil

I watched this series when it was first out in 1997 (god that long ago, I just realised I was quite young when I got hooked on Touching Evil no wonder my mum didn't really approve!) and I still think it's a bloody good series.

Personally, I was disappointed by Series 3, which they probably shouldn't have made but the first two series are so good, I just try to forget they sunk a little with the last series! What Touching Evil has, is a great mixture of entertaining and surprising story lines, humour and broken, life like characters (anti-heroes are always more interesting to watch). It revels in the darkness of human nature, without sensualising it, though it deals with all sorts of hard issues they never depress enough to make you stop watching, in fact this thriller had me on the edge of my seat for two seasons.

Robson Green has a nice mix of Lethal Weapon madness and pure genius with Creegan and humour (which I think is what he does best) doesn't ever make his character less believable if fact the opposite. He's an odd ball. But Creegan's been through a lot (being brought back from death after a gun shot to the head) and he doesn't do anything he's told by his superiors…Oh and he's always right! Green is backed up nicely by Nicola Walker and Shaun Dingwall, both of which work very well with Creegan's humour and darkness, from the beginning they are a very interesting and likable team and easy to watch. Green's Creegan does dominate the first series (nothing wrong with that) but I must admit I did prefer it when by the second series Walker and Dingwall also got some meatier bits too! I'm not saying this is an easy watch, because it's not Harry Potter. But Touching Evil still remains a clever, energetic and fast paced drama, with rounded, emotionally loaded characters.

Just make sure you have a cushion to hide behind, 'cos sometimes it's a little gory!

Recommended! But I've deducted a point for Season 3... Really you can do without it!

As a fan of British mystery series, I've become quite particular about what is worth my time. For example, Inspector Morse always makes the cut; Inspector Frost rarely does. Touching Evil so far exceeds the mark that I've bought the tapes. The acting is exceptional--not just Green, but the entire cast perform convincingly and with great subtlety.

This superior cast handles a very tough script exceedingly well. Not only is the plot heavily detailed and nuanced, it's quite hard to watch from a moral point of view (and it must have been even harder to act it). This is absolutely not a criticism. This show deals with some of the ugliest realities of our time. The plot requires the viewer to learn about them. You cannot simply forget what you've seen at the end of the show. In my book, entertainment that also teaches and induces serious thought rises above the usual drivel and makes the discomfort induced by the topics justified.

The look of the series complements the subject matter and the acting, creating a dense and quite specific atmosphere in each scene. Some shots (especially when you least expect it) are quite stunning and even beautiful.

Highly and unreservedly recommended.

This was one of my favorite "Mystery!" series. This was something of a precursor to shows like "CSI" and "Without a Trace," and ten times better. Robson Greene is DI Dave Creegan, a workaholic who works in a fictional British unit called Organized Serial Crime (OSC). Creegan received a bullet in the head some time back, and was brought back to life through the miracle of medicine, now walking a tightrope on the edge of sanity as the semi-suicidal detective hunts down serial killers and other perps through his gift for thinking like they do. Creegan's partner, DI Susan Taylor, is a no-nonsense type whose method for solving cases is quite the opposite of Creegans. DC Mark Rivers, also a key player, is as far removed from Creegan as possible, a by-the-book detective who is just as content to wait for back-up as jump into the fire. There were some excellent shows, but the first season is by far the best, starting off with a perverted and villainous suspect portrayed by Ian McDiarmid, of "Star Wars" fame.

Perhaps this show lacks some of the class that made earlier shows such as "Prime Suspect" such a treat, but the only thing on "Mystery!" to match it as of yet is probably the most recent American-produced Tony Hillerman adaptations.

I actually saw part of this series while in London, and about a year later, PBS's Mystery! series picked it up (thank God) and was lucky enough to see all of the "Touching Evil" movies. While I only caught part of it in London, I was immediately compelled by what I saw -- gritty and dark storylines, pushed by characters that were convincing in that you really felt like they witnessed some of the most vicious aspects of human nature. The plots orbit around Robson Green's portrayal of cop Dave Creegan and his serial crime investigation unit as they barrel through London, tracking down serial killers. It's easy enough to say he's the archetypal anti-hero -- he's just gone back on the job from a near-death gunshot wound to the head (he's got a little scar), his family life's gone down the crapper (wife and kids left him), and he really is married to his work. But he's the anti-anti-hero; a Dirty Harry who's a real person. He struggles with his personal life as he tries to be emotionally supportive of his ex-wife's new life (what a concept, eh?), and you can see the pain on his face as he watches his small children with first-hand knowledge of the real evil out in the world. All the "Touching Evil" movies are well-done; each story is unique in its serial killer's modus operandi -- all very macabre. The moody filming adds to the bleakness. The deadpan cold moodiness is very similar to that "X-Files" ennui, and its gritty perspective of policework is very "Prime Suspect". The characters are all believable -- serious, professional, and very real. No ex-Playmates or pretty-boy faces, just compelling acting against some pretty grisly storylines.

OK - Having just finished watching the second episode in the new run, I think I'm justified in saying that this has to be the best series yet. I had absolutely no idea which way the episode was going to go (a common trait with this series), and although you begin to piece things together, you never actually know how they're gonna get to the conclusion, that is assuming that there will be a nice conclusion, and that everyone will get there in one piece.

It's a show which isn't afraid of pulling the punches (stabbings, shootings or any other kind of dispatch method available to a crazed killer), but a strong stomach is required for some parts. However, it is a show which is very intelligent in its storylines, and the characters have enough depth to them to make you wonder how the writers managed to do this alongside a storyline. Plus the realism is enough to send you screaming for the teddybear you've had since you were a baby (I know it's around here somewhere....)