Spawn

Spawn has, for quite some time, being the grounding stone of Image Comics. Image is the third largest retailer in the US and UK. Marvel, the leader, has names such as Spiderman, X-Men, Capt America, Hulk and a never-ending list of other heroes. D.C., the second, has Superman, Batman, Wonder Woman and a whole load more. And Image has Spawn. There are a few others, but most would not have heard of them. This is just a brief glimpse at the popularity of this single character whose sales in comics alone support the mammoth of a company that Image is.

The animation runs over three seasons (also referred to as three feature-length movies) and each season is split into six twenty-five minute episodes. On DVD, the seasons run as individual films. This is a total running time of a little over seven hours, as each film is about two and a half hours. And within these seven hours, is everything one could possibly want from Spawn. Without giving away essential plot points, it is safe to say that the basic, original story of Spawn which is covered over the first couple of dozen comics and the not-so-well-received movie, is covered in the first season. The second and third seasons are also true to the comics, but are a deeper insight into the legend of Spawn.

The animations are slightly in manga style (only very slightly, taking the few better elements of manga and mixing it with conventional western cartoons), but are also western enough so as to keep the gritty feel that the original comics generated. There is an abundance of blood (I would say gore, but it is all spurting blood and little guts), plenty of swearing and a whole load of nudity. Now, I am a fan of Justice League which is pure and innocent enough to be shown on day time TV. But if I'm going to go out of my way to watch an evening adult show, I do appreciate it when the makers go all out to MAKE it an adult show. It is not for the pathetic, faint of heart. It is brutal, it is hard core, and I love it to bits.

Spawn is voiced by Keith David who had the most brilliant, atmospheric deep voice which captures the purest essences of what Spawn should sound like, and likewise the rest of the voice-casting is outstanding at worst. The voice overs are half what make a show like this, and when they are so precision perfect and so fantastically scripted it's no wonder that watching the film like this draws you deep into the world.

And animation is well above par. Not the best I've ever seen, but that is rare and often a sure-fire sign that too much time and money has gone into too specific an aspect of the overall project. The colouring/inking and shadow work are perfect for Spawn. Most of the time the majority of the characters are cast half in shadow, and the more mysterious a character, the less you see. This applies to Spawn too, but we see plenty of him so it's fine.

All in all, I can only wish there are more programs like this out there. I do believe that the audience they aim for is quite small considering all the people out there who would rather watch feel-good daytime talk shows and shopping channels than a brilliantly conceived film-noir style animation. So if this is your thing, I cannot recommend it more strongly. And if you are a fan of Spawn, lock yourself in a room with plenty of food and water for a day, because you will not be able to tear yourself away.

This is the ultimate expression of the Spawn character, engaging plots, amazing artwork and a propensity to the excellent. The voice casting is perfect, and a good job was done trimming the crap out of the comic book, and improving and streamlining the storyboards, it beats the ever living crap out of the movie and is the sort of thing that creates fanatics out of people.

Spawn was way ahead of it's time. I remember watching the original in the 90's on HBO and loving it. Here we are in 2014 and I'm rewatching it and just loving it...just loving it. Adult all the way, Spawn isn't for the kids. It's, of course, a Faustian tale and a superhero title but at it's core this is horror. The cartoon is very dark, chilling, and gritty. It's ultra-violent, suspenseful, animated beautifully, the voice-acting is precise and quietly subdued. It's as if all it's characters are speaking as shadows. Brilliant stuff here that outshines anything DC is doing currently and DC is the only one really doing anything worth a crud for American comic-book animation. Love Marvel but their animation is pathetic. If you're over 18 and want a good super-hero animation that lives and breathes in the dark...go buy Spawn. Mr. McFarland....please bring this back!

I agree with what many reviewers said and I wont rehash the story line anymore - many folks have done so already.

What I'd like to add is that HBO Cable Networks did a wonderful thing in showing this as a weekly series. I was glued to the television weekly at midnight - not just me but all of my friends as well. I don't care what I was doing, I HAD to watch this. We all loved this animated working of Spawn. The animation was crisp, the storytelling was adult and intelligent, the vocal casting was superb. This is what adult animation and comic book adaptation was about. The first season was better than the second one to me but both were groundbreaking.

What I disliked more than anything -- was the feature film of "Spawn". It did not hold a candle to this series and just ruined what was already done. Sad thing, HBO hasn't re-shown repeats of this and they should. And HBO hasn't produced & adapted other comics, which it should be doing along these lines. There are many production lessons here as well as a great adaptation lesson.

Todd MacFarlane's creation is the best here. I hope they show it again, release a DVD if so, do not miss this. Be forewarned - adult themes run through this version. The first season is NOT for the kiddies or a PG-13 oriented. It is dark, it is wonderful and it is the world of Spawn as it should be seen and interpreted.

Mercenary Al Simmons (Keith David) returns to earth five years after his death having made a deal with one of the lords of Hell, Malebolgia (who never appears on screen). Under the conditions of his deal his mind is broken into fragments with missing memories and his form is rotten and burned beneath his garb as Malebolgia's Spawn. Now Al wanders skid row tormented by the knowledge his wife is now married to his best friend, and now finds himself at the center of power struggles of Heaven, Hell, the criminal, underworld, and his former superiors.

During the late 90s HBO experimented with original animated programming with three original series under their short lived HBO animation label. The experiment's results were mixed. Austin Powers: The Animated Series was cancelled before production could be completed on a single episode due to Mike Myers' prima donna behavior that disillusioned HBO with the project, and while Ralph Bakshi's Spicy City gain enough viewership to greenlight a second season, HBO's desire to replace Bakshi's writing staff lead to creative clashes that ultimately lead to the series' cancellation. Spawn was the most successful of the three, lasting a respectable three seasons and tapping into the cultural zeitgeist that made Spawn so prolific in the 90s. The series was certainly groundbreaking for the time and its influence can be felt in projects that followed despite the series being rather rough around the edges.

The first season of Spawn is the strongest as it follows Al's adjustment to a world that has passed him by and he no longer belongs to. As he lives in the abandoned areas of squalor with the cities homeless becoming their reluctant protector, we see him tempted by hell's emissary Clown/Violator who's basically an amalgam of everything wretched with humanity. He delights in tormenting Al with flashes of his death inter cut with scenes of his wife having sex with his best friend and and while Clown is certainly a source of macabre humor throughout the show, there's also a threatening element to him that makes him an effective antagonist especially throughout the first season.

The first season also ties into a season long arc involving child murderer Billy Kincaid who is being manipulated by Clown to drive Al to a point where he'll be forced to use his demonic powers and descend into a dark path. The scenes with Billy are effectively disturbing, and the show doesn't hold back from diving into the ugliness. But despite the show's willingness to plunge into the darkest depths of humanity, there are lights trying to fight back against the darkness. Sam and Twitch are easily my favorite of the supporting cast as they're two of the only honest cops in the city willing to take on the city's criminal element as well as the hellish minions who exert their control. Sam's brashness and muscle are well balanced out by Twitch's intellect and calm collectiveness making them an endearing set of side characters who keep the series from becoming overbearingly dark.

The show unfortunately becomes less focused in later seasons as it struggles to balance new elements with the ones established in the first season. New plot threads involving emissaries of Heaven, Al's former boss Jason Wynn working deals with Hell, and police corruption in Sam and Twitch's department are all vying for attention and Al doesn't evolve much beyond the first season until the end of the third season in what's establishment for a fourth season that never happened. The second and third season are still compelling and have individual moments of greatness to them, but unlike the first season there's no central plot thread tying them together like the Billy Kincaid plot that kept the show moving.

Spawn is a flawed series, but it does have a lot going for it. From its beautiful and stylishly dark animation that brings life to the dilapidated streets and hellish artwork, to the unapologetically intense material that isn't afraid to be dark and sleazy Spawn was a groundbreaking series especially in an era when animation for adults consisted of Simpsons and South Park. The series has trouble finding its footing and doesn't know how to effectively balance competing plot threads (especially after its first season) but it's a respectable attempt an animated adult series that tries to go against established formula.