Æon Flux

It's a futuristic "White Rabbit" that comes to mind whenever I recall any episode of this "Liquid TV" born legend. The style wasn't bubbly or cute like 75% of the Anime you witness, it's lines were crude, bodies were awkward but it's feel was seductive.

I personally feel that the creators wanted to give the audience a constant view into the side of what we don't see all that often. Such movies as "Total Recall" and "Blade Runner" danced just outside of those unseen elements using them as sight-gags, AF exploited them in an incredible way....if you didn't understand what you were watching, it was only a matter of a partial storyline before you understood it.

When it was originally created, Aeon herself was silent, an occassional moan, groan or sigh - the TV series added new elements giving that much needed dialog and shedding evil light onto an already unimaginable world.

The action is intense, the storylines are fluid and entrancing, the voice acting is top-notch and it's lifespan was cut short to make way for the new generation clot with teenie-boppers, hip-hoppers and wannabes. If AF proved anything, aside from it's jaded stance on a futuristic world that puts "Mad Max" to shame - it's that MTV DID INDEED SELL-OUT....for those of us who spent countless hours trying to get the station to even rekindle just ONE MARATHON of "Liquid TV", know the heartache.

I remember watching this series late at night about 5 years ago on MuchMusic (Canada's MTV equivalent). It was (and probably still is) the most innovative animated series I've had the chance to lay my eyes on (and wrap my brain around). Definitely not for kids, definitely not straightforward, this series fluctuates between abstract narratives, warped motives, and unconventional characters to tell us the stories of a futuristic communist society ruled by Trevor Goodchild and clashed with by the ever-present iconoclast known as Aeon Flux, a society that is both a distortion and a reflection of our own. Nothing in this series is clear-cut and the writing definitely lets you think your way through instead of being spoon-fed. Thank you, mister Chung, for the great work.

Peter Chung is definitely one of the most creative minds in animation today. This is his groundbreaking work he is best known for.

Originally a recurring short for MTV's Liquid Television, Aeon Flux combined the flash of the sexy heroine and action movie violence with extremely surreal and bizarre scenarios. MTV later commissioned 10 half-hour episodes. Obviously the more high profile placement of a scheduled program lead to more network restrictions. Not quite the same surreal vision as the original shorts but definitely interesting in themselves.

A lot of people saw it as some kind of anime rip off. It's nothing of the sort. While without a doubt drawing influence from Japanese animation the more apparent influences are European fantasy illustrators like moebius.

I bought the TV episodes and shorts on a VHS several years ago. I'm not sure if it has made it to DVD. There's a live action movie based on the characters of the animation series coming out this winter. It's extremely doubtful they'll be able to pull off any of the weird stuff. It will probably be just another boringly ordinary Hollywood sci-fi/action movie. One of Peter Chung's ideas with his animation is to create something you can't do in live action.

I rewatched this little series lately and I just can state: Aeon Flux is still pushing boundaries regarding storytelling for a sci-fi animation show. With its own visual style and story (ideas) plus the sometimes weird storytelling techniques still a pleasure to watch. Such kind of experimental stuff they do only very rare these days - just look what MTV has become...

Aeon Flux is one of the sexiest animated characters I've ever seen. "Aeon Flux" is one of the most bizarre, intense, reality-bending animated series I've ever seen. It aired as part of MTV's "Liquid Television" in 1995, and won over a devoted following. 10 years later and one feature-length film starring Charlize Theron later, "Aeon Flux" remains a milestone in animation.

Created by visionary Peter Chung, its style is reminiscent of Anime', yet to a trained eye it isn't. It's distinctly American, and the animated series itself is unique because the star of the title died at the end of nearly every episode, with the next entry redrawing the lines of reality and continuity.

Hundreds of years into the future, Trevor Goodchild is the charismatic dictator running a utopian society and is locked in a costly battle of wills with Aeon Flux, an amoral, sexy-as-hell mercenary who seeks to bring him down at all costs. Her motives are unknown, yet we get the sense she is the rebel hero though her amorality makes it truly unclear about why she has it in for Goodchild.

I don't know what inspired Chung to give rise to this, but given if he creates more stuff like "Aeon Flux," you can bet I'm going to buy the next DVD set of whatever he envisions. "Aeon Flux" walks a fine line between intense sci-fi battles and borderline pornography, but I have to hand it that this is some really amazing stuff here.

It's tripping the rift, "Aeon Flux," but the recent DVD made my jaw drop and its style is unmatched. This is "Aeon Flux."