Brooklyn South

A Steven Boncho production that lasted only one season. Partly because of airing opposite of the target audience's Monday Night Football, partly because of not one of the characters connecting to the little audience this show managed to keep after maybe a handful of episodes. I watched perhaps 4 episodes before I gave up on it during it's network TV run. Later, when it was released on DVD, I decided to give it another chance primarily on the strength of the superb first episode alone. Again I found that as the episodes wore on, my interest began to wane again. This show may be realistic, it may be well acted, but it doesn't have the spark that either "Hill Street Blues", "NYPD Blue", or to a less extant "S.W.A.T" did. The show committed the sin of not having anyone in the cast that stands out and is relatable for me. It just seemed a retread of story lines from other better productions.

My overall grade: C

Complete Series DVD Extras: Commentary by Co-creator David Milch on the Pilot; a 14 minute interview with Steven Boncho; Cast & Crew bios; and a list of police response codes

I can still remember seeing BROOKLYN SOUTH during its only season (1997-98). It's really too bad that it didn't last any longer. The series struggled in the ratings, but it still had a chance to become a hit. If CBS had the courage to renew the series for a second season, it might have become successful.

What sticks in my mind is the pilot, in part because it apparently made BROOKLYN SOUTH the first non-cable series to get the TV-MA rating (meaning Mature Audiences). But other than that, the rest of the episodes were rated TV-14 (indicating that it may not be suitable for viewers under the age of 14). The reason for the pilot's TV-MA ratings was because of the grisly shoot-out scene at the beginning, which involved a cop getting shot in the head by a sniper.

The premature demise of the series was a big disappointment. I would have liked to see BROOKLYN SOUTH last five years or more. In fact, it could have been the HILL STREET BLUES of the new millennium.

If you haven't seen Brooklyn South, get the DVD boxed set. I thought this was an enormously entertaining series and I was very sad when it wasn't renewed. I agree with another poster who complained about some of the characters, but has there ever been a show that had all perfect characters? Brooklyn South had some bad characters, some bad actors, and some bad episodes - I say "some". But not all. I would even say very few overall. This series had some poor characters portrayed by good actors, some good characters portrayed by poor actors, and some good characters played by good actors. I submit that one sure sign of a good actor is if he or she manages to get their audience to dislike their character. Not dislike the actor, but dislike the character that they portray - especially if you like the actor. Tim Roth in the movie "Rob Roy" would be an example: I think he is a fine actor and I like him very much, but I absolutely DETESTED him (as his character) in Rob Roy. Gary Basaraba was tremendous in his role as Sgt. Santoro. It was a good character portrayed by a great actor. The on screen relationship between Clemmy and Jack was an edge-of-your-seat cliffhanger from week to week. You got the sense that under all the conflict they really liked and respected each other as people. It's just too bad that this series was not renewed after the first (and only) season. There was a lot of unrealized potential left on the table in Brooklyn South, and it was one of the few - very few - programs that I faithfully tuned into week to week. You were great while you lasted, Brooklyn South. I miss you!

I have to disagree with the others who have posted in praise of "Brooklyn South." As a die-hard fan of "Hill Street Blues," I have to say that "Brooklyn South" didn't come close to matching the earlier series in quality and watchability.

Don't get me wrong: I WANTED to like this series very much. It just didn't hold my interest, perhaps because so many of the situations seemed so incredibly far-fetched: One character's shrewish wife - who is even prepared to frame him for a murder - is conveniently killed off in a car accident; the first precinct captain was so cartoonishly clueless as to be laughable; the Terry Doyle character was so annoying I was actually HOPING he'd be killed off.

Actually, for me, the only character I cared about and who really came to life for me was Gary Besaraba's Sgt. Santoro. His scene in one of the early episodes with his son's grade-school teacher - who is copping a superior attitude to the sarge and his wife - was great. I also had a sneaking respect for Jim Sikking's character, a career Internal Affairs investigator with ice-water in his veins.

A good try, but no cigar.

I am a Cop, a Big City Cop. At least I was one for nearly 35 years, which was just about all of my adult life. So, just because life doesn't require sitting through at Roll Calls, patrolling the streets, nor attendance in various Court Rooms, from Traffic Court to Felony Courts and the Grand Jury; the identity is still the same, a Cop.

And, being that the Statute of Limitations have now run their course, the time is ripe. They say that Confession is good for the Soul, so it must be that time. It's high time to get all of this off my chest. So please, bear with me. Thank you.

I like Cop Shows, good Cop Shows, that is. Certain Series such as : "ADAM 12", "POLICE STORY", "HILL STREET BLUES" and the perennial NBC Favourite, "LAW & ORDER" and its family, these are programs that combine a certain level of realism, blended in with high entertainment value.

Sometimes, the public forgets that Policemen are just like any other grown-up boys, only more so. Cops like their toys and they like their fantasies. When DIRTY HARRY with Clint Eastwood hit the Screens in 1971, it was all Clint Eastwood for America's Cops. So we saw Dirty Harry type haircuts, Harry like sport jackets and the like. And there wasn't a Smith & Wesson, Model 29, .44 Magnum Calibre Pistol left for sale in any gun shops in these United States.

So a little make believe can go along way, for anyone, even the Police.

In "BROOKLYN SOUTH" we have a Stephen Bochco Production that has quite a Family Tree. It's a cousin of "NYPD BLUE" and is also distantly related to that most prolific progenitor, the Abraham of Cop Shows, "HILL STREET BLUES".

Like all the previous efforts from Mr. Bochco, quality reigned supreme. The writing, the cinematography, costuming, color work and cast were all tops. A fine group of actors, both veteran and youthful, formed a sort of repertory company of NY City Police. Among those featured, my own favourites were: "HILL STREET" veteran, James B. Sikking as Captain Jones, Michael DeLuise as Officer Phil Roussakoff and the very underrated and unappreciated Gary Basaraba as Desk Sgt.Richard Santoro, who got promoted to Lieutenant during the short, 22 episode run of "BROOKLYN SOUTH".* Mr. Bochco and Company were attempting to do what is most difficult, and that is namely, to do a successful series not about the 'Big Heat' Detectives; but rather one dealing with the 'grunts', the infantryman of the Police Department, the Uniformed Patrolmen.

NOTE: * We see that the entire series is available on DVD. Quick, someone tell my family! Christmas is just a little more than 2 weeks away.