Ao Mestre, com Carinho 2

Someone who knows how much I adore Poitier's no nonsense demeaner and noble characterizations taped this film for me one evening when I informally voted that it would not be worth my while to make a b line home to see it. Though I appreciated the favor, the tape sat on my shelf for many a year. All I recalled about the production were the brief previews that served as ample warning that the film would aire. Truthfully, I was kind of Poitiered out. Nobody went around public speaking talking about his book and showing clips of his works as much as I did. I particularly enjoyed the Bill Cosby pairings of comedies, the "In the Heat of the Night" and "Shoot to Kill" cop flicks and the career founding race films that literally and figuratively were black and white. The first "To Sir with Love" was passable but finding difficulty joining the lofty ranks of the aforementioned 3 category favorites. With "Fame" and "Good Will Hunting" among my favorite school theme films and "With Honors" and "Breakfast Club" doing admireable jobs at rounding out that theme category, I found it hard to believe there was a place for a partially commited to Poitier project to have any impact. For all intents and purposes, I wrote this project off and kind of kept my distance from it the same way a boxing fan might refuse to go see a very old Ali take on Berbick. Almost a decade after first recorded I watched this "To Sir with Love 2" and was surprised to find that it has it own healthy niche'. The first few minutes shows the 80 year-old thesbian playing a teacher moving about the city with a theme song that sounds both dated and amateurish, however this cheesiness is only misleading and does not hint of the good stuff that follows if you stick with it. There are plenty of good teaching techniques peppered with periodic morale lessons. Blunted violence and self censored language may come across as humorous or unrealistic, however it does not take away from the overall message and in the end plays a major part in the movie's charm. For the umpteenth time, another score for Poitier, even though I thought he was done.

Proof that Sidney Poitier does not always have the Midas touch. You knew all along that Mark Thackery was going to succeed, so no surprises there, and no real satisfaction either. But the BIG TURN-OFF was the sheer idealism of the movie. The teens Thackery is trying to convert just aren't gritty and dirty enough. The moment when Thackery returned from his short retrenchment and the class began chanting 'Thackery' in unison epitomised that for me. It was a moment was total unrealism. This movie just did not work, despite good intentions I'm sure. 4 out of 10 because I'm not feeling generous.

After almost 30 years, the sequel of "To Sir, with Love" came out. I enjoyed the first movie, so I thought the second film would bring the same emotions. I was wrong.

I feel like they tried to expose and solve to many social problems (problems that Thackeray's students faced) but failed. It was something like: look this is the tragical problem this one has, the issue is miraculously solved, everyone is happy. In addition, the other part of the story that exploits Thackeray's life is very stiff, without many explanations and, somehow, forced. I feel like they could have done way better than this.

However, on the other bright side, it was touching to see how students change for the better thanks to their teacher (something that we saw in the first movie as well).

Just watched this, the TV-movie sequel to To Sir, with Love, on YouTube just now. It begins back in London where Mark Thackeray (Sidney Poitier) retires after 30 years from the high school he taught where we first met him along with his now-former students played once again by Judy Geeson and Lulu. We then see him go to Chicago, my birthtown, where he will now be teaching a new bunch of problem students of various races. Do I get a sense of deja vu here? To be honest, nothing can touch the original in terms of charm and entertainment but Poitier is still a fine actor in his twilight years and the players playing his students this time do have their chance to shine. And this time, we get a little background on what Sir had been doing before that fateful time he first set foot in that English school so that's a plus. Since this was a network production with all that entails concerning standards, there's no realistic-like dialogue which would probably be pretty profane concerning the students but there's still some believability in the way these pupils put themselves out there in talking about themselves. And despite the limited running time with commercials being considered during each fade-in, director Peter Bogdanovich manages to make each scene count. So on that note, To Sir, with Love II is at the least worth a look. And since this is the last day of Black History Month, I probably will take a break from reviewing another film involving African-Americans for a while. But if you like my reviews and are reading this under my username, all I'll say now is watch this space for anything further I may comment on in the future...

I really liked the movie i think it had a lot of meaning to it the kids would get a lot out of it if they would only watch it. I watch it every chance i get along with the movie of the Temptations. they both were really good i cried in both of them.