Uma banda local da Pensilvânia conseguiu sucesso com uma única música, em 1964, tirando proveito da máquina de fazer sucesso o quanto pôde, com muita ajuda do seu empresário.Uma banda local da Pensilvânia conseguiu sucesso com uma única música, em 1964, tirando proveito da máquina de fazer sucesso o quanto pôde, com muita ajuda do seu empresário.Uma banda local da Pensilvânia conseguiu sucesso com uma única música, em 1964, tirando proveito da máquina de fazer sucesso o quanto pôde, com muita ajuda do seu empresário.
- Indicado a 1 Oscar
- 3 vitórias e 8 indicações no total
Avaliações em destaque
8hbs
My guess is that Tom Hanks is a really nice guy. He certainly seems like it when he's interviewed, and since he wrote and directed this movie, and it's really nice, too, that seems to be more evidence.
This is a very small movie. It has no pretensions, but just tells a simple story about a small-town band that makes good. It paints a nostalgic picture of the 60's -- I grew up in a small town during that time, and life wasn't so idyllic in my town -- but it isn't trying for gritty realism. The cast is attractive and more than adequate (some are quite good, including Hanks as the band's manager), and the story is observant enough to be an enjoyable confection. It's very nice family movie (my kids liked it, and so did I).
This is a very small movie. It has no pretensions, but just tells a simple story about a small-town band that makes good. It paints a nostalgic picture of the 60's -- I grew up in a small town during that time, and life wasn't so idyllic in my town -- but it isn't trying for gritty realism. The cast is attractive and more than adequate (some are quite good, including Hanks as the band's manager), and the story is observant enough to be an enjoyable confection. It's very nice family movie (my kids liked it, and so did I).
Catching the excitement of a mid-1960s garage band formed by 4 typical all-American young men from Erie, PA, who atypically make it to the "big time" with a hit record.
Hanks succeeds on all levels as Director, Screenwriter, Actor, and Producer, resulting in the official formation of "Playtone" two years later (named after the fictional record label portrayed in the film), that continues to make him some serious "scratch".
'That Thing You Do' is a contagiously likable and fun film to watch, and for baby-boomers a must-see.
👍👍
Hanks succeeds on all levels as Director, Screenwriter, Actor, and Producer, resulting in the official formation of "Playtone" two years later (named after the fictional record label portrayed in the film), that continues to make him some serious "scratch".
'That Thing You Do' is a contagiously likable and fun film to watch, and for baby-boomers a must-see.
👍👍
We've sorta been down this road before: 1960s pop band makes it out of their dead-end hometown for Hollywood, but fame and fortune unravel the fun. Still, this picture has remarkable focus, careful period detail, and a lovely cast that rarely (if ever) strikes a false note. If some of the young actors sometimes seem like they're doing Tom Hanks impersonations, that's okay because director Hanks (himself a co-star) seems to know these characters inside and out--and he likes them. We in the audience are quick to respond, and even the conventional parts of the movie work because Hanks rides over clichés with verve and enthusiasm and wit. Not a raucous comedy a la "I Wanna Hold Your Hand" (which is what it looked like to me in the ads), this has its share of subtle moments. There is a mean-spirited dig at the Frankie & Annette "Beach Party" flicks, and the ready-made romance at the end is sugar-coated, but "That Thing You Do!" is immensely likable. It has a huge heart. *** from ****
THAT THING YOU DO
Unless you were there. Unless you were of that age, that time and particularly if you were a male and trying to force your grimy little fingers into a "C" chord on a Harmony acoustic guitar that was semi in tune well, you will not understand the depth that this movie has. This movie and "I Wanna Hold Your Hand" capture something that was so real, so tangible but has slipped so completely away from any succeeding generations grasp that to try and film it's time and moment seems impossible. And yet, Tom Hanks did it. I don't know how he managed to grasp the era and the people so well as I thought he was a little too young for that time period. He nails this every boy's fantasy with wit, wisdom and just a touch of sadness. The cast turns in, a spot on encapsulation of people that will be very familiar to any struggling band member from the period. Tom Hanks himself turns in a solid performance as a man apart of, yet removed from the music itself. Men of his age at that time all actually read the Playboy philosophy espoused by Hugh Hefner and secretly wanted to be as cool as one of the Rat Pack. He did a super job of directing this effort and keeping the frenetic pace. All of this brings us to the music, which for the most part is expertly crafted (and I was surprised to see Hanks wrote some of the music also) to remind us of the era. I enjoyed all the songs for what they are. It is "homage" which is not exactly copying but using the elements to pay tribute to the influences that shaped the music of that era. People who grew up in the 80's or 90's have no conception of what the music was like then. They can hear it, and yes even appreciate it, but they don't understand that it was rarely on TV, it was not the background music for every commercial you heard or saw and radio stations that played it were decidedly looked down upon. It was not woven into the fabric of life like it is now. It was new, it was dangerous and you had to search it out. You had to want it. That's why I so enjoyed this movie. Even with some of it's false steps and it's occasional heavy handedness that would over power the subtleties of real life I found this movie a guilty pleasure that is completely satisfying and an absolute joy to watch.
Unless you were there. Unless you were of that age, that time and particularly if you were a male and trying to force your grimy little fingers into a "C" chord on a Harmony acoustic guitar that was semi in tune well, you will not understand the depth that this movie has. This movie and "I Wanna Hold Your Hand" capture something that was so real, so tangible but has slipped so completely away from any succeeding generations grasp that to try and film it's time and moment seems impossible. And yet, Tom Hanks did it. I don't know how he managed to grasp the era and the people so well as I thought he was a little too young for that time period. He nails this every boy's fantasy with wit, wisdom and just a touch of sadness. The cast turns in, a spot on encapsulation of people that will be very familiar to any struggling band member from the period. Tom Hanks himself turns in a solid performance as a man apart of, yet removed from the music itself. Men of his age at that time all actually read the Playboy philosophy espoused by Hugh Hefner and secretly wanted to be as cool as one of the Rat Pack. He did a super job of directing this effort and keeping the frenetic pace. All of this brings us to the music, which for the most part is expertly crafted (and I was surprised to see Hanks wrote some of the music also) to remind us of the era. I enjoyed all the songs for what they are. It is "homage" which is not exactly copying but using the elements to pay tribute to the influences that shaped the music of that era. People who grew up in the 80's or 90's have no conception of what the music was like then. They can hear it, and yes even appreciate it, but they don't understand that it was rarely on TV, it was not the background music for every commercial you heard or saw and radio stations that played it were decidedly looked down upon. It was not woven into the fabric of life like it is now. It was new, it was dangerous and you had to search it out. You had to want it. That's why I so enjoyed this movie. Even with some of it's false steps and it's occasional heavy handedness that would over power the subtleties of real life I found this movie a guilty pleasure that is completely satisfying and an absolute joy to watch.
This is really a great movie, no question. I rarely watch a film that is so skilfully crafted and yet is completely inoffensive to any segment of society. The movie combines comedy (and some parts are definitely funny) with romance in a tender-hearted tale of friendship and growing up. I simply cannot recommend this movie highly enough except to say that this is a film I could watch multiple times. Brilliantly acted by a still maturing cast ensemble, witty dialogue, it's got it all. If you want to see something that with touch you and give you a buzz but you don't want to be assailed by profanity, violence, or sexuality - That Thing You Do! is the movie for you. Another Hanks triumph, not just for his role in the movie but for putting it all together. 8/10
Você sabia?
- CuriosidadesSteve Zahn is an accomplished singer/guitarist. He played guitar and sang in both this movie and Mulher Infernal (2001).
- Erros de gravaçãoA character states that they'll have to sell 500,000 copies of their single to get a gold record. In 1964 it still required 1,000,000 singles sold to qualify for a gold single record by the R.I.A.A.. It wasn't until 1976 that this was changed to 500,000.
- Cenas durante ou pós-créditosSoundtrack released on the Playtone record label, founded by Tom Hanks and Gary Goetzman to coincide with the fictional label in the movie and capitalize on the movie's success.
- Versões alternativasIn the 2007 two disc version there is an extended version not shown in theaters. Before "The Wonders" appear on national television, Guy arrives back at the hotel in a drunken state and finds an excited Mr. White with the good news about being on television the next day. Waiting for Mr. White is his male friend "Lloyd" played by Howie Long.
- Trilhas sonorasThat Thing You Do!
Written by Adam Schlesinger
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- ¡Eso que tú haces!
- Locações de filme
- Dresden Room Restaurant - 1760 N. Vermont Avenue, Los Feliz, Los Angeles, Califórnia, EUA(Guy meets Del Paxton.)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 26.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 25.857.416
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.208.595
- 6 de out. de 1996
- Faturamento bruto mundial
- US$ 34.585.416
- Tempo de duração1 hora 48 minutos
- Cor
- Mixagem de som
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By what name was The Wonders: O Sonho Não Acabou! (1996) officially released in India in Hindi?
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