O Bordel de Sangue

A wise-cracking sleazy Private Eye Rafe Guttman (Dennis Miller) is been hired from a born again lady (Erika Eleniak) to find her punk goth brother (Corey Feldman). Rafe discovers an bordello, which it's also a funeral home. Then he meets the seductive Lillith (Angie Everhart), who's actually Queen of the Vampires. Her sexy employees are also vampires, which they seduced lonely or horny mens for survival. Now Rafe has to destroy Lillith before it's too late.

Directed by Gilbert Alder made an watchable tongue in cheek horror/comedy from the popular HBO series. Which it was inspired by the horror comic books of the 1950's of the same title "Tales from the Crypt". The cast seems to be having a great time here, including Chris Sarandon (Who played an seductive vampire in "Fright Night") and Phil Fondacaro as Vincent. Especially when Miller and Sarandon are destroying Vampires with Supersoakers. This is the second film from what it meant to be a trilogy. Which the first movie was "Demon Knight", it was a modest box office success. When "Bordello of Blood" flopped at the box office, the third film never happened sadly.

Perphas the problem with the picture, it's the script by the director and A L Katz. It's never as good or amusing as we hoped to be. Although the story credit came from Bob Gale (Back to the Future Trilogy, Trespass, Used Cars) and Oscar-Winner Director:Robert Zemeckis (Beowulf, Cast Away, The Polar Express). Probably if Gale and Zemeckis wrote the script instead, this could have been a much enjoyable movie. Which they wrote excellent scripts together. The film is occasionally funny and Miller does his best by making this fun. There's enough campy sleaze, dark humour, in-jokes and gore by seeing this uninspired picture worth a look. The motion picture soundtrack of the movie is a lot better than the movie to some degree. William Sadler and Oscar-Winner:Whoopi Goldberg appears in amusing cameos. (***/*****).

Blood, breasts, vampires and Chris Sarandon. How can you go wrong?

"Bordello of Blood," the second "Tales From The Crypt" feature film, supplies the viewer with ample amounts of all of the above, leaving room for little else. What it lacks in story, it more than makes up for in its cheap thrills, and as far as midnight guilty pleasures go, this one is about as good as it gets.

The story revolves around a good-girl (Erika Eleniak) whose delinquent brother (Corey Feldman) goes missing. Upon hiring a wise-cracking private detective, it is revealed that a local morgue is housing a brothel run by a gang of beautiful but deadly vampires. Armed with super-soakers full of holy water and with the help of a guitar-slinging reverend (Chris Sarandon), the two set out to put the joint out of business once and for all.

Dennis Miller is essentially playing himself, but keeps the humor pumping through the film's ridiculous premise. Chris Sarandon, likewise, is in top form as the genre hero he truly is. As mentioned before, there's plenty of bare-flesh and red-stuff to go around, and if that sort of thing is your bag, you'll have a blast with "Bordello of Blood." Take it for the cheap thrill ride it is.

Let's face it...this was a B-movie, Universal just put some more money into it. They massacred the vampire lore, but since this is a B-movie, it doesn't matter. Dennis Miller is hilarious as always; and what cheesy horror flick is genuine without Corey Feldman. The only discrepancy I have with this movie are the Cryptkeeper segments. They were just a remake of a Cryptkeeper segment from a TV episode. The only difference was that William Sadler was dressed up as the mummy instead of the Grim Reaper (a reprisal of his role in "Bill and Ted's Bogus Journey").

While I enjoyed the humor and the Crypt Keepers puns more in this than in Demon Knight, the overall experience of this is just slightly inferior. This one suffers mainly under not having such an entertaining villain/main monster as the first one; Lilith does have some decent lines, but almost all of them were sexual innuendos, which gets old a little too fast. The Collector was more entertaining, with his cynical and sarcastic personality. There's also less "action" in this one, though there might be slightly more gore. In this one, the plot also moves along a little too slowly, considering the fact that it's only meant as entertainment; with that in mind, you have to wonder why it takes so long to tell the story and get to the gore and blood. The ending sequence was also slightly less entertaining and exciting than the one in Demon Knight. Like Demon Knight, the film manages to bring in plenty of both sex and violence, often both at the same time. Apart from Rafe(Dennis Miller), there weren't really any interesting or entertaining characters. Miller does a really great job, portraying the type of character he usually does; a slimy, sarcastic jerk. That is the Miller that we fans know and love. It's nice to see him in a role that compliments his talents so well. The film, like Demon Knight, is very gory and violent, although apart from the Crypt Keepers puns, and some of Miller's lines, this didn't have that much to offer. It's good enough to watch, if you've got 90 minutes to kill, and you don't want to see Demon Knight, don't want to re-watch it, or can't find it. The films are both worth watching, but I'd suggest Demon Knight over this one. I recommend it(like the first) to fans of gory horror films, and people who just want to be entertained for 90 minutes without having to think very much. 6/10

Private eye Rafe Guttman (Dennis Miller) is hired by Katherine Verdoux (Erika Eleniak) to find her missing brother Caleb (Corey Feldman). Rafe's search leads him to a brothel run by centuries-old vampire Lilith (Angie Everhart). The second of the 'Tales from the Crypt Presents' movies is nowhere near as good as the criminally underrated Demon Knight. It's not a scary movie, nor does it really try to be. It's a comedy, with Dennis Miller having a ball throwing out one liner after one liner. If only the rest of the movie matched his performance. The story is so slight you'll wonder if the entire script was jotted down on a napkin. The movie's primary selling point is sex and nudity, of which there is not a lot. Especially disappointing when you consider that the two most well-known women in the film, Everhart and Eleniak, never appear nude. Still, a fun tone with a great turn by Miller makes it worth watching once.