Schizopolis

Stream-of-consciousness conception, sharp writing and creative technique. There's plenty here to amuse any smart audience, but the parts add up to an (intentionally) oblique whole. The film is so playful and irrespective of convention, it's as if Soderbergh threw up his hands and said 'Screw it, I can't make the movies they want me to." Take it with his work since and you've got the most supple, witty and consistent filmmaker working in the U.S. today.

There's lots to analyze, and myriad connections to be made. But don't try to make too much sense of it... let it take you, and enjoy.

I am glad that Soderbergh is making films, even if every other one is a glossy mess. Like many filmmakers, he lives in and loves the medium. Unlike most of them, he experiments in film with things that matter — and he does it while pretending it is a joke.

This will be seen by many as a bizarre hoax, a vanity project, a sandbox. But I think not; I receive it as a small, complex personal project. His marriage was falling apart. He was baffled by matters of duality: simultaneous understanding and confusion. So he made a film featuring himself and his already ex-wife. In it, time faces itself; everyone has dual lives among which they shift.

You'll only get part of what is going on the first time around, but this rewards multiple viewings.

Ted's Evaluation -- 3 of 3: Worth watching.

I will echo a comment that someone made about -The Big Lebowski- (my #1 favorite comedy followed by this delightful mess). "Warning: this film transmits on a strictly limited wavelength." If you don't catch this curveball, you're likely to be bored. I won't say that if you don't like it on first viewing, then you're never going to like it. In my case, certain movies get more enjoyable on repeat viewings even after receiving a ho-hum response the first time around. This is one of those movies. With a narrative more fractured than your average David Lynch film, there are connections between one scene and another that jump out and take notice only on repeat viewings, sort of like "portals" from one part of the movie to another. Music that plays, pictures shown on the wall, one-sided phone conversations, that sort of thing. Aside from the already-limited-wavelength humor, these amplify the laugh factor. This is a movie destined for some kind of limited cult-following someday, but keeping to a murmur level when you're standing next to an air conditioner. The Criterion DVD has some good features and outtakes, like the "Maximum Busy Muscle" segment extolling the virtues of all products vinyl.

Update Nov. '06. Re-watching this almost on a whim, and it all comes together (such as it is) even more. This is truly hilarious, a comedy masterpiece reveling in all its many absurdities, which come one after the other at a highly accelerated rate. I'm upping my vote from 9 to 10.

"You will learn something from me here today." --Elmo Oxygen (Noooo!!! Oooogghghgh!!)

Steven Soderbergh's 'Schizopolis' is a masterpiece. It's a satire on the formulas and cycles of ordinary people's every day lives. It very brilliantly satirizes relationships, marriage, sex, stress, work, the media, and communication, and many more elements of life. Soderbergh's wife in the movie (played by his real-life ex) is an example of a middle-age woman trying to find a good solid relationship, as she flees from her husband to his 'alter-ego' and can't decide which one she is more attracted to. The way the two talk is in Soderbergh's own made-up language, indicating the relationship they have. Which is a very common one, where everyday they have the same pointless, shallow discussions about their semi-awareness of plans for the evening, and at one point their relationship in bed. The marriage is fuelled by lies (a nod to his earlier 'sex, lies, and videotape'). At one point in the film, everyone speaks out what their subconscious tells them, in a very disturbing level of honesty, indicating what they're really feeling and really thinking, and how they express it, whether truthfully or dishonestly. Among things, the film is hilarious, frustrating, shocking, spontaneous, and even touching. It's like nothing ever put up on the screen before, it's a fresh antidote to anything formulaic, and for once, something new.

This is part of my Scarecrow Video Guide inspired movie-trek, following "The Specials." I've always been a hypocrite Soderbergh fan. I claim to be a bit of a movie snob, but really I think of Soderbergh as a guy who makes really great "Hollywood" flicks. Kind of the anti-Michael Bay. "Out Of Sight" is probably in my top 50 of all time. But I've always ignored most of his artier flicks, probably because I watched "Kafka" in college and didn't care much for it.

Well, this is as out-there as Soderburgh gets...or nearly anyone. It looks like a student film, but it was actually made right before he started his commercial streak with "Out Of Sight". Any description is probably pointless- suffice to say it's a film about communication that goes out of it's way to NOT communicate with it's audience. It would all come off so absurdly pretentious if it wasn't for Soderbergh's hilarious opening and closing statements. ("Anything you don't understand is your own fault") In hindsight, it almost seems like a parody of pretentious student films, and you can enjoy it on that level. But there is a point here, even though it doesn't come remotely close to clear.

Most importantly, it's pretty dang funny. There's enough silly stuff to appreciate, even if you don't "get it". Soderburgh himself is a deadpan riot in a dual role (or is it? You decide!) But "Nameless Numberhead Guy" steals the show.

"Schizopolis" isn't the weirdest film I've ever seen- that honor would probably go to "du-beat-E-o". But it's probably the best ratio of weird-to-watchable. Even if you're completely lost, you'll find something to like if you like film. But If you like Michael Bay, best skip it.

Next up is "Jerry & Tom"