Cavaleiros do Crepúsculo

Mr. and Mrs. Ed Harris, like Mr. and Mrs. Paul Newman, Mr. and Mrs. Frederic March, Mr. and Mrs. Hume Cronyn, Mr. and Mrs. Ronald Colman, even Mr. and Mrs. Jack Benny work beautifully together as they help make sense out of Zane Grey's, "Riders Of the Purple Sage."

Unfortunately, that wonderful all-west title was borrowed by some sort of psychedelic band calling themselves, "New Riders of the Purple Sage."

I'll stick to the old riders, thank you just as the movie sticks closely to the original book.

The movie is up to its eyeballs in philosophy, but it is not so deep that the residents of Dolt City would be confused.

The background music is quite good, even if it does not include the Mormon Tabernacle Choir.

The story will keep you interested from top to bottom. In dialogue it is more than a tad above Gene, Roy, and Tex, etc., all of whom i deeply enjoy.

"Riders Of the Purple Sage" is a thinking person's western, while in no way losing the flavor of a western film.

Go see it. That is 'sage' advice.

Most of the new westerns being made these days (i.e. Unforgiven, Tombstone, etc.) are exceptional, but this may be the pick of the lot - the characters are real, the plot is believable, the photography is superb. I've never read the book, but I may now.

For any fan of a good western and Zane Gray this movie is well worth the viewing time. I had read the book several times over the years and found this movie lived up to my expectations. The movie was as true to the book as any movie of this nature can be. The action will draw you in, I had to go back and reread the book to see if I missed something. The authenticity of the scenery as well as the beauty really helped make the movie. Lassiter starts out as a somewhat questionable hero but quickly you realize that he is one of the quiet good guys. Reminded me of some of the older western movies like "Shane" or some of the newer ones like "Tom Horn" or "The Sackets. Read the book, see the movie, and then read the book again it will be worth your time.

I was an avid Zane Grey reader as a teenager in the forties & have not re-read the book since. However,when viewing the movie, I felt the same aura of old west romance that I remembered from many years before. I have always felt that, in spite of his rather blatant racism, Zane Grey wove exciting and entertaining stories. I wish there would be additional efforts to bring more of his books to either the small or large screen, and that they would be as well made as "Riders of the Purple Sage".

Good and Evil depends on ones point of view. Who's side of the fence are you on and how do you fight that which you perceive as evil. Just as the person before me in his review stated, if you haven't read the book, you might want to, so that you will understand the obvious points that had to be left out of the movie. It really is important to make some understanding of the thought's that Zane Grey, one of the premiere western writers of the past. He was ahead of his time giving psychological reasoning for his character's as well as one of the best describers of surrounding beauty that the characters are enveloped in.

The evil men in this portrait of the depravity of men (even those of "religious' belief's) is portrayed vividly by the men of the Mormon church as they saw their duty. Greed set aside, this was about a belief as well. Right and wrong played out in a violent nature by violent men. Portrayed brilliantly by an outstanding cast.

Then comes Lassiter, who is violent in his own way and yet gentle and kind. He steps up to the plate and helps Jane Withersteen (played by Amy Madigan in one of her most impressive acting to date), while Lassiter (played in a hard as rock characterization by Ed Harris) still after those who caused his family member to commit suicide. I believe these characters played by this particular cast very brilliantly portrayed just as those envisioned by Zane Grey in his book "Riders of the Purple Sage".

The screen play is very well done by Gill Dennis from the book written by Zane Grey. Direction by Charles Haid proves he understands the west as well as how to get the best out of his actors and staff. If it was not a movie made for television, it would rank up there with the best like Eastwoods "The Unforgiven" and Costner's "Open Range" with each of those carrying "star power" and Rider's unsung actors.

Tough interpretation of a hard subject, still beyond it's time.