Ponette

Nobody watching this film can failed to be touched, moved, transported and transformed by it. Others here have already expressed the enormous power of the movie, and particularly of its star, Victoire Thivisol. If you're reading this to see if you should watch it, I'd say, drop everything and go buy it so you can watch it over and over. But buy a case of Kleenex (TM) too, you're going to need them!

As I watched the movie, I had the impression that director Jacques Doillon had simply found a real-life tragedy and somehow followed the participants through it with his camera. Nothing in this film gives you the impression of having been written, scripted, staged, produced. It is all so completely natural that you experience first hand the pain, the emotional agony of Ponette, as if she were your own daughter, your own sister, even your own self.

I love everything about this film. The cast portrayed their characters well; the script presented a variety of philosophical viewpoints; and many of the interactions between the children were symbolic of religion in the adult world. Those who would be thrown off by this sort of a thing should not worry, because there are plenty of sweet moments and a very satisfying ending. And I must say that that little girl's performance was utterly stunning. Amazingly enough, she was four years old during filming. I would recommend it to anyone with a brain or a heart.

A 4-year-old French girl, Ponette (Victoire Thivisol) waits for the return of her mother, who has just died at an auto accident.

This beautiful and sensitive drama surprised a lot of people when won the Volpi Cup for Best Actress at the Venice Film Festival 1996, given to a 5-year-old novice, Victoire Thivisol. She is really magnificent and, controversy aside, the important award recognized the biggest achievement in the film: Victoire reacts with amazing naturalness and outstanding facial expressions to the most intricate scenes. "Ponette" is a film that certainly will be in your memory, mostly because of a too young girl who shows the difference between a little great actress and a gracious child who wrinkles the eyebrows eloquently.

My wife and I viewed this film without any prior knowledge of its quality (or even of its existence!) To say the least, we were extremely impressed. We find it difficult to understand how the director managed to create situations where these wonderful children could perform so magnificently. The storyline is certainly simplistic, but the film's greatness comes from the marvelous interactions between the young children which go well beyond acting as we normally understand it. These interactions are so authentic that the storyline as such becomes a secondary consideration. One reviewer critized the 'fantasy' ending of the film saying that it somehow broke the flow of the story...

But, I for one appreciate the fact that the creators of this film allowed us to regain our composure before the lights went back on !

"Ponette" (French, 1996): We learn that a child lost her mother in a car accident. Ponette (the child), like all children, tries to blend the various truths given her by adults, other children, teachers, books, rumors, churches...eventually arriving at her own version of Truth...a Truth that allows her to move on, with some peace. No one seems to know what to DO for her, and so, her search is solo. What most ASTOUNDS me about "Ponette" is: 1) It's written NOT by grown ups who see children as small adults, but as true children - with all the confusion, magic, and hope we seem to lose as we age, and, 2) the ACTING of Victoire Thivisol ("Ponette") is ABSOLUTELY AMAZING. She received numerous awards for this role, which upset some people - because she was only FOUR YEARS OLD at the time. "HOW CAN ANYONE HAVE TALENT AT FOUR?" Watch it for yourself. No one is beating her, no one is spraying lemon juice in her eyes, no one is tickling her feet...SHE is doing her own work. It's like she is channeling the next incarnation of Meryl Streep or someone. Since "Ponette", she has done two more films, including "Chocolat" (1999) with Juliette Binoche. She is now only TWELVE. I should live so long as to follow her entire career.