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IMDbPro

O Povo Contra Larry Flynt

Título original: The People vs. Larry Flynt
  • 1996
  • 18
  • 2 h 10 min
AVALIAÇÃO DA IMDb
7,3/10
104 mil
SUA AVALIAÇÃO
POPULARIDADE
4.209
296
O Povo Contra Larry Flynt (1996)
Trailer for The People Vs. Larry Flynt
Reproduzir trailer2:21
1 vídeo
99+ fotos
Dark ComedyLegal DramaPolitical DramaShowbiz DramaBiographyDrama

A história do polêmico editor de pornografia Larry Flynt e como ele se tornou um defensor da liberdade de expressão.A história do polêmico editor de pornografia Larry Flynt e como ele se tornou um defensor da liberdade de expressão.A história do polêmico editor de pornografia Larry Flynt e como ele se tornou um defensor da liberdade de expressão.

  • Direção
    • Milos Forman
  • Roteiristas
    • Scott Alexander
    • Larry Karaszewski
  • Artistas
    • Woody Harrelson
    • Courtney Love
    • Edward Norton
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,3/10
    104 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    4.209
    296
    • Direção
      • Milos Forman
    • Roteiristas
      • Scott Alexander
      • Larry Karaszewski
    • Artistas
      • Woody Harrelson
      • Courtney Love
      • Edward Norton
    • 166Avaliações de usuários
    • 65Avaliações da crítica
    • 79Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado a 2 Oscars
      • 22 vitórias e 35 indicações no total

    Vídeos1

    The People vs. Larry Flynt
    Trailer 2:21
    The People vs. Larry Flynt

    Fotos158

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    Elenco principal99+

    Editar
    Woody Harrelson
    Woody Harrelson
    • Larry Flynt
    Courtney Love
    Courtney Love
    • Althea Leasure Flynt
    Edward Norton
    Edward Norton
    • Alan Isaacman
    Brett Harrelson
    Brett Harrelson
    • Jimmy Flynt
    Donna Hanover
    Donna Hanover
    • Ruth Carter Stapleton
    James Cromwell
    James Cromwell
    • Charles Keating
    Crispin Glover
    Crispin Glover
    • Arlo
    Vincent Schiavelli
    Vincent Schiavelli
    • Chester
    Miles Chapin
    Miles Chapin
    • Miles
    James Carville
    James Carville
    • Simon Leis
    Richard Paul
    Richard Paul
    • Reverend Jerry Falwell
    Burt Neuborne
    • Roy Grutman
    Jan Tríska
    Jan Tríska
    • The Assassin
    Cody Block
    Cody Block
    • 10-Year-Old Larry
    Ryan Post
    • 8-Year-Old Jimmy
    Robert Davis
    • Old Hillbilly
    Kacky Walton
    • Young Ma Flynt
    John Ryan
    • Young Pa Flynt
    • Direção
      • Milos Forman
    • Roteiristas
      • Scott Alexander
      • Larry Karaszewski
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários166

    7,3103.6K
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    Avaliações em destaque

    8philip_vanderveken

    The rise and fall of a (sex)god

    "The People vs. Larry Flynt" is already 8 years old, and the subject it talks about is even older, but it still hasn't lost anything of it's relevance. This isn't a movie about Larry Flynt, the porn king. It's more a movie about the right to say what you want to say, without having to think of every person's opinion first.

    You may not like the man or what he stands for, but at least he has the guts to stand up for what he believes in. He defends his right to speak freely and doesn't mind kicking against the shins of the ultra conservative Christians. In a way today's America needs more people like him instead of acting like a bunch of sheep being brought to the slaughterhouse by their government...

    The acting in the movie is very good, but especially Woody Harrelson as Larry Flynt and Edward Norton as his lawyer were excellent. Courtney Love isn't really an actress, but still did a good job (not that hard to do when you play a role that you are quite familiar with in your own life.)

    All in all this is a very enjoyable movie that will be loved by some and hated by many. Personally I liked it and I give it a 7.5/10
    tfrizzell

    Not Your Typical Patriot.

    Idealized biography of Hustler magazine mogul Larry Flynt (played superbly by Oscar nominee Woody Harrelson) which finally ends up focusing on his legal battles to publish his pornography via the free speech laws of this land. Along the way he marries a bisexual wild woman (Courtney Love) who shares his unconventional views on free love, priced pornography and drug abuse. The character also survives an assassin's bullet, paralysis, imprisonment, endless court battles against the Reverend Jerry Falwell and even his own destructive nature. Edward Norton (a relative newcomer when this was released) shines as Harrelson's young attorney who tries to overlook and overcome his client's tirades. Director Milos Forman (Oscar-nominated) does a good job creating a cinematic story about a man who is hard for most in mainstream society to understand or relate to. Flynt is humanized and so are those who cross his path throughout the picture. The movie is not as wild and crazed as one would think. Instead Forman uses well-timed comedy with drama to get the major points across effectively. Overall one of the better films of 1996. 4 stars out of 5.
    george.schmidt

    Career milestone for Woody Harrelson & Courtney Love

    THE PEOPLE VS. LARRY FLYNT (1996) **** Woody Harrelson, Courtney Love, Edward Norton, James Carville, James Cromwell, Richard Paul, Crispin Glover, Vincent Schiavelli, Miles Chapin, Brett Harrelson, Donna Hanover, Norm MacDonald. Superb biographical account of smut publisher Larry Flynt (portrayed by Best Actor nominee Harrelson in arguably the role of his career) whose bouts with the courts regarding libel, pornography and ultimately first amendment rights to the freedom of speech are captured like a tempest in a teacup that depicts the rise and near fall of Flynt (who was paralyzed in an assassination attempt) and the uncomparable love affair with his doomed yet dedicated wife, bisexual, drug-addicted and tragically AIDS afflicted wife Althea Leasure (Love in a toweringly brilliant turn at acting that deserves all the recognition she mustered) who stood by her man as she withered away. Funny, insightful, important and some masterful filmmaking overall thanks largely to the cleverly constructed screenplay by Scott Alexander and Larry Karaszewski ("Ed Wood"), costumes by Theodore Pistek and Arianne Phillips, and all too believeable production design by Patricia von Brandenstein. And yes that is real-life Flynt as one of the judges passing sentence and yes it is real-life brother Brett of Woody playing siblings. Kudos to Best Director nominee Milos Forman (who was sorely passed over in the Best Picture nomination as well as practically getting shut out come to mention it) for pulling off a difficult hat trick: making scum respectable.
    Khaled Yafi-01

    Shocking Expose

    Anyone familiar with Milos Forman's work will know how much he likes to discuss and examine controversial real-life characters and make them the focal point of his films. Amadeus for one was a powerful expose of the legendary composer; Forman was able to extraordinarily add so much spice to the script that the end result was a harrowing documentation that genuinely moved us. We didn't need to know anything about the composer or even like his work or personality; Forman craves on these sorts of challenges. He likes to make films about characters that the audience may not identify with because it heightens the overall achivement if the film is a hit. With Larry Flynt he's done it again.

    Flynt is the story of Porn magazine chairman larry Flynt who amidst an era of overwhelming decadance launched Hustler magazine, a porn magazine that broke all taboos and crossed all boundaries. The magazine was a huge hit that transformed Flynt into a powerful figure in the American Community. Needless to say though, Flynt (superbly played by Harrelson) faces insurmountable odds from everyone to keep the business running. Politicians, reverends, mass public opposition et.al.. Flynt is accompanied along the way by his junkie wife (played with real panache by Courtney Love) and a reluctant lawyer (dependable performance from Edward Norton Jr.). At the midway point of the film Flynt is shot and paralyzed and consequently the fight to stay on top is made even more challenging.

    This story is intriguing because is dares to break universal taboo's. It shows Flynt disassociating himself from the norms and traditions of society and really willing to take genuine risks that could blow up in his face. Before Hustler was formed, Playboy was the porno pioneer. Playboy was subtle in it's nudity, preferring to call itself a REAL magazine rather than something trashy. We notice that Playboy was afraid to overstep the barrier. Playboy was a magazine that was restricted in it's disclosure of barenaked ladies because of the shape of society at the time and the values the society had come to embrace. To call yourself a porno magazine was unthinkable with unthinkable consequences! Hustler dared to step over those lines and bear all the consequences. Flynt was not necessarily a likeable man but he cannot not be admired. He was a risk taker, an enterpeneur, a man with a vision, and a man who believed that oe should act on one's desires and ambitions.

    The mass hysteria the swamps the society as a consequence mainfests how powerful yet dangerous a little "acting on ambition" can bring. Flynt's idea is impossible to resist; the public cannot stay away from the controversial impact of the magazine. As the fan base grows, so does Flynt's empire, and so do the forces determined to suppress him. Flynt's meteoric rise is unprecedented, and made all the more shocking by the fact that the evnets are real. His opposition ranges from hypocritical politicians to dubious religious figures, all of whom are hell-bent on the abolition of Flynt and his tremendous reach.

    The film earns huge plaudits on the entertainment level. This is undisputed!! The acting demonstartes tremendous range from all involved and Flynt is an offensive yet endearing, and very funny figure. We grow to really love and root for him as the film develops. The points that necessitate discussion however are the legal and moral issues that are debated by Flynt, his lawyer, and the opposition. The freedom of press, of speech, and the freedom to exercise your FREEDOM are all fiercely debated. Flynt vehemently defends his position because he feels that the world is afraid to agree with him, that the world is afraid to speak out. The world is polluted by hypocrits; he's the only pure seed. This presents tremendous irony because Flynt is a low-class pervert up against scholars, and politicians, and bureaucrats, and yet he's claiming that he's the real deal and they are all phonies. He has a point; what's the point in looking presentable and being well-educated if you are banal, hollow, and insipid and cannot open your mind to new ideas?? The film asks that question; we see how closed off the men in power are to Flynt's ideas and we grow to hate them. Then we are torn because we are reluctant to accept the values of a porn fiend. The fact that we cannot resist Flynt's pulling power is the sign of the film's success. We start off opposing Flynt, unable to identify. Then we try and take a neutral stand as we discover the ugliness of Flynt's opponents. Finally, after Flynt is paralyzed and yet continues to defend his honour, we can no longer resist the seduction.

    The film has Flynt giving amazing speeches about why he is doing justice to himself and the people. He's giving them what they want,they are taking it,and yet they are determined to censor him. He debates this point to manifest the outstanding hypocrisy that lies at the heart of society. Flynt is such an important character because he speaks for all of us. On countless occasions, we all seek to expose the two-faced ugliness of those around us. We just can't because not enough people are listening. Flynt however gets eveyone's attention and defends his honour, preserves his integrity, and succeeds in winning over the justice system. The final speech given by Issacman, his lawyer is very insightful and very powerful for it argues this very point: 'We don't need to like what Larry Flynt does, but we should like and appreciate the fact that we have the right to make that decision on our own, and that's what makes our society great. We have the right to accept or reject the offer on hand. We may well reject it but we and we alone need to have the choice made available to us. If that right is taken away, then we wither away as a people and our individuality is nullified' The speech is amazing because it demonstrates how the right to accept a porn fiend and his work preserves the democracy of the Western World. Truly Shocking but brilliant!!!

    I haven't discussed the other characters all that much and I'm not going to except say this: All the characters are multi-dimensional because what we see on the outside is never what we get on the inside. Flynt for all his crude, perverted behaviour is an admirable, likeable, highly identifiable personality. His wife, for all her vulgarity and drug addiction is an endearing, loyal,intelligent personality. Issacman, the lawyer, for all his traditional, stiff boring work ethic, is an idealistic, shrewd, and deeply committed man....The list goes on and on

    I loved this movie because our hero is not perfect; he's anything but!!! Movies that depict the hero as a flawed individual stand a better chance of being embraced by critics and audiences alike. Flynt thrives on this! And exposing hypocrits for their true selves is every cynics (and I happen to be a huge one) dream. Flynt's journey is whopping emotional tour de force!!!! You don't have to like Larry Flynt as a film, but I love the fact that I had the right to make up my own mind!! Society, you ignore that at your peril!!!
    7damianphelps

    Gives Me A Woody

    Woody does here what he always does...he steals the show.

    The story the movie tells is a good one and it does a great job of creating debate about free speech.

    However this movie lives and dies on the performance of Woody.

    One of the most underrated actors off all time :)

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    Você sabia?

    Editar
    • Curiosidades
      Despite being portrayed in an Oscar-nominated movie, Larry Flynt was refused an invitation to the 1997 Academy Awards, so Woody Harrelson brought Flynt to the award shows as his "plus one".
    • Erros de gravação
      In the oral arguments before the Supreme Court, there are nine Justices. Those arguments took place on 2 December 1987, when there were only 8 Justices on the Supreme Court bench: Justice Lewis F. Powell Jr. had retired on June 26, 1987 and his successor, Justice Anthony Kennedy, would be sworn in on 18 February, 1988. Kennedy took no part in the consideration or decision of the case.
    • Citações

      Larry Flynt: Who is this magazine for, anyway? I mean, you know, it's like if you don't make twenty thousand plus a year - you don't jerk off. Seven million people buyin' it, and nobody's readin' it. Gentlemen, "Playboy" is mocking you.

    • Versões alternativas
      The film was cut by 18 minutes to remove sex references, pornographic images, drugs, and language for television to grant a 'U' (unrestricted) certificate by the CBFC in Chennai in 2007. The uncut version is rated 'A' (adults) in Mumbai for video release in 2009.
    • Conexões
      Featured in Siskel & Ebert & the Movies: Michael/Mother/The People vs. Larry Flynt/The Evening Star/The Portrait of a Lady/I'm Not Rappaport (1996)
    • Trilhas sonoras
      Hello Walls
      Written by Willie Nelson

      Performed by Faron Young

      Courtesy of Capitol Nashville

      Under license from EMI-Capitol Music Special Markets

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    • How long is The People vs. Larry Flynt?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 7 de março de 1997 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • El eslabón perdido
    • Locações de filme
      • Flynt Publications Building - 8484 Wilshire Boulevard, Beverly Hills, Califórnia, EUA(Flynt Publications building/Jimmy's office)
    • Empresas de produção
      • Columbia Pictures
      • Filmhaus
      • Illusion Entertainment
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 36.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 20.300.385
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 523.295
      • 29 de dez. de 1996
    • Faturamento bruto mundial
      • US$ 20.300.385
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 10 minutos
    • Cor
      • Color
    • Mixagem de som
      • SDDS
      • Dolby Digital
    • Proporção
      • 2.39 : 1

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