Deu Tudo Errado

At the start, Martha is in a Mexican jail wearing a wedding dress. So right away you know this is not going to be an ordinary movie.

A few months earlier, as she explains to the authorities, Martha was at her sister Annie's wedding. Her parents think Martha will be next to get married, as do about 30 other people. But Martha isn't seeing anyone.

Martha works for the KSDG-TV program 'Daybreak San Diego', co-hosted by Dick and Nancy. Walter, one of her co-workers, Walter, is a possible romantic partner. But Martha meets Whitman when he selects the same song she wants on a jukebox. They fall for each other, and he meets her normal parents, and she meets his quirky mother and her maid Consuela. Whitman's family appears to have money, and he doesn't have to work but can afford all sorts of expensive gifts, even though all he does is write poetry.

After a while, it becomes clear Whitman has a fun side that Martha is too uptight to appreciate. And things go downhill from there. Not only that, but Whitman's former girlfriend Inga is mentally unbalanced and very jealous. And she has a very large but friendly sidekick named Bob. Things get so bad Martha has to hire private detective Jack Tramonte.

During the first half, I thought this was just going to be a standard romantic comedy. But the second half turned out to be anything but normal. Let's just say Martha appears to be the only sane person left, but not for long. Everyone else thinks she's crazy. And what happens would be quite unlikely in real life.

I'm not crazy about Ellen DeGeneres, but let's face it. She has this irresistible perky quality about her that works very well here. Not Olsen twins perky, but pleasant. I can't stand Joan Cusack, but I think people might enjoy her demented portrayal of Inga.

Most of the music was good. A lot of it came from the 40s and 50s or at least sounded like it (I know Queen recorded 'Crazy Little Thing Called Love' around 1980). And Martha went to the opera. There was also Mexican-flavored music in some scenes. And a boys' choir sang 'I Want To Know What Love Is' by Foreigner, which sounds much better here than in the original version. Unfortunately, Whitman liked Foreigner, Toto, Boston and REO Speedwagon.

This was a really good movie, once it really got going.

MR. WRONG ** Unfunny comedy, save two or three role-plays, that casts comedian-turned-actress Ellen DeGeneres as a hapless woman with no man in her life, and Bill Pullman as Mr. Right, the fellow she never figured she needed. But the story has seemingly charming Pullman become insensitive and obnoxious - qualities that can be said of what the screenplay evolves into - and DeGeneres wants out when she comes to terms with it. Wasting the talents of all involved, it's one of those films that seems entertaining on commercial release, but disappoints when you actually rent it. Don't waste your time. I saw the movie two or three years ago, and haven't seen it since, nor ever again.

This movie was another 90 minutes of wasted talent, a poor plot, and sloppy editing until the last few minutes came in. Not only did they make me automatically wish I had done something else, but they made it impossible for logical closure. I was willing to accept that Hollywood spent more money in this stalker comedy then I'll ever make until the last 15 minutes started. I mean, come on! I don't see how the editing room saw this as OK. The First 3 quarters of the movie: 4/10. The Movie altogether: 2/10.

I would have to disagree with the overall rating of this movie- personally I loved it! It's so funny! I would definitely tell anyone that's interested in seeing it to do it and ignore the bad reviews of it- hey who know's you may end up loving it!!!

"Mr. Wrong" had to be written as a "black comedy", but unfortunately misses the mark by a wide margin. The main problem is that the film is not outrageous enough. Bill Pullman's character resorts to becoming a mean stalker after his rejection by Ellen DeGeneris. At this point the movie turns into nothing more than a glorified cartoon. In order for dark comedy to succeed, it can be outrageous, but not mean spirited. Killing perverts to finance their dream restaurant worked wonders in "Eating Raoul". Here, simply destroying someone's life, for one's own pleasure, is totally off-putting, and not funny. A big disappointment, and definitely not "black comedy". - MERK