AVALIAÇÃO DA IMDb
6,9/10
7,2 mil
SUA AVALIAÇÃO
Um escritor de ficção científica completamente neurótico, duas vezes divorciado, volta a morar com sua mãe a fim de resolver seus problemas pessoais.Um escritor de ficção científica completamente neurótico, duas vezes divorciado, volta a morar com sua mãe a fim de resolver seus problemas pessoais.Um escritor de ficção científica completamente neurótico, duas vezes divorciado, volta a morar com sua mãe a fim de resolver seus problemas pessoais.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 5 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Sometimes, from the endless stream of average movies, comes a gem, this is one such film.
Albert Brooks is impossible to beat if you're looking for character driven comedy, and "Mother" comes second only to another Brooks film, "Modern Romance".
Here we have the story of a science-fiction writer, blocked and fresh from his second divorce. It's the break up with this woman that prompts John Henderson (Brooks) to move back in with his mother, in the hope that solving his life-long problems with her will lead to the solution of his myriad of other problems.
The comedy is brilliant throughout. The scene in his mother's kitchen (food talk) is a contender for the finest comedy scene ever written. And the small things, that other writers neglect, are what make this film a standout: One example is the scene when Brooks' character is attempting to make a start on his next novel; it's truly hilarious, and any telling of its humour hear wouldn't convey the true laugh-out-loud quality of the moment, so just watch the movie.
Albert Brooks and Debbie Reynolds both give perfect performances as the lost and insecure son, and the unsure and uninterested mother, and their chemistry is unique.
An absolute comedy gem, and my second favourite film of all time; second only to "Modern Romance"
Albert Brooks is impossible to beat if you're looking for character driven comedy, and "Mother" comes second only to another Brooks film, "Modern Romance".
Here we have the story of a science-fiction writer, blocked and fresh from his second divorce. It's the break up with this woman that prompts John Henderson (Brooks) to move back in with his mother, in the hope that solving his life-long problems with her will lead to the solution of his myriad of other problems.
The comedy is brilliant throughout. The scene in his mother's kitchen (food talk) is a contender for the finest comedy scene ever written. And the small things, that other writers neglect, are what make this film a standout: One example is the scene when Brooks' character is attempting to make a start on his next novel; it's truly hilarious, and any telling of its humour hear wouldn't convey the true laugh-out-loud quality of the moment, so just watch the movie.
Albert Brooks and Debbie Reynolds both give perfect performances as the lost and insecure son, and the unsure and uninterested mother, and their chemistry is unique.
An absolute comedy gem, and my second favourite film of all time; second only to "Modern Romance"
This is one of those movies that's like watching a play on a movie screen, and what an enjoyable play it is. Through deft writing and flawless acting, this film manages to capture the subtle psychological warfare taking place b/t Brooks and his family. Also to his credit, the Brooks character is far from flawless or blameless that the relationship has become such an emotional wasteland. A gentle giant.
Mother is a beautiful movie, in that it gives us an insight to our relationships with our parents. While I am not female, things might be a little different for daughters, but as a son, I can see the same behaviors that have cultivated in my mother. And she can see it in her mother. My girlfriend can see it in her mother, and her grandmother. While the comedy is a little dry, and actually slightly confusing on the initial viewing, if you return to the movie after a year or so, it will make complete sense. It only gets better after that. I can understand being underwhelmed by this movie the first time. Please don't judge it too harshly. I know I would have rated it a 6 or so when I first saw it, and now I've given it a 9. Maybe I should explain why it doesn't get a 10. There are a few sequences that should have been altered. I found the date scene to be a little too long, and the Mrs Robinson sequence should have been almost completely eliminated. It is a painfully bad gag, and the humor of it is something that can only be appreciated by those of a certain mind set. Don't worry, I'm not insulting you if you like it.
This is a great movie that is a lot of fun. I really liked Debbie Reynolds, who I think deserved a Best Supporting Actress award for her performance. Her comic timing is perfect.
Albert Brooks is great too. He reminds somewhat of Woody Allen, playing a neurotic science fiction writer who gets writer's block. He moves back home with Mom (Reynolds) in hopes of breaking the block.
The interplay between these two great actors is marvelous, thanks to a wonderful Brooks script.
One other comment I will add is that there is practically nothing in this movie to find offensive or objectionable. Good, clean fun, with many laughs.
Brooks more recent movie, "The Muse" featured a similar theme of a writer whose talents are temporarily stifled. I wonder if there is any autobiography to Brooks' scripts, but I am sure there is not, for his stories are often full of wonderfully funny moments.
I really recommend "Mother".
Albert Brooks is great too. He reminds somewhat of Woody Allen, playing a neurotic science fiction writer who gets writer's block. He moves back home with Mom (Reynolds) in hopes of breaking the block.
The interplay between these two great actors is marvelous, thanks to a wonderful Brooks script.
One other comment I will add is that there is practically nothing in this movie to find offensive or objectionable. Good, clean fun, with many laughs.
Brooks more recent movie, "The Muse" featured a similar theme of a writer whose talents are temporarily stifled. I wonder if there is any autobiography to Brooks' scripts, but I am sure there is not, for his stories are often full of wonderfully funny moments.
I really recommend "Mother".
My mother was always a fan of Debbie Reynolds, so I took her to the theater to see this film when it came out. I must agree with everyone else who states that Debbie Reynolds should have been recognized by the Academy for this film. She nailed the part so perfectly, that sitting there, watching her on the screen with my own mom in the seat next to me, all I could think of was "My God, they're twins!"
Você sabia?
- CuriosidadesSince she had received no alimony from ex-husband Paul Simon, Albert Brooks asked good friend (and daughter of the movie's star Debbie Reynolds), Carrie Fisher, if she would ask her ex to give Brooks the right to use an adapted version of his famous song "Mrs. Robinson", which had originally been used in the film A Primeira Noite de um Homem (1967). Both Simon and his equally famous partner Art Garfunkel had previously refused to allow anyone to use their iconic song. For instance, in the early eighties, the duo were offered a lot of money to rework the song for a "Mr. Coffee" commercial. They refused that and all other offers. However, because of his relationship with Fisher, Simon agreed, and the song was rewritten using the name "Mrs. Henderson" instead.
- Erros de gravaçãoThe "original" baseball card that Jeff tells John is worth $50,000 clearly has the words "Reprint Series" visible on the back, which means it wouldn't be worth more than one dollar in 1996.
- Citações
Beatrice Henderson: I love you.
John Henderson: I know you think you do, Mother.
- Trilhas sonorasMrs. Robinson
by Paul Simon
Special lyrics by Albert Brooks & Monica Mcgowan Johnson (as Monica Johnson)
Performed by Steve Lively & Jess Harnell
Produced by Marc Shaiman
Principais escolhas
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- How long is Mother?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 19.145.198
- Fim de semana de estreia nos EUA e Canadá
- US$ 137.701
- 29 de dez. de 1996
- Faturamento bruto mundial
- US$ 19.145.198
- Tempo de duração
- 1 h 44 min(104 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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