Escolha dois repórteres de televisão rivais: um bonitão, um talentoso, ambos homens. Adicione uma produtora. Misture bem e veja as faíscas voarem.Escolha dois repórteres de televisão rivais: um bonitão, um talentoso, ambos homens. Adicione uma produtora. Misture bem e veja as faíscas voarem.Escolha dois repórteres de televisão rivais: um bonitão, um talentoso, ambos homens. Adicione uma produtora. Misture bem e veja as faíscas voarem.
- Indicado a 7 Oscars
- 15 vitórias e 23 indicações no total
Joan Cusack
- Blair Litton
- (as Joan Cusak)
Avaliações em destaque
9chua
For me this wonderful rollercoaster of a film bears repeated pleasurable viewings. Its about the tangled lives of three very different people. Holly Hunter is the obsessive workaholic producer. Albert Brookes plays the unprepossessing but brilliant journalist. William Hurt is the affable but dumb new kid on the block, news anchor.
The classical love triangle emerges with the stunningly witty and self deprecating Brookes in love with Hunter but she of course is attracted to Hurt.
This film works on many levels. At the very least it is a brilliant comedy with the one liners flying so thick and fast that each viewing bears a new harvest of ones that you may have missed last time. Its also a film about attraction and unfulfilled romance.
But perhaps most importantly the film examines the modern obsession with physical appearance and its ultimate triumph over intellect as a valued human attribute. This is personified by the meteoric career success of the Hurt character in contrast to Brookes relative decline.
Despite being fifteen years old the film has some startingly relevant messages about modern news values and the continuing decline in journalistic standards.
This film is a classic in every sense and it is difficult to understand why it has been so neglected
The classical love triangle emerges with the stunningly witty and self deprecating Brookes in love with Hunter but she of course is attracted to Hurt.
This film works on many levels. At the very least it is a brilliant comedy with the one liners flying so thick and fast that each viewing bears a new harvest of ones that you may have missed last time. Its also a film about attraction and unfulfilled romance.
But perhaps most importantly the film examines the modern obsession with physical appearance and its ultimate triumph over intellect as a valued human attribute. This is personified by the meteoric career success of the Hurt character in contrast to Brookes relative decline.
Despite being fifteen years old the film has some startingly relevant messages about modern news values and the continuing decline in journalistic standards.
This film is a classic in every sense and it is difficult to understand why it has been so neglected
This movie is one of my favorite comedies of all time. The dialog is crisp, the pace is fast. Not only is this a clever comedy, this is an interesting look at what goes on behind the scenes in the television news business.
There are so many funny lines...a couple of my favorites:
Ernie Merriman: (sarcastically) It must be nice to always believe you know better, to always think you're the smartest person in the room. Jane: (seriously) NO, it's not, it's awful!!
Aaron: He must be good looking Jane: How do you know that? Aaron: No one invites a bad looking idiot to their room!
The performances of Holly Hunter, Albert Brooks, and William Hurt were absolutely brilliant! Even years later, I remember this movie well. Often forgotten is the wonderfully funny Joan Cusack! I love the scene where the newsroom personnel are racing to beat a deadline. There are so many funny scenes that it's hard to pick a favorite. I highly recommend this film.
There are so many funny lines...a couple of my favorites:
Ernie Merriman: (sarcastically) It must be nice to always believe you know better, to always think you're the smartest person in the room. Jane: (seriously) NO, it's not, it's awful!!
Aaron: He must be good looking Jane: How do you know that? Aaron: No one invites a bad looking idiot to their room!
The performances of Holly Hunter, Albert Brooks, and William Hurt were absolutely brilliant! Even years later, I remember this movie well. Often forgotten is the wonderfully funny Joan Cusack! I love the scene where the newsroom personnel are racing to beat a deadline. There are so many funny scenes that it's hard to pick a favorite. I highly recommend this film.
I'm sitting around going through movie listings and not really seeing anything I want to see. My appetite keeps saying, "Something like BROADCAST NEWS." That's what I want. Something smart and funny, with adult ideas and great acting and writing, and a directorial style that doesn't call attention to itself. This may well be Hurt's best performance (is this or THE BIG CHILL, to my mind): however eccentric, Hurt is smart, and to play an unintelligent person without making sure -- wink wink -- the audience knows -- wink wink -- hey, I'M not stupid... well, that's fine acting right there. Hunter is note-perfect, and Albert Brooks is a revelation. (And he can read and sing at the same time!) Great, great work.
BROADCAST NEWS marks the first time I saw Holly Hunter and I was mesmerized at her focus, quickness, passion, and finally her eccentric prettiness and sex appeal. The movie is hers from start to finish, and makes the 'love triangle' subplot almost unnecessary. She's so smart in the film (a rarity for a lead female) that you almost think if her only romantic choices are William Hurt's style-but-no-substance anchor or Albert Brooks's neurotic but intellectually arrogant reporter, she'd be better off with Robert Prosky. Though I can best relate to Albert Brooks (the guy who loves the smart, alluring girl who only sees him as a 'brother'), he still ticked me off a bit. My favorite scene in the film is him pouring his heart out to Hunter on a front porch confessing his love, then taking her by surprise and kissing her romantically (the only time he gets the chance). When he goes petulant later in the story, it's a bit hard to take. Fortunately, the James Brooks script and direction are a joy throughout, culminating in two perfect scenes: one with Joan Cusack unraveling seconds before a tape feed, and a marvelous 360 (?) pan thru the studio showing a live news feed from producer to anchor in one shot.
"Broadcast News" deals with news journalists who are all trying to keep their sanity in an insane business. William Hurt (Oscar-nominated) is the man who will do anything to become the head news anchor with his television network. He knows that the top anchor (Jack Nicholson) will be retiring soon and he must have that seat in front of the camera. Holly Hunter (also Oscar-nominated) is the smart producer who realizes that not everything in the news business is just black and white. Albert Brooks (Oscar-nominated as well) is the reporter who does not take anything too seriously. He is a great newsman, but does not have the drive or charisma to make a splash like Hurt does. This is definitely a black-comedy because the comedy comes to a screeching halt throughout the film to make way for heartrending drama that is both realistic and sometimes difficult to take. Brooks' screenplay is smart for the most part, but the film is flawed in several areas. Sometimes the direction is not clear. I think that Brooks was going for something like "Network". He comes close, but this film is in a lower class than that movie. The performances are top-notch. However, Jack Nicholson's token appearance is somewhat wasted here. He shows up for one or two minutes at a time and his character is never explored. More Jack Nicholson would have provided more insight into Hurt's character and his motives. Though flawed, "Broadcast News" is still a very good film that is a winner for the most part. 4 stars out of 5.
Você sabia?
- CuriosidadesAlbert Brooks revealed that when he first read the script, the scene where Aaron does a weekend broadcast simply noted "Something bad happens to Aaron on the air." Albert was watching CNN when a reporter he'd never seen before (and hasn't seen since) began sweating badly. Albert phoned writer and director James L. Brooks at three in the morning, and stated that Aaron HAD to start sweating profusely.
- Erros de gravaçãoAs Jane approaches the restaurant to meet the gang for drinks, William Hurt (Tom) peeks around the corner early and realizes he jumped his cue. He quickly pulls back, then he and Jennifer walk around the corner as if they had just left.
- Citações
Aaron Altman: Ok, I'll meet you at the place near the thing where we went that time.
- Cenas durante ou pós-créditosAlbert Brooks' singing of "L'Edition Speciale" from the film also briefly appears in the end credits.
- ConexõesEdited into Armageddon in Effect (2008)
- Trilhas sonorasÉdition Spéciale
Music by Francis Cabrel
Lyrics by Francis Cabrel
Performed by Francis Cabrel
Courtesy of Editions 31 (Paris)
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- How long is Broadcast News?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Detrás de las noticias
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 20.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 51.249.404
- Fim de semana de estreia nos EUA e Canadá
- US$ 197.542
- 20 de dez. de 1987
- Faturamento bruto mundial
- US$ 67.331.309
- Tempo de duração
- 2 h 13 min(133 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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