Mãe é Mãe

I think Albert Brooks did a wonderful job with this film. Portraying all the odd little things that happen in our relationships with our respective mothers. We all have those moments where we look at her and can't believe that we were spawned from her loins. The ways that at any age, she can reduce us to about 9 years old and completely humiliate and embarrass the hell out us at a moments notice.

Debbie Reynolds is magnificent as the mother, she has that maniacal sense of motherly perfection that all of our mother's, at the very least, attempt to portray.

Rob Morrow is also hilarious as the jealous younger brother. Every scene between him and Brooks is a laugh riot, because they both seem to regress to their younger days when they would fight over toys and the remote control.

All in all, I think it is something everyone can relate to on some sense. We have all had one or two of these moments with our mothers and it is more than likely they will happen again.

This is a great movie that is a lot of fun. I really liked Debbie Reynolds, who I think deserved a Best Supporting Actress award for her performance. Her comic timing is perfect.

Albert Brooks is great too. He reminds somewhat of Woody Allen, playing a neurotic science fiction writer who gets writer's block. He moves back home with Mom (Reynolds) in hopes of breaking the block.

The interplay between these two great actors is marvelous, thanks to a wonderful Brooks script.

One other comment I will add is that there is practically nothing in this movie to find offensive or objectionable. Good, clean fun, with many laughs.

Brooks more recent movie, "The Muse" featured a similar theme of a writer whose talents are temporarily stifled. I wonder if there is any autobiography to Brooks' scripts, but I am sure there is not, for his stories are often full of wonderfully funny moments.

I really recommend "Mother".

Albert's Brooks' comedy 'Mother' is frequently hilarious, with some cracking dialogue, and highly perceptive: few viewers will fail to recognise some aspect of their relationships with their family in its portrayal of its eponymous central character and her middle-aged son, played by Brooks himself. But in taking their interaction as its principal subject, instead of using it as a backdrop to a wider story, the film chooses to pursue limited ambitions, and there's a level of contrivance necessary to support this narrow focus: while, at a micro-level, the film is perfect, the overall plot makes less sense, and the ending is a little pat. Not a great film; but one guaranteed to make you smile.

This is one of those movies that's like watching a play on a movie screen, and what an enjoyable play it is. Through deft writing and flawless acting, this film manages to capture the subtle psychological warfare taking place b/t Brooks and his family. Also to his credit, the Brooks character is far from flawless or blameless that the relationship has become such an emotional wasteland. A gentle giant.

Sometimes, from the endless stream of average movies, comes a gem, this is one such film.

Albert Brooks is impossible to beat if you're looking for character driven comedy, and "Mother" comes second only to another Brooks film, "Modern Romance".

Here we have the story of a science-fiction writer, blocked and fresh from his second divorce. It's the break up with this woman that prompts John Henderson (Brooks) to move back in with his mother, in the hope that solving his life-long problems with her will lead to the solution of his myriad of other problems.

The comedy is brilliant throughout. The scene in his mother's kitchen (food talk) is a contender for the finest comedy scene ever written. And the small things, that other writers neglect, are what make this film a standout: One example is the scene when Brooks' character is attempting to make a start on his next novel; it's truly hilarious, and any telling of its humour hear wouldn't convey the true laugh-out-loud quality of the moment, so just watch the movie.

Albert Brooks and Debbie Reynolds both give perfect performances as the lost and insecure son, and the unsure and uninterested mother, and their chemistry is unique.

An absolute comedy gem, and my second favourite film of all time; second only to "Modern Romance"