Lilies - Les feluettes

"Lilies" is an achingly beautiful work. The acting, cinematography, music and sets are stunning. The use of only male actors, including for female characters, seems right here. And in the final analysis, the best and worst of human emotion (especially concealed jealously) becomes so vividly portrayed that one is not sure whether to laugh, cry, or yell out with anger at the characters' actions. Anyone who considers themselves a "cinema buff" should put this one one their "must see" list. So, when does the DVD come out???

I am writing mainly because the one comment I saw on this site was negative. I just watched the movie and it was gorgeous. Gorgeous scenery. Gorgeous men. Wonderful music. Jason Cadieux is gorgeous beyond words.

The movie is quite obviously set in a prison where there would be a lack of women. It is quite artistic. The use of men to play women is both campy, and artsy, hearkening back to Shakespeare. It is not done to get laughs however.

The twist in the movie is that the man who is to give his confession, hears a confession. It ends in a way that you must make up your mind about the punishment.

After a spate of disappointing gay films in the mid 90's, Lilies appeared from Canada as a fresh bouquet presenting a refreshing change of pace. Improving upon the play its based on, Lilies uses various cinematic conventions to its advantage, with cuts between prison re-enactments and the actual events given seamlessly and often artisticly breathtaking. The use of cross gender casting (this is an all male film) is humorous to a degree, but never in a mocking drag queen tone. We come to believe these men are really women. And the coming of age love story at the center of the plot, done to death by so many other films, is achingly tender.

It was once said that gay work has to have someone die in it and this film is no exception. But the deaths portrayed here and the long hidden betrayal finally revealed are handled quite effectively. The artifice involved only adds an extra layer of beauty upon the story. A remarkable acheivement.

LILIES, based on a Canadian play 'Les feluettes' by Michel Marc Bouchard, has been adapted to the screen by Bouchard and placed in the sensitive hands of director John Greyson, an artist who is able to indulge in surrealism with reality and make it work well. This very beautiful film is cast entirely with men despite the fact that there are women roles in the story. How does he make that work successfully without pandering to artiness? View this little film and make the discovery for your self.

Set in Quebec in a prison, Bishop Bilodeau (Marcel Sabourin) has been summoned form the outside to hear the confession of 'a very sick man' who has been imprisoned for 40 years for a murder. Upon the Bishop's arrival the audience knows something is amiss: despite the atmosphere of the prison as a stage accompanied by choral singing of plainsong (The Hilliard Ensemble) there are props and images that seem out of place in a grim prison. The Bishop is ushered into the confessional booth and when he opens the window to hear confession, the person in the seat is Simon (Aubert Pallascio) the 'very sick' man who has planned for the bishop to watch a play depicting the 40 year old crime - a reverse on the confessional stance.Through a small aperture in the bishop's now locked confessional, the Bishop is forced to watch a reenactment of the incident 40 years ago when two young boys, Simon (Jason Cadieux) and Vallier (Danny Gilmore) were in love and the young future Bishop (Matthew Ferguson) was jealous of Vallier's attention from Simon and played a key role in 'murder' of Vallier that resulted in Simon's being accused and imprisoned. The atmosphere leading up to this act includes the reaction from the small town's homophobia and to Simon's sexual ambiguity that involves a strange lady Lydie-Anne (Alexander Chapman) who arrives form Paris via an air balloon. It is the interaction of the boys with the townsfolk, the new lady arrival who desires Simon's affections, and Vallier's understanding and self-sacrificing mother Countess De Tilly (Brent Carver) that leads to the fateful death of Simon. How the story ends in the confessional booth reversal is the beauty of the film that must be left unsaid for the drama to affect potential audiences of this movie.

The cast is all male because the whole story is a mise-en-scene, a play within a play, where all parts are acted by the prisoners for the sake of displaying truth to the Bishop. There is no pretense at making the men look like women except for the costumes and this enhances the message of the story. The actors are excellent and the impact of the story is powerful. Yes, this is a highly honored gay-themed film, but it is really more about the power of love both in youths and in thwarted adults that makes it a film for all audiences. Highly Recommended. Grady Harp

Everyone does things they would rather forget. Lilies is about one man's horrible sin returning to haunt him, 40 years after the fact. As a rash child, young Jean Bilodeau did all he could to seperate gay lovers Simon and Vallier- not for any high-minded moralistic reason, but out of his own jealousy and desire for Simon. 40 years later, Bilodeau and Simon meet again, and witness their history performed by prisoners in a Quebecois jail. What results is heartwrenching and beautiful.

The cinematography of Lilies is flawless, moving effortlessly between 1952 and 1912 with lush, vivid colours. The performances are also excellent, with Brent Carver a notable standout as Vallier's deluded mother (as the movie is a play set in a jail, we see the male prisoners perform all of the roles, including the female ones). Jason Cadieux and Danny Gilmore are beautiful as the young lovers going through the awkward pangs of adolesense, coming out, and first love. A truly beautiful movie for anyone who loves a good cinematic experience, I cannot recommend Lilies enough.