Trapaças no Horário Nobre

The Late Shift is a great book, I read the book several years ago, and I was transfixed at the cutthroat debauchery that went on when Johnny Carson retired and Jay Leno and Johnny Carson tried to grab his spot. When the movie came out, I snagged a VHS copy of the movie, and having reread the book recently, it's hard to say which I enjoy more, because they're quite equal in the amount of information conveyed. The two lead actors, John Michael Higgins, and Daniel Roebuck, two actors I never heard of before, and haven't heard of since, play Leno and Letterman convincingly, despite Letterman's dismissal of his portrayal as being poor. They play the parts quite well, despite a lot of people looking for an imitation of the two. I wasn't as interested in that. The story is what counts. And that brings me to Kathy Bates. Kathy Bates, playing Helen Kushnick, IS this movie. She plays this evil bitch of a character so menacingly you realize how on earth can this woman control herself, much less a national TV show. Yikes! There should be a sequel!!

It's a behind-the-scenes movie about the battle between Jay Leno (Daniel Roebuck) and David Letterman (John Michael Higgins) for the Tonight Show on NBC. Jay's hard-charging agent Helen Kushnick (Kathy Bates) schemes to get him the show. They are approached by CBS. Then she gets him a secret deal with Warren Littlefield (Bob Balaban) and John Agoglia (Reni Santoni). When Johnny Carson surprises everybody by announcing his retirement, Leno is given the show. Letterman hires agent Michael Ovitz (Treat Williams). Kushnick steps on some toes as Tonight Show exec and starts making enemies.

This is a solid TV movie from HBO. The minutia of each piece of information can be pulled apart by those involved. Kathy Bates is great and I'm sure Kushnick has plenty of bones to pick with this movie. Jay Leno doesn't come off well either as a naive puppy desperate for approval. Letterman comes off much better. This is overwrought but the material allows for it. It's a fun take on a fascinating story.

This movie is a surprisingly faithful adaptation of the book, so if there are any inaccuracies they trace to the book, not the movie. The only thing that I noticed was left out of the movie was some of the background that took place in the 80s and even 70s - the book opens by explaining that Carson wanted Letterman to follow him, and going into why Leno was so loyal to Kushnick. The film gives very abbreviated versions of this background two thirds of the way in, which I think would be confusing to viewers who hadn't read the book, making them wonder for most of the movie why people were behaving the way they were.

Sequencing aside, the movie is a quite good job of adapting the book. I do wish the film had done a better job of explaining Carson and Letterman's friendship, and the rather vile emotional manipulations the book alleges Kushnick used on Leno. However, most of what was left out wouldn't really have worked in film formanyway.

In so far as the book was an accurate story of the late night wars, the movie is too. If you're wondering what happened with Leno and Letterman, this movie will do in a pinch if you don't want to read the book.

If you don't care about Leno and Letterman, this is a decent drama full of intrigue that probably would be worth your time if you catch in on TV, but it's not really worth renting or buying, the movie kind of assumes you already know and care about the Leno and Letterman saga. Only Leno's background is hinted at, and again, not until late in the movie, and I think the entire movie manages to not mention Letterman is from Indiana, had a long-time friendship with Carson, and it fails to really explain why Letterman was even worth fighting over in the first place, mostly he comes off as an egotistical jerk in this movie.

This movie is mostly for fans of either of the late-night shows. It didn't have to be, with some better editing this could have been a fascinating story even if you'd never heard of El Chinno or the Gap-toothed one.

It is 1991 and rumors abound that Johnny Carson will soon retire from hosting The Tonight Show. It is clear to the NBC executives and decision makers that there are only two men in the running to replace him: David Letterman and Jay Leno. Both men want the job, and have their winning qualities: Letterman is Carson's personal favorite, considered a more adventurous comic talent and something of the heir apparent. Leno, on the other hand, skews to a wider audience and is easier for the executives to manipulate. A bitter business battle erupts over who will take over the show, full of seedy behind the scenes machinations and corporate backstabbing; presented for your viewing pleasure in Betty Thomas' 'The Late Shift.'

Based on Bill Carter's non-fiction book of the same name, 'The Late Shift' is a fascinating, informative and entertaining peek behind the show-business curtain at a very turbulent time in television history. The narrative is tense and thrilling, exposing the cutthroat world of T. V in a satirical way which recalls Sidney Lumet's 'Network,' while still adhering to the facts. The film also features well-rounded versions of many real-world figures, from Letterman and Leno to Warren Littlefield and Michael Ovitz.

The film's versions of Letterman and Leno are particularly interesting and multi-faceted. The screenplay takes a stab at explaining their reasons behind wanting The Tonight Show, and tries to show us the 'real people' behind the entertainers. Ed McMahon used to joke that whenever he was approached by fans, the first question he was asked was always "what's Johnny Carson really like?" While the film can't and doesn't show us what Letterman and Leno are really like- or Carson, for that matter- their cinematic caricatures as written seem to be close enough to the real thing as to be memorable and impressive.

On the other hand, the dialogue often drifts into the expository, and some moments feel melodramatic; particularly those of a confrontational nature. Mac Ahlberg's cinematography is nothing to write home about either, appearing flat and dull. While it is a T. V movie- and therefore one's expectations should be lowered when it comes to visuals- there's no excusing generic work. On this point, the prosthetic make-up used for Leno is distractingly amateur in appearance, making the character look quite ridiculous and cartoonish.

Daniel Roebuck's performance as Leno is less ridiculous, but still rather cartoonish. Setting aside the awful make-up, Roebuck hasn't got Leno's voice right, and sounds like a bad impressionist on the Howard Stern show. He says his lines with conviction but without Leno's speech patterns or timing. Additionally, he plays the man as if he were a little slow; which seems a bit of a strange choice. As time goes by, you settle into the performance somewhat, and Roebuck isn't terrible; he just doesn't deliver a notable or accurate interpretation of Leno.

With John Michael Higgins, it's a different story. He is pitch-perfect as Letterman; he's got the voice, the look and the mannerisms down flawlessly. It is arguably one of the finest, most accurate portrayals of a real person ever in film. He plays Letterman as a work-obsessed, slightly neurotic hypochondriac- but one with charm and wit a-plenty. The film may be slightly biased towards Letterman, and chances are you will be too after watching it; due in large part to Higgins' commanding performance.

Of the supporting cast, Kathy Bates and Treat Williams must be mentioned. Bates plays Leno's manager, Helen Kushnick, a manipulative, vicious businesswoman with no morals and a mouth like a sailor. She is terrific, giving a wild performance that justly won her a Golden Globe that year for Best Supporting Actress. Williams plays Michael Ovitz- a sleek agent who takes Letterman on as his client- and is brilliant; smooth and calculated like a coiled, corporate cobra ready to strike. Of note to some may be Rich Little, who does a cameo as Johnny Carson, which is thankfully brief, as it is embarrassingly, jarringly inaccurate.

'The Late Shift' is an interesting, informative made-for-T. V-movie concisely recounting the infamous Late-Night Wars of the early 90's. Featuring fine performances from the likes of John Michael Higgins and Kathy Bates, the film rockets along at a brisk pace, providing entertainment all the way. While Daniel Roebuck's performance as Leno and the cinematography leaves a bit to be desired, the film is still wildly entertaining; showing us the dog-eat-dog world of showbusiness in a clever, frank way. In short, 'The Late Shift' is a made for T. V gift.

I read the book written by Bill Carter on which this movie is based many years ago. The book is certainly stronger than the movie. It provides more detail than a movie can possibly provide, the end result being that I thought the movie seemed a wee bit sketchy on a handful of items. All things considered, though, and given the limitations of the medium, the movie provides a wholly entertaining and informative account of the battle between Jay Leno and David Letterman in the early 90's to host "The Tonight Show" after the retirement of Johnny Carson.

The highlight is clearly the performances. I can think of no more difficult performance for an actor than to play a character who is still alive and well-known and on TV on a regular basis. John Michael Higgins nailed the part of Letterman perfectly. Watching him really was like watching Letterman. Daniel Roebuck tried valiantly to be Jay Leno, but somehow didn't pull it off as effectively. His whole "look" seemed fake, and he just didn't seem natural in the role. In a less central role, Rich Little not surprisingly nailed the voice of Carson, although the look was a bit off. In the book, the most interesting of the central figures was probably Leno's agent, Helen Kushnick. In the movie, Kathy Bates was perfect in the role, although not quite as out of control as Carter's portrayal of the woman in writing.

In the end, this is light and entertaining viewing. The subject matter isn't especially important in the overall scheme of things, but it's a fun behind the scenes look at a memorable time in the entertainment industry. 7/10