Prisioneiro das Montanhas

In this film, I can find almost everything what I like in a movie. It presents the life of a small community, their thoughts, their feelings and their habits. It has a nice atmosphere, beautiful sights, good actors, and a strong story. What else do you want? Another reason to love Russian movies.

Like many other Russian films, the two main characters in `Prisoner of the Mountains' can be viewed as representative of the Russia that was and the Russia that is. Through their interactions with each other and the other characters in the movie, it is possible to draw conclusions about the state of the new Russia, the relationship between Old and New, and the problems and challenges that new Russia will face.

Ivan, the young, innocent Russian soldier represents the new Russia. He is open, accepting, inexperienced, and most importantly, he is not filled with hate. The second Russian soldier in the film, Sasha, is the old Russia. He is experienced in war and killing; as he puts it, he did not start out a killer, but he learned to love it over time. He was not always so callus, but grew so because of his environment. He is hard, cold, and firmly believes in the limits that race and ethnicity place on people. These two are both captured, and as they spend time living amongst their captors, both seem to form relationships and bonds with them. Sasha, however, only does this to gain their trust, and without a moments hesitation kills Hasan, the mute, with whom he spent so much time. Ivan, on the other hand, creates genuine bonds, truly finding love with the young girl. Ivan is not caught up with the fact that his feelings are taboo; his young heart and his open mind do not have room for hate.

Ivan is caught up in a war he has no part of; it is Sasha's war, not his. Because of the actions of Sasha, old Russia, the potential relationship between Ivan and the young girl, new Russia and Chechnya, is never realized. Ivan suffers because of the moves made on his behalf by the war mongering Sasha. Sasha has nothing to escape for, but he promises Ivan he will get him home. Sasha's method, however, only serves to worsen the situation. Even when Sasha is dead, it is too late for Ivan, the scars, distrust, and hatred run too deep to ever be mended, and new Russia is left dealing with the issues and hate it does understand that old Russia has left behind.

There are probably a lot of prejudices people have against Russian film. Mine were gone after I had seen this one.

"Kavkazskij plennik" is a film about a youth who's being sent to Chechnya to fight for the Russian army. He's together with another Russian soldier being captured in Chechnya by an older Chechnyan man who wants to change them for his own son, who's is being held by the Russians. There being locked into an old house high among the Caucasian mountains. Soon a friendship develops between them and young girl who brings them food and water.

This movie was made after and during the last months of the first Chechnyan war. Everybody's a victim and there is nothing to win in this war, specially for the Russians. It is just a matter of how much you lose. The persons in this film do not hate each other because their fighting on different sides. The Chechnyans probably hates what these Russian soldiers represent, but they know that this war isn't caused by these two Russians. They are both just a small, meaningless part of it. Russia does not give a damn about their lives, probably because it's leaders have lost the humane touch, while calculating their offensives. Lives have been reduced into numbers on white sheet. But there are people who care, even among the "enemies". Normal people still show respect for humanity.

The rhythm of the movie is great, it leaves the viewer enough time to think and also find the deeper thoughts from the movie. The music is well selected too, I just cant get that tune out of my head. This together with a realistic humane aspect gives this movie a strong pacifistic tune. Definitely worth to take a look at.

One might assume that the title refers only to the two Russian soldiers taken hostage by villagers in the Caucasus. But the Russian army has the village surrounded, so the townspeople are also prisoners. Moreover, each side is a prisoner of their own hate: the Russians can't see the villagers as humans and the villagers can't see the Russians as humans, thereby continuing the cycle of hate. Even the village elder is a prisoner of tradition: he uses a ceremonial knife for something in which he could have used a gun.

All in all, "Kavkazskiy plennik" (called "Prisoner of the Mountains" in English) is a very well done movie. Oleg Menshikov and Sergei Bodrov Jr. do very well with their roles, and the situation in Chechnya makes the movie all the more relevant.

The simple story of two men captured an imprisoned in a small village develops actually to one of the most poetic and effective peace messages of our times. Based on stable and very well described characters and by the use of magical photography of a small village in Caucausus the movie helps us face the tragedy of war and the madness of human conflict as well.

The movie is about two Russians captured by the rebels, kept as hostages by an old man whose son is also in prison by the Russians. Since the old man wants to trade the two Russians with his son he insists that they must not be killed, he keeps them as a hope for his own tragical mission, to rescue his own son, despite the fact that other rebels want hostages killed. One of the Russians, actually a young and unexperenced soldier ends up respecting that small village. The relations among villagers and hostages, the deep human touch between the young Russian and the niece of the old man become the real story in the middle of the war.

The viewer confronts since the very beginning what war is about, the importance of human existence and life and the madness of human conflicts. Above all is life, creativity (the youg Russian repairs clocks), laugh and drink. While poverty and sadness reigns in the village tradition and human figures seem to survive. Those human values survive for a few moments before reality shows the cruel side of life once again. The movie is extremely poetic, images and folkloric scenes are well dressed with silent and simple russian music, silence and well developed scenes (the old man loading his son's dead body, the mother of the Russian and the old man meet each other as ennemies with the same feelings though as parenthood is above all wars, the young Russian is afraid to die).

Although the actors are not famous you will appreciate the natural talent of the actor playing the old man, a perfect tall-thin shape which dominates the screen. This movie is a must, a call of nature of humanism, a message which can't lose its modernity.