No Amor e na Guerra

I found this movie tolerable for what it is - and it is a movie VERY LOOSELY referencing a true story. I think 'based on' is just too defining. This is a portrayal based on a few letters - and even the words in those real letters written by the gal herself were just one small side of the story.

I read a few reviews where people felt this portrayal of E. H was in no way accurate.

I guess for everyone who felt that way, they must be still be the exact same person they were at 20 as they are at 60?

Still, for some reason, I do feel O'Donnell was miscast as E. H. But the lack of intense chemistry between the actors &/or the characters was useful - because this relationship was never meant to be. Honestly, and I don't mean to negate the need or importance of it - but the number of short-lived romances that occur in war out of need & fear & many other emotions - is endless. They're meaningful in the moment - realistically most participants understand that. I think E. H. didn't want that fact to be true. To me, that whole concept what the movie portrays.

I can certainly imagine him as a competitive, brash 20 year old with idealistic expecations of war - and I did like that the movie portrayed he 'grew up' at least a little bit during his time in Italy. But nothing but decades matures us physically, mentally, & emotionally, and then, many are terribly stunted in one or both of the latter two.

As for his later writing about war - it's largely from observation rather than participation. That's the gifted writer. They don't necessarily have to and many never personally experience the stuff they write. So why expect or demand that of them?

As far as a war-romance-drama goes this was entertaining on that level only.

Don't go in expecting a completely true story. Don't leave it thinking you saw history.

Just accept the genre for what it is.

For those of you who have read Hemingway, you will be surprised and captivated by the boyishness of the pre-war Hemingway that O'Donnell gives us so beautifully. The episodes in the life of the author that are covered by In Love and War are for the most part, not pretty. However, they give an insight into the writing of America's greatest author that no other movie of his work has ever done. Those who expected a movie version of A Farewell to Arms did not receive it, because the autobiographical In Love and War does not tell the same story that the semi-autobiographical book, A Farewell to Arms did. In Love and War is far closer to the truth, as other Hemingway scholars will attest. In that way, this movie is a valuable historical and biographical resource for people interested in Hemingway and his experiences in WWII Italy.

If you are watching this movie just for fun, however, and not to gain insight into a book or an author's life, there is much here for you as well. Bullock and O'Donnell have a wonderful chemistry, and the lighthearted moments are weighed against a tale of great agony and suffering without being preachy or too painful. There are serious moments, when the reality of life and war come home to Ernest, and there are beautiful moments, when Catherine explores Italy. It's a wonderful mix of the dramatic and the light, without being overdone or showy. The realism is striking. I hope that everyone who watches this movie enjoys it as much as I did.

When Agnes played by Sandra Bullock finally gives in to meet young Hemmingway before he is sent home at a run down brothel, Hemmingway says "I wanted this to be the most beautiful place on earth" She says, 'Just close your eyes". This is such an important thing that people overlook. When you have a love like that, you can be happy & in heaven in a run down room, and be in hell or just not happy in a Venitian mansion (the good Dr's house) or some other place that you think money will make you happy.

The story gave me a good insight to Hemmingway. I once saw a play that took place at the end of his life drinking and miserable & maybe still trying to forget and wishing, when she returned to him, his pride had not stood in the way of their love.

Sure the movie had some flaws but well worth watching.

I've seen a few movies only that moved me like "In Love And War". Probably due to my own life, I enjoyed this film as a moment of understanding - the young Ernest Hemingway who has hopelessly fallen in love with his nurse, Agnes von Kurowsky. Both actors (O' Donnell and Bullock) have proved their ability to do a great emotional show. Everything seems so true, so honest, so real. Anyone who has ever been desperately in love, doing things he/she shouldn't have done and takings risks that are obviously not worth taking them - those people do understand the meaning of love. And this movie shows love in war. And everything gets even more difficult for these two lovers who do not know how much surprises life will offer them...

There's something screwy in the Imdb ratings for this movie. Almost 25% of the votes are "10", yet its rating is "5.8"!! No way. This is a genuine 7 or 8 or 9 or 10 film, depending on your personal likes and dislikes. I give it "8".

"In Love and War" is based on the real experience of 18-yr-old Ernest Hemmingway who could not get into the regular Army because of a problem in one eye. However, he made it to Italy as a journalist, and actually was wounded near the front lines. He fell in love with his nurse and they vowed to marry after the war.

Hemmingway is played by Chris O'Donnel, which is my only 'beef' with the casting. Although he does a fine job, we all know that Hemmingway was a more gruff person and it never seemed realistic. Sandra Bullock plays the nurse and I liked her very much in this role.

Anyway, when he gets sent back to the USA, she stays in Italy. She thinks she is in love with an Italian doctor and breaks off her pledge to Hemmingway. He doesn't take it well, he smashes up things, goes into a drinking depression and is never the same. Even after the nurse returns to say she is sorry and still loves him. His pride kept him from forgiveness, and presumably was responsible for his suicide in his early 60s.

Overall a fine film about young men and women and their roles in the war, and its aftermath. The photography is beautiful and the dialog unifirmly well-structured.