O Corcunda de Notre Dame

Granted, Disney's animated, musical rendering of Victor Hugo's classic story "The Hunchback of Notre Dame" isn't a kid-pleaser like "Beauty and the Beast", and yet it is just about in that class. This lovely film doesn't have "Beauty"'s humor or a centerpiece ballad, but I actually found "Hunchback" preferable. Tale of Quasimodo, disfigured outcast in medieval Paris who becomes a hero, lends itself surprisingly well to the animated format, with flashy, active drawings and a handsome production. The direction from Gary Trousdale and Kirk Wise is tight, though their pacing is just a bit frantic, not helped by the choppy editing (were they afraid a slower pace would turn children off?). Although the songs aren't hummable, the Oscar-nominated score from Alan Menken and Stephen Schwartz is hardly a washout, compensating for the overall lack of jokes (the gargoyle sidekicks not withstanding). The celebrity voices (de rigeur these days) are expressive, and the movie tells a captivating, timeless story that should thrill smart-thinking younger audiences. *** from ****

The original film The Hunchback of Notre Dame was one of the saddest and most dramatic films ever. Now, Victor Hugo's original vision is put with color from disney, and it is still dramatic and sad, but it amazingly works into the Dinsey family fold, even if it is erotic, killing and weird. Great fun in voices from Thomas Hulce, Demi Moore, kevin Kline, Tonyt Jay and Jason Alexander as a gargoyle. One of the better animated films to come around in the 90's. A+

Well... No. Not quite. It's not the 'conventional classic' that everyone loves and adores (see: Aladdin, The Lion King) and will show their children and their children's children. But that's just it. How anybody can deny that this is a fantastic film is beyond me.

Okay, it's in no way true to the story. But who cares? This is a Disney FILM. It's hardly setting out to be a serious piece of literature-to-film.

It's just... breathtaking. Not just the animation (which is some of the most accomplished from Disney to date, whilst we're on the subject), but the characterisation and pace of story. Frollo is, arguably, the most evil Disney villain ever committed to celluloid. Here, Disney touches on dark themes never before explored in their animated feature lengths; the main one being lust. The scene with 'Hellfire' is truly chilling.

Quasimodo is a brilliant Disney hero. His alienation is easy to relate to, and yet he's still alien enough for one to feel so sorry for him. He's just so tragic. His unrequited love for Esmerelda as she runs off with someone cooler and better looking is something we can all relate to. I quite like how the ending is part conventional for Disney and part not. Yes, the pretty heroine gets the knight in shining armour, but at the same time the real leading man doesn't have to be paired off with a beautiful leading girl in order to end up happy.

The voices are really talented- the notable standout for me being Kevin Kleine as Phebus, and Esmerelda is arguably one of the best things Demi Moore has ever done. I also adore, against most people's opinions, the gargoyles. Yes, they're a bit OTT, but that's what Disney sidekicks are all about, and they provide essential comedy balance for the darkness of the film.

The Hunchback Of The Notre Dame may not be the most authentic film storyline-wise, but it is dark, touching, scary, poignant, funny, chilling, moving (it never fails to leave me in floods of tears) and is one of the few Disney films that can stand alone from Disney as a wonderful piece of cinematography in it's own right.

I've just read a comment that this movie has a lot of bad songs. I absolutely disagree - there may be some weak parts of script or so, but music is indeed very, very good. Alan Menken made a masterpiece, as usual! The orchestration, score, everything, not to mention good voices of characters. But it is true that maybe this story isn't exactly meant for children, although Disney tried to make it closer to a child's ear and eye. I also think that the animation was really good - much more expressive than some of newer Disney's movies that were made almost entirely by computers. It's a pity that Hunchback wasn't more successful - it certainly deserved it.

A risky wedding of wholesome classic animation, to adult and often dark-themed material. The risk paid off and the result is one of the greatest achievements of Disney Studios.

The animation here is first rate and the entire thing is shot like a live-action film with some incredible long shots, great theatrical panning and even at one point, during Quasimodo's song "Out There" a realistic camera flare (I did a double take the first time I saw it!) Hunchback is filled with all sorts of great "tricks" like this. Lighting effects here are nothing short of magnificent – often subtle they sometimes change in an instant dramatically altering the mood of the piece. Frodo's demonic song "Hellfire" is perhaps one the most sinister and frightening moments to emerge from Disney and the animators let loose.

The prologue to the movie alone is a minor masterpiece and, like Beauty and the Beast, marvelously prepares us for the whirlwind of a story to take place.

The complaints about the singing and dancing gargoyles Victor, Hugo and Laverne, are simply wrongheaded. I read the Hugo classic too, and know they're not in there. What the complainants fail to realize is these gargoyles live only in Quasimodo's imagination. He invented these companions to ease an otherwise tortured, lonely, friendless life. The culmination of all of this becomes obvious in the spectacular song "A guy like you" which finishes with pigeons flying and hearts and banners and ribbons and Quasimodo being celebrated and then BAM immediately upon the conclusion of the final notes, the room becomes the same dark, dank, splintering tower filled with relics, junk and heartbreak. It's one of the movie's most shattering effects.

While deserved praise goes to the animators and crew, the voice talent here is, in my opinion, Disney's very best. Tom Hulce goes to the very soul of Quasimodo and gives a performance that is as poignant and shattering as anything he has done (Hulce also happened to be the best Hamlet I've ever seen.) Certain lines ("I am a monster, you know") will ring in my ear forever. Hulce has a beautiful voice and renders "Out there" with such abandon and vigor it makes my hair stand on end. In the quiet "Heaven's light" (which sequences into a stunning shot of the bells frantically ringing the opening theme), Hulce brings a fragility to such lines as "no face as hideous as my face, was ever meant for Heaven's light" that only a heart of stone would not be moved. Switching from pathos to rage, Hulce lets us feel the hidden rage and danger that this character also possesses. It is a truly remarkable performance.

Demi Moore, Kevin Kline, Tony Jay, Paul Kandel – and the rest of the cast all sound at the top of their game creating wonderful and vivid characters.

Alan Menkin and Stephen Schwartz get to the heart of the matter with score and songs – a sound – that are as integral a part of the telling of this story as the animation and voices.

Hunchback is a miracle of a movie!