Um jovem deve afirmar sua independência de um ministro do governo vicioso para ajudar sua amiga, uma dançarina.Um jovem deve afirmar sua independência de um ministro do governo vicioso para ajudar sua amiga, uma dançarina.Um jovem deve afirmar sua independência de um ministro do governo vicioso para ajudar sua amiga, uma dançarina.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 8 vitórias e 26 indicações no total
- Esmeralda
- (narração)
- Hugo
- (narração)
- Quasimodo's Mother
- (narração)
- …
- Brutish Guard
- (narração)
- …
- Guards
- (narração)
- …
- Oafish Guard
- (narração)
- Clopin
- (narração)
- Victor
- (narração)
- Phoebus
- (narração)
- Esmeralda
- (canto)
- Guards
- (narração)
- …
- The Old Heretic
- (narração)
- Archdeacon
- (narração)
- Baby Bird
- (narração)
- …
- Laverne
- (narração)
- Additional Laverne Dialogue
- (narração)
Avaliações em destaque
Okay, it's in no way true to the story. But who cares? This is a Disney FILM. It's hardly setting out to be a serious piece of literature-to-film.
It's just... breathtaking. Not just the animation (which is some of the most accomplished from Disney to date, whilst we're on the subject), but the characterisation and pace of story. Frollo is, arguably, the most evil Disney villain ever committed to celluloid. Here, Disney touches on dark themes never before explored in their animated feature lengths; the main one being lust. The scene with 'Hellfire' is truly chilling.
Quasimodo is a brilliant Disney hero. His alienation is easy to relate to, and yet he's still alien enough for one to feel so sorry for him. He's just so tragic. His unrequited love for Esmerelda as she runs off with someone cooler and better looking is something we can all relate to. I quite like how the ending is part conventional for Disney and part not. Yes, the pretty heroine gets the knight in shining armour, but at the same time the real leading man doesn't have to be paired off with a beautiful leading girl in order to end up happy.
The voices are really talented- the notable standout for me being Kevin Kleine as Phebus, and Esmerelda is arguably one of the best things Demi Moore has ever done. I also adore, against most people's opinions, the gargoyles. Yes, they're a bit OTT, but that's what Disney sidekicks are all about, and they provide essential comedy balance for the darkness of the film.
The Hunchback Of The Notre Dame may not be the most authentic film storyline-wise, but it is dark, touching, scary, poignant, funny, chilling, moving (it never fails to leave me in floods of tears) and is one of the few Disney films that can stand alone from Disney as a wonderful piece of cinematography in it's own right.
Quasimodo is a disfigured man who was raised by the evil and cruel Frodo who only keeps him to save himself from eternal damnation. One day Quasimodo goes down to the big fair and bumps into a beautiful gypsy, Esmeralda, who doesn't judge him by his looks but by his charming and kind personality. But when she saves him from the crowd's cruelty, she is a fugitive on the run now, but Quasimodo helps her and falls in love with her. But a new soldier, Phoebus, has also fallen for her and she has for him too, but they all must stick together in order to survive the cruel flames of Notre Dame.
The Hunchback of Notre Dame is just such a great film to watch, it's a great family movie for the afternoon. It's such a touching story, it could even bring a few tears to your eyes, and some fun comedy to uplif the story. I loved the old man who is constantly in a trap of some sort and his line every time he gets free "I'm free! I'm free!", then he gets back in the same situation "Dangit!", that was funny. The cast was perfect and seemed to have a lot of fun with their characters. I highly recommend this film, it's a great Disney treasure.
9/10
Você sabia?
- CuriosidadesFor the scene when Judge Frollo sings "Hellfire" and sees Esmeralda dancing in the fire before him, the Motion Picture Association (MPA) insisted that the Disney animators make Esmeralda's clothing more well-defined because she seemed nude.
- Erros de gravaçãoAfter Quasimodo is crowned the King of Fools, among the food thrown at him are tomatoes. Tomatoes are native to Central America, which the Europeans had yet to discover at the time the film takes place.
- Citações
Frollo: [opens his dictionary] Shall we review your alphabet today?
Quasimodo: Oh, yes, Master. I would like that very much.
Frollo: Very well.
[pours Quasimodo a wine]
Frollo: A?
Quasimodo: Abomination.
Frollo: [pours himself a wine] B?
Quasimodo: Blasphemy.
Frollo: [puts the cork back on the wine bottle] C?
Quasimodo: C-C-Contrition.
Frollo: [raises his cup] D?
Quasimodo: [smiling enthusiastically] Damnation!
Frollo: E?
Quasimodo: [points and winks] *Eternal* damnation!
Frollo: Good. F?
[sips his wine]
Quasimodo: [shrugs his shoulders] Festival.
Frollo: [spits out his wine, coughs, then wipes his lips] Excuse me?
Quasimodo: [realising his mistake] F-F-Forgiveness.
Frollo: You said...
[shuts the dictionary]
Frollo: "Festival."
Quasimodo: *No*!
Frollo: You're thinking about going to the Festival.
Quasimodo: I-It's just that, *you* go every year.
Frollo: *I* am a public official! I *must* go, but I don't enjoy a *moment*!
- Cenas durante ou pós-créditosAt the end of the closing credits, the gargoyle Hugo says, "Good night, everybody!"
- Versões alternativasOn British VHS versions of The Hunchback of Notre Dame, it played Eternal's "Someday" over the closing credits.
- ConexõesEdited into The Frollo Show: Frollo Faps to a Firefighters calendar (2011)
- Trilhas sonorasThe Bells of Notre Dame
Music by Alan Menken
Lyrics by Stephen Schwartz
Performed by Paul Kandel, David Ogden Stiers, Tony Jay, and Chorus
Principais escolhas
- How long is The Hunchback of Notre Dame?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- El jorobado de Notre Dame
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 100.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 100.138.851
- Fim de semana de estreia nos EUA e Canadá
- US$ 21.037.414
- 23 de jun. de 1996
- Faturamento bruto mundial
- US$ 325.338.851
- Tempo de duração1 hora 31 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1