Gotti - No Comando da Máfia

A classic in its own right. Yes it wasn't 100% factual (if you have ever seen a COMPLETELY true movie from Hollywood please let me know what it is) but it is truly mesmerizing. I still have difficulty believing this was an HBO movie but they do surprise me sometimes. Armand Assante hit the nail squarely on the head with his depiction of Gotti. Its like looking into a portal of the past. He has the talk down, the walk down, and the character down pat. My favorite Gotti depiction of all time. Forsythe, Quinn, Vincent, and Pastore all turned in memorable performances. And this movie doesn't make you fond of the FBI contrary to another review mentioned beforehand. They do things in this film that would make a decent man sick and want to support the other side; the underdog that doesn't have a chance against the Department of Justice and the "B". Gotti was indeed remarkable and is a great buy. A window into the workings of the mob and a cautionary tale about excessive greed and ambition. It's something you'll watch regularly and will be praised by future generations in the years to come.

This movie focuses a LOT more on just the actual man John Gotti rather than all the affect he has. Armand Assante is very convincing and did an excellent job acting. However, unlike The Godfather, this is a REAL story. That makes it all the more fun to watch. It's definitely worth watching if you're a gangster movie addict like me

It's definitely no Godfather, but if you're looking for something new...give it a shot

8/10

GOTTI is a reasonably fast-paced account of John Gotti's rise to power in the Gambino crime family. I have an interest in Mafioso and I recognize the factual basis of some scenes, allowing for dramatic license. From there I'm willing to assume that the entire movie is based on actual events. Armand Assante is convincing in the role of John, and the supporting cast is noteworthy as well. They are probably a bit more genteel than were the actual mobsters, except perhaps when in the public eye.

The movie's rhythm seems to bog down in a couple of places. It detracts from the general tempo--but patience rewards with good action once again. The violence is not overplayed, in fact it is subdued. Anyone who is aware of the history of real Mafia perpetrators, such as Roy DeMeo, can vouch. Is Mafia life idealized here, thus making it attractive? I guess the viewer has to decide. I have watched it at least ten times and my favorite parts are the Intro and the Castellano hit, but there's more to like in between!

If you enjoyed the Sopranos then you should enjoy this piece, despite its age. It has weathered well. It's not as disjointed as the modern adaptation with John Travolta, and Armand Assante gives at least an equal showing, if not slightly better, not as vicious and calculating, but certainly ferocious and believable. It's better cast than the modern version and consequently the street speak of these players comes across as more authentic. It's not as jumbled as the modern version, and the timeline is one of its greater strengths. Anthony Quinn is supreme, and brings all my compliments above to the fore. Here you'll see many of the Sopranos actors in their earlier roles. Delightful for movie buffs. If you're into mob movies then this is as essential as The Godfather or Goodfellas or Casino.

For a TV movie this is very good. Why Mr. Assante doesn't get more good parts is amazing to me. He nails this part and if you have ever read anything about Gotti you have to believe that the two met. The movie has some great scenes. The best are when the mob guys are just hanging around. The creators of "Sopranos" have used this very well because while wiseguys are not always wise they are sure colorful.