Uma versão distorcida de Chapeuzinho Vermelho, em que uma delinquente juvenil foge da assistente social viajando para a casa da avó, enquanto é seguida por um homem charmoso, porém sádico, p... Ler tudoUma versão distorcida de Chapeuzinho Vermelho, em que uma delinquente juvenil foge da assistente social viajando para a casa da avó, enquanto é seguida por um homem charmoso, porém sádico, pedófilo e assassino em série.Uma versão distorcida de Chapeuzinho Vermelho, em que uma delinquente juvenil foge da assistente social viajando para a casa da avó, enquanto é seguida por um homem charmoso, porém sádico, pedófilo e assassino em série.
- Direção
- Roteirista
- Artistas
- Prêmios
- 6 vitórias e 4 indicações no total
- Flacco
- (as Guillermo Díaz)
Avaliações em destaque
The story is a bit hard edged for some, but sadly, not entirely outside the realms of reality in the current world.
Do characters like hers in this film really exist as portrayed? Absolutely yes. Do characters like that portrayed by Sutherland, the predatory pedophile sociopath who appears to be so acceptably "normal" to the outside world? Absolutely yes, as recent history has shown only too clearly.
On the surface this may have appeared to be a sort of whacky, creepy crime thriller, but actually, if one actually takes the time to watch this film, there is much more to this than the ad copy may have suggested at the time.
It is still currently viable, to this very day . . . has stood the test of time.
And it is absolutely one of Reese's best ever performances.
Sadly, her more recent work has sort of flattened out into much less risky, complex roles, but hey, a great actress she is.
Twisted and richly humorous, Matthew Bright's movie oozes originality and quite frankly deserves to be better appreciated: never mind better known! Going into it for a first time completely oblivious to its structure will arguably aid the experience. Suffice to say that the less known about it prior to viewing it the better. All I have to say is that it's violent, sweary and contains very sexually explicit dialogue, so if those things are likely to offend then perhaps stay away from it. But what if I offer up that those things are dealt with a satirical bent? That the tough scenes, and some of them are very tough, are basis to a caustic narrative about social hypocrisy and the often stupidity of the law? Interested? You should be, because once viewed you're unlikely to forget it. It's no surprise to see Oliver Stone's name etched onto the production credits, since this very much feels like a dirty second cousin to his Natural Born Killers. I'd argue that here we have the better acted film with Witherspoon and Sutherland giving virtuoso performances: with admirable support coming from the likes of Bodison, Shields and Murphy.
One of the most undervalued film's of the 90s? You bet it is! 8.5/10
Reese Witherspoon is dynamite as the white trash lethal Lolita Vanessa Lutz. Along with 'Election' her best role to date. Kiefer Sutherland gets his most interesting part in years as her nemesis, the slimy Bob. And the supporting cast is equally strong, especially dependable character actor Dan Hedaya ('Blood Simple', 'The Usual Suspects'), the cute Brittany Murphy ('Clueless') who oozes sex appeal, and Amanda Plummer ('Pulp Fiction') and Michael T. Weiss (er... 'Howling IV') as the parents from hell. I also got a real kick out of the cameo by veteran Sydney Lassick ('..Cuckoo's Nest', 'Sonny Boy'). Pity we don't get to see much of him here, or anywhere for that matter!
Witherspoon has gone on to well deserved stardom, but this remains one of her finest accomplishments. Bright faltered with the largely disappointing 'Freeway 2', but my money is on him. Anyone who can create a movie this fresh and cool deserves to be remembered!
Você sabia?
- CuriosidadesReese Witherspoon used an exaggerated version of her natural Tennessee accent for the role of Vanessa Lutz.
- Erros de gravaçãoIn the opening scene, Vanessa can hardly read the simple sentence "The cat drinks milk", but she seems to have no trouble reading the menu in the "Hi-Way Cafe".
- Citações
Vanessa Lutz: Holy shit! Look who got beaten with the ugly stick! Is that you, Bob? I can't believe such a teeny weeny little gun made such a big mess out of someone! You are so ugly, Bob! And, hey, I heard you have one of those big poop bags that's like attached to where the shit comes out the side, you're just a big old shitbag ain't you, Bob! You just think of me every time you empty that motherfucking thing, motherfucker!
- Cenas durante ou pós-créditosThe beginning credits play over a series of color drawings (in a style similar to cartoonist Robert Crumb) in a hip retelling of the Little Red Riding Hood story.
- Versões alternativasThe UK version suffered two cuts, totalling about 7 seconds. The first occurs when Mimi Wolverton discovers her husbands porn magazine collection. The missing footage briefly showed the cover of a magazine "Cock Sucking Toddlers". The second missing shot is of Vanessa's murdered grandmother in her trailer home. The cuts were fully waived for the 2007 Blackhorse DVD release.
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Encuentro con el lobo
- Locações de filme
- Sunland, Los Angeles, Califórnia, EUA(EB I-210 at Sunland Blvd., Vanessa's car breaks down)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 3.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 295.493
- Fim de semana de estreia nos EUA e Canadá
- US$ 14.945
- 25 de ago. de 1996
- Faturamento bruto mundial
- US$ 295.493
- Tempo de duração1 hora 44 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1