Darkdrive

When I saw the name of Julie Benz on the cover of this VHS, I have decided to see the movie since I am a great fan of her character Darla, in Angel series. Further, she has one of the most beautiful faces of the cinema industry. However, this movie is such a mess, that is almost impossible to understand the plot and write a summary of the story. The intention of this confused screenplay might be a noir version of `The Matrix', but it never works. The characters are not well developed and it is almost impossible to the viewer understand their motives. For example, who is the girl showed in the end of the story? Why Julie Falcon dies many times? In the end, the unique worthwhile scene along the whole film is when Julie Benz is showed naked, unfortunately with the presence of her husband Falcon. My vote is one.

Title (Brazil): `Fuga Alucinante' (Hallucinated Escape')

This movie is one of, if not the absolute worst movies I have ever had the misfortune of seeing. I only rented it because I happen to like Julie Benz, but she couldn't save it for me. The plot is hopeless, and the acting is worse. The special effects are dated, so you really have no excuse for seeing this, unless you like to suffer.

It doesn't even fall into the so bad it's good type movie.

I agree that the plot is incomprehensible, but it takes you on a weird trip that can be fun. The music is worth the price of admission. The love theme was inspired, as was the entire score, by Eraserhead. It's a bit of a cross between Ennio Morricone and Angelo Badalimente. Hey, I'm not even Italian; I just love those guys. I put on the soundtrack around the house sometimes just to get into a trippy vibe. The later at night the better. I wrote this music right after Distorted Reality (composer tool) came out, and the score is a showcase of the DR samples. The true gem here is the vocal by Giancarlo. We had a great time writing and recording that song. Honestly, this is the best music I ever wrote for a film. Check it out!

I don't see enough of this genre to properly make any comparisons, but this film certainly had very little analytical thought behind the script. It takes place in some future when people are all driving black 97 Ford minivans, but penal reform has reached the point at which prisoners are banished to a virtual reality, furnished with, among other things, abandoned Pintos and Vegas, as well as the other prisoners in a similar plight. The banishment, of course, is accompanied by sustained, blinding flashes of intense white light. The general story line is told through closeups of computer screens the flash up-dating messages like "Transformation Complete" and "Program Compromised". The film abounds with non-sequiturs, which I suppose is de-rigeur in a world where the final outcome cannot possibly have any link to the premise. Needless to say, it has its standard complement of beautiful babes, and Claire Stansfield is kinda cool.

I get 25 cable movie channels, and this was the best thing on at not-quite-bedtime, so I guess it wasn't that bad.

A weird tale of a guy sent into a virtual reality penal colony, where he finds his dead wife singing in a night club, fights Alti from Xena, and tries and fails miserably to be a noir matrix wanna be, without the plot, special effects, or acting. One bright note is an appearance of pre-Buffy The Vampire Slayer Julie Benz, who gets killed several times and has a love scene, and a unexplained kid by the end. So it's a lot like her character of Darla. We even get to see Julie totally topless for her love scene, but sadly they voice over exposition while she sings in the night club. I'd have prefered to hear her sing.